More about the podcast: The Music Storm Podcast is an interview podcast about getting to know people within the music industry. From musicians, photographers, venue hosts, and even lighting and sound techs, you name it, they may appear. This podcast will be very diverse and asking people what they think the music industry will become, where it’s heading to, and so much more. You can find the podcast wherever you listen to podcasts HERE .

On March 22, 2026, Rise Against returned to Winnipeg alongside rising acts Destroy Boys and Koyo, delivering a night that balanced urgency, catharsis, and community. The show marked night two at the Burton Cummings Theatre, and it wasn’t just a sold-out show—it was a statement. With it being both openers’ first time in the city over the course of these two shows, the energy inside the historic venue felt especially electric—like Winnipeg knew it had something to prove. Koyo. Photos by Samuel Stevens Photography Koyo kicked things off with a set that wasted no time establishing their emotional, melodic hardcore roots. Opening with “Moriches,” the Long Island band immediately locked into a groove that felt both nostalgic and fresh. Tracks like “I Might Not” and “Life’s a Pill” carried a raw vulnerability, while “You’re On the List (Minus One)” and “Anthem” leaned into that classic, anthemic hardcore spirit. By the time they ripped through “Mile a Minute” and closed with “Ten Digits Away,” the crowd had fully bought in—sing-alongs were loud, and the pit was already alive. For a Winnipeg debut, Koyo didn’t just make a good first impression—they made a lasting one. Destroy Boys. Photos by Samuel Stevens Photography Destroy Boys followed with a set that turned the intensity up several notches. From the opening punch of “You Hear Yes,” their performance was chaotic in the best way possible. Frontperson Alexia Roditis commanded the stage with a mix of grit and charisma, making songs like “Crybaby” and “American River” feel both confrontational and deeply personal. “Shadow (I’m Breaking Down)” and “Boyfeel” added emotional weight to the set, while “Beg for the Torture” and “Muzzle” kept the crowd moving at full speed. By the time they closed with “Fences,” the room was in a frenzy. For their first time in Winnipeg, Destroy Boys delivered a set that felt urgent and unfiltered—exactly what punk should be. Up next was the main attraction, Rise Against. Opening with the explosive “Re-Education (Through Labor),” the Chicago punk veterans immediately reminded everyone why they’ve remained one of the most vital voices in the genre. The setlist was a carefully curated mix of fan favourites and deeper cuts, with “Under the Knife” and “Give It All” hitting early and hard. “Help Is on the Way” and “The Good Left Undone” showcased the band’s knack for pairing melody with message, while newer material like “Nod” fit seamlessly into the set. Rise Against. Photos by Samuel Stevens Photography One of the most memorable moments of the night came with “Chamber the Cartridge,” performed by the band live for the first time since 2024. The deep cut was met with a roar from longtime fans, proving just how much this band’s catalogue means to their audience. Similarly, “Like the Angel” made its first live appearance since 2024 during the encore, adding another layer of nostalgia and surprise. The mid-set acoustic moment with “Hero of War” and “Swing Life Away” brought a brief but powerful pause to the chaos, with the entire theatre hanging onto every single word. But any sense of calm was quickly shattered by “Prayer of the Refugee,” which closed the main set in explosive fashion. The encore was nothing short of perfect. “Make It Stop (September’s Children)” carried an emotional weight that resonated deeply, before “Like the Angel” and the ever-iconic “Savior” sent the crowd home on the highest note the band could achieve—voices hoarse, bodies exhausted, and spirits lifted. Night two of Rise Against’s Winnipeg stop wasn’t just another tour date—it was a celebration of punk rock in all its forms. From Koyo’s heartfelt melodies to Destroy Boys’ chaotic energy and Rise Against’s seasoned, message-driven anthems, the night felt like a full-circle moment for the genre. For a city that doesn’t always get first-time visits from fast-rising acts, this show proved that Winnipeg shows up—and the bands will remember it.

The North American leg of the I Feel Everything Tour came to a fittingly intimate and electric close on March 21, 2026, as Maggie Lindemann took the stage at The Regent Theater  in Los Angeles. Backed by the raw emotion and alt-pop edge of her i feel everything  era, Lindemann delivered a set that felt both cathartic and deeply personal, bringing the tour’s themes of vulnerability and resilience full circle. With support from Ayleen Valentine, the night unfolded as a tightly knit, high-energy finale—one last shared moment between artist and fans after a run through North America. As the final notes rang out, it was clear the tour didn’t just showcase a new chapter for Lindemann—it solidified her connection with a crowd that felt every word right alongside her. All photos by Mikey Jablonski.

All concert reviews of various genres that have been shared by our talented writers at Crucial Rhythm. 1 2 3 4 5

Learn about Crucial Rhythm's team and the bigger purpose of their music reviews, interviews, and photographs. About Us Welcome to Crucial Rhythm, your go-to music blog based in Winnipeg, Manitoba, Canada! Our passionate team is dedicated to bringing you the latest reviews, galleries, and interviews that celebrate the diverse world of music. We also shine a light on captivating events from our hometown and across the globe, showcasing the power of music to unite and heal. No genre is too obscure, and every artist deserves a spotlight—join us as we explore the vibrant tapestry of sounds that connect us all! Meet The Team Samuel Stevens Editor, Writer, Photographer Samuel Stevens is a Winnipeg-based freelance photographer that also likes to share his colossal love of music. Although he suffers from a physical disability, he doesn't let it stop him from capturing the precious moments that continue to face him down his camera lens. Rather he is capturing remarkable photos of musicians over a vast of different genres, or it's in his own words in his interviews, album, and concert reviews, Samuel continues to achieve his goals to support the rich music culture that furrows across the globe. Kyle Erickson Co-Editor, Writer Kyle Erickson is a Winnipeg-based writer with a love of everything burning inside him. Between podcasts, music, movies, television, and reading literature, he's has begun to focus on his love of music more than ever by capturing some of the most amazing moments music has to offer in his own words from interviews, reviews, and everything in between. Kyle strides with the intent to help achieve Crucial Rhythm's goal to support the rich music culture that furrows all over this wonderful planet. Nicole Malcolm Photographer Nicole Malcolm is a Saskatchewan-based freelance photographer looking to leave her mark upon the scene, now and in the future, with her striking photos. It's no secret that Nicole has the passion to create powerful art, and while blurring the lines with her love of music, she achieves just that. Mikey Jablonski Writer, Photographer Mikey Jablonski is a Winnipeg-based freelance photographer looking to blend his love of music with his bold, colourful imagery. Mikey has the passion to create striking and unique captures. Mikey has the full intent within him to help Crucial Rhythm in reaching the goal to support the music culture that is apparent around this world. When Mikey isn't out shooting shows or occasionally reviewing music, he hosts the Music Storm Podcast.

Interviews with various musicians of varying genres that have been shared by our talented writers at Crucial Rhythm. 1 2 3 4 5