On August 7, 2012, writer and performer Terrance Zdunich brought the premiere tour of their new musical film, The Devil's Carnival, to Winnipeg's West End Cultural Centre. Acclaimed Hollywood director Darren Bousman was also scheduled to appear, but due to a scheduling conflict had to bow out from appearing in Winnipeg. Before the film screening, Zdunich welcomed a local group of misfits to the stage to perform a live freakshow full of crazy antics like sword swallowing and walking on broken glass. Zdunich returned to the stage and showed some never-before-seen footage of his other cult classic, REPO! The Genetic Opera. After the film screening, there was a period of time to ask Zdunich questions about The Devil's Carnival, REPO! The Genetic Opera, and other things. Movie Review: The Devil's Carnival, directed by Darren Lynn Bousman and written by Terrance Zdunich, is a unique and visually arresting musical horror film that takes viewers on a surreal trip into a nightmarish carnival run by the Devil himself. Known for their work on REPO! The Genetic Opera, Bousman and Zdunich reunite to create an eerie, yet oddly captivating world that merges morality tales with a rock-opera-style soundtrack. The film weaves together the stories of three sinners who find themselves in a twisted carnival after death, each facing a personal trial reflective of their earthly misdeeds. John (Sean Patrick Flanery), a grieving father, struggles with the loss of his son. Ms. Merrywood (Briana Evigan), a kleptomaniac, faces the consequences of her greed. Tamara (Jessica Lowndes), a young woman with a naive trust in men, encounters the dangers of misplaced faith. Their tales are intertwined with the Devil's (Terrance Zdunich) own machinations, who takes a perverse pleasure in watching the sinners suffer. The film's setting is reminiscent of classic horror carnivals, with garish colours, creepy clowns, and a general sense of foreboding. The art direction and set design are impeccable, creating an immersive experience that is both unsettling and fascinating. The visual style, combined with the film's musical numbers, gives it a distinctive flavour that sets it apart from conventional horror films. The soundtrack is a highlight, featuring a series of darkly whimsical songs that are both catchy and thematically rich. Each musical number is tailored to the character's story, enhancing the narrative and adding depth to their struggles. The Devil's Carnival employs a variety of musical styles, from vaudeville to rock, ensuring that each segment feels fresh and engaging. Terrance Zdunich, as Lucifer, delivers a standout performance. His charisma and eerie charm make him a compelling central figure, and his musical performances are magnetic. Paul Sorvino, Emilie Autumn, and Nivek Ogre are among the notable supporting cast, each bringing their own unique flair to their roles. At its core, The Devil's Carnival is a morality play, exploring themes of redemption, sin, and consequence. Each character's story is a modern-day fable, with lessons that are both timeless and pertinent. The film's dark humour and gothic aesthetic add layers of complexity to these tales, making them more than just simple parables. However, the film's unconventional structure and stylistic choices might not appeal to everyone. Its narrative can be disjointed at times, and the blend of musical theatre with horror elements might be jarring for viewers expecting a more traditional approach. Despite this, the film's ambition and creativity are commendable, and it succeeds in creating a memorable and distinct cinematic experience. The Devil's Carnival is a daring and imaginative film that will likely resonate with fans of musical theatre and gothic horror. Its striking visuals, memorable soundtrack, and thought-provoking themes make it a standout entry in the genre. While it may not be for everyone, those willing to embrace its quirky, macabre charm will find it a rewarding and haunting journey into the depths of sin and redemption. Rating: 8/10

May 16, 2009 The Forks Skate Park Photos by Samuel Stevens Photography.

December 2, 2007 West End Cultural Centre Photos by Samuel Stevens Photography.

Release Date: October 8, 2013 Genre: Pop Punk Label: Pure Noise Records When State Champs announced The Finer Things , their debut full-length album, expectations were high. Since forming in 2010, the Albany-based pop-punk quintet has gained a reputation for revitalizing the genre with electric energy and anthemic, hook-driven tracks. But with The Finer Things , it feels like State Champs have crafted something truly special—an album that manages to be both nostalgic and forward-thinking, blending the golden-age angst of 2000s pop-punk with a fresh, modern punch. Opening with "Elevated," the album sets the stage with a burst of energy, leading listeners through the excitement and confusion of young adulthood. Frontman Derek DiScanio’s soaring vocals cut through Ryan Scott Graham’s punchy basslines, while Tyler Szalkowski’s guitar riffs bring intensity and clarity. The song’s chorus is infectious, calling listeners to sing along as if they’ve known the song for years. It’s this feeling of familiarity—like a homecoming anthem—that makes the album instantly memorable. Tracks like "Hard to Please" and "Prepare to Be Noticed" encapsulate the essence of State Champs’ sound. These are tightly wound, fast-paced songs that harness frustration, heartache, and resilience, with lyrics that strike a universal chord without feeling generic. The choruses are perfectly crafted earworms, a credit to DiScanio’s knack for melody and the band’s keen sense of dynamics. Standouts like "Simple Existence" and "Deadly Conversation" reveal a more vulnerable side to the band, showing them grappling with insecurities and self-reflection. These tracks slow the tempo just enough to let the lyrics breathe and allow listeners to take a closer look at the sentiments beneath the energetic veneer. It’s clear that State Champs aren’t just about catchy choruses; they’re ready to tackle complex emotions in their music. Perhaps the crown jewel of the album is "Easy Enough," the closing track that serves as both a mission statement and a heartfelt goodbye. It's reflective, taking stock of the album’s journey and leaving listeners with a sense of hope, a moment to pause and remember that growth isn’t a straight line. Produced by Sam Pura and Steve Klein of New Found Glory, The Finer Things  shines sonically. The production is crisp but not overly polished, giving the album a raw energy that brings State Champs closer to their listeners. It’s the kind of sound that feels built for live shows, designed to make venues erupt with sing-alongs and crowd-surfing from start to finish. The Finer Things  feels like an instant pop-punk classic, the kind of debut that showcases raw talent while hinting at even greater potential for the future. By keeping the genre’s best qualities alive while adding their own fresh perspective, State Champs have made a record that could easily become a staple for a new generation of fans. If this album is any indication, State Champs are on a fast track to becoming one of pop punk's defining voices. Check out more from State Champs: Website: https://statechamps.band/ Twitter: https://x.com/State_Champs Instagram: https://www.instagram.com/statechampsny/ TikTok: https://www.tiktok.com/@statechampsny Facebook: https://www.facebook.com/statechampsny/ YouTube: https://www.youtube.com/@statechampsny

Release Date: October 16, 2015 Genre: Pop Punk Label: Pure Noise Records Anticipation has been building for State Champs’ upcoming sophomore album, Around The World and Back , which dropped on October 16, 2015, via Pure Noise Records. The Albany-based pop-punk outfit, fronted by the passionate and energetic Derek DiScanio, has been riding a wave of success since even before their debut album, The Finer Things , and fans are eagerly awaiting what new heights they’ll reach with this release. Around The World and Back  is an ambitious and polished follow-up that brings an array of emotions, bigger hooks, and a refined sound that showcases the band’s evolution. The album opens with “Eyes Closed,” a high-energy track that embodies the band’s classic blend of catchy melodies, punchy guitar riffs, and relatable lyrics. It’s an invitation into a collection that seems to dive deeper into the human experience. This record explores themes of self-reflection, love, heartbreak, and personal growth in a way that feels raw yet uplifting. State Champs’ lyrical approach resonates universally, and Derek’s vocal delivery elevates each track with a sense of urgency and earnestness. Tracks like “Secrets” and “All You Are Is History” are undeniably poised to become fan favourites. These songs pack infectious choruses with anthemic beats that showcase the band’s ability to write pop-punk bangers that stick. “Secrets” stands out with its sharp riffs and memorable hook, while “All You Are Is History” leans into the band’s knack for storytelling, capturing the anger and resolution of moving past a toxic relationship. For the title track, “Around The World and Back,” the band ventures into more mellow territory with a guest appearance from Ansley Newman, adding a softer, more reflective element to the album. The duet’s contemplative tone and intimate lyrics offer a refreshing contrast and demonstrate the band’s growth and maturity since their debut. This acoustic-driven track has the potential to be a fan favourite, offering listeners a heartfelt and personal moment. Instrumentally, the band doesn’t shy away from experimentation. The guitar work of Tyler Szalkowski and Tony Diaz is tighter and more dynamic than ever, blending seamlessly with Evan Ambrosio’s vigorous drumming and Ryan Scott Graham’s steady basslines. Production-wise, each song is crisp and clear, thanks to the talented hands of producer Kyle Black, whose touch ensures that every chorus soars and every breakdown hits with impact. One of the album’s biggest strengths is its consistency. Songs like “Losing Myself” and “Perfect Score” keep the energy high, and each track contributes to a cohesive narrative that reflects the emotional highs and lows of the young adult experience. There’s a sincerity in their sound that will appeal to longtime fans and newcomers alike. With Around The World and Back , State Champs have crafted an album that will cement their place in the pop-punk scene. The combination of soaring melodies, honest lyricism, and impressive musicianship makes it clear that they are more than capable of carrying the genre forward. Whether you’re a die-hard fan or new to the band, this record is bound to have something that speaks to you. Prepare for an emotional and energetic ride; State Champs are here to take us all Around The World and Back . Check out more from State Champs: Website: https://statechamps.band/ Twitter: https://x.com/State_Champs Instagram: https://www.instagram.com/statechampsny/ TikTok: https://www.tiktok.com/@statechampsny Facebook: https://www.facebook.com/statechampsny/ YouTube: https://www.youtube.com/@statechampsny