Signals World Tour: BINI and Ashley Mehta - Winnipeg, MB
BINI's much-anticipated return to Winnipeg felt less like a second visit and more like a homecoming.
On August 24, 2026, the Filipino pop powerhouse brought its Signal World Tour to the Canada Life Centre, marking the group's second time performing in the city after first visiting Winnipeg in August 2024. Two years later, the scale was noticeably bigger, the confidence even stronger, and the crowd more than ready to welcome Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena back to Manitoba.
Before BINI took the stage, San Francisco's Ashley Mehta warmed up the arena with a compact set that showcased her pop sensibilities and vocal versatility. Her set included a few of her songs, such as “Weekend,” “Simmer,” “Kissing Isn't Compromise,” and an unreleased track that built anticipation, while her performance of Bruno Mars' “Just The Way You Are” offered a familiar sing-along moment for the audience. She closed out her time on the stage with “I Wish I Didn't Love You,” leaving the audience primed for the main event.
About ten minutes rolled by super fast, and then BINI finally appeared; the reaction from the Winnipeg fans was immediate.
A brief video intro opened their set before BINI rushed into things with “Unang Kilig.” The group wasted little time establishing the night's tone. “I Feel Good,” “Ang Huling Cha Cha,” and “Lagi” kept the momentum high before “Diyan Ka Lang” brought the audience further into the performance. Early in the show, the members took time to introduce themselves and chat with the Winnipeg crowd, an important reminder that BINI's appeal isn't solely rooted in polished choreography and infectious pop hooks. Their personalities are a major part of the experience as well.
“Katabi,” “Sweet Tooth,” “Sugar Rush,” “Step Back,” “Honey Honey,” and “Tic Tac Toe” followed, showcasing the group's ability to move between bubbly pop, dance-heavy production, and more attitude-driven material without losing its identity. However, during “Honey Honey,” BINI and their backup dancers took a moment to walk through the audience, giving eight lucky fans a wristband that they later said was made out of pieces of their old stage attire. Gwen and Maloi then took a moment to speak with the audience, adding another personal touch to an already interactive evening.
One of the night's standout production moments came from The Besties, BINI's backup dancers. The dancers performed their own song, “The Besties,” which also introduced their members, before launching into the visually energetic BINICHELLA dance production. It was a clever way to spotlight the performers who help bring BINI's elaborate live show to life while giving the main group a chance to step aside briefly.
The second half of their set kicked back into gear with “Shagidi,” “Zero Pressure,” and “Out Of My Head.” Another conversation with the audience followed, keeping the show from becoming a simple succession of songs and choreography. BINI consistently made room for interaction, allowing the Winnipeg audience to see the people behind the performances.
Then came a run of all the crowd favourites: “Blush,” “Bikini,” and “Pantropiko.” The latter proved especially effective as a major late-show moment, its bright, celebratory energy perfectly suited to an arena full of fans singing and dancing along.
But it was the encore where the Winnipeg stop became particularly the most special. BINI's encore is known to change from show to show, and this night's “Wheel of Names” added an element of unpredictability. As always, they showed the wheel on songs on the screen, where songs are assigned to each member's corresponding colour, with the wheel determining which solo performances the audience gets to see. In Winnipeg, Gwen seemingly owned the wheel for all three songs.
She was selected to perform “Da Coconut Nut,” then somehow got picked again for a cover of Yeng Constantino's “Lapit.” When she was chosen for a third and final time, the crowd was treated to a cover of “Panalangin.” What could have been a routine encore therefore became one of the night's most memorable sequences, with Gwen taking full advantage of her unexpected hat trick.
Finally, the group brought everyone together for “Salamin, Salamin,” providing an appropriately celebratory conclusion to the evening.
What made BINI's second Winnipeg appearance work so well was the balance between spectacle and intimacy. The Canada Life Centre provided the scale expected of a major world tour, but BINI repeatedly brought the show back to the audience through introductions, conversations, playful moments, and an encore format that genuinely changes from night to night.
Their growth since that first Winnipeg appearance in 2024 was impossible to miss. The choreography was sharp, the production felt expansive, and the eight members carried themselves with the confidence of a group that has become increasingly comfortable commanding large rooms. Yet the performance never felt distant.
Two years after first making their mark in Winnipeg, BINI returned with a bigger stage, a bigger production, and a crowd that had clearly grown alongside them. The Signal World Tour stop proved that the group's rise isn't simply about catchy songs or viral moments. BINI knows how to put on a show—and, more importantly, how to make an arena full of people feel like they're part of it.
Ashley Mehta 
Ashley Mehta 
BINI 
BINI 
BINI 
BINI
All photos by Samuel Stevens.
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