BABYMONSTER - WE GO UP
- Samuel Stevens
- Oct 13, 2025
- 2 min read
With WE GO UP, BABYMONSTER take a decisive step forward—one that feels less like a debut-era victory lap and more like a statement of intent. Across only four tracks, YG Entertainment’s newest powerhouse group sharpen their identity, balancing bombastic confidence with moments of darker introspection. It’s a compact release, but one that wastes no time proving that BABYMONSTER aren’t just living up to expectations—they’re actively reshaping them.
The title track, “WE GO UP,” sets the tone immediately out of the gate. Built on thunderous bass, swagger-heavy rap verses, and a chant-ready hook, the song feels engineered for big stages and even bigger crowds. There’s a triumphant, almost defiant energy to it, as BABYMONSTER declare their ascent with unapologetic confidence. The production leans into YG’s signature maximalism, but the members’ charisma keeps it from feeling formulaic. Each verse hits with precision, and the chorus lands like a rallying cry—bold, infectious, and impossible to ignore.
“PSYCHO” pivots into darker territory, both sonically and emotionally. Moody synths and a haunting undercurrent give the track a seductive edge, allowing the group to explore obsession, vulnerability, and emotional push-and-pull. Vocally, this is one of the mini album’s strongest moments, showcasing dynamic range and control as the members glide between restrained verses and explosive refrains. The tension built throughout the track makes it one of the most compelling listens on the project, proving BABYMONSTER can thrive beyond just high-energy anthems.
Where “WE GO UP” flexes confidence, and “PSYCHO” leans into intensity, the following track, “SUPA DUPA LUV,” brings a playful swagger to the mix. It’s bright, bouncy, and irresistibly catchy, blending pop-forward melodies with flirtatious lyrics and rhythmic flair—an absolute diamond in the rough, sort of speak. The track feels tailor-made for repeat listens, offering a lighter contrast that still maintains the group’s hip-hop edge. There’s a sense of joy here that doesn’t undercut their cool—it enhances it, reminding listeners that BABYMONSTER are just as comfortable having fun as they are commanding attention.
Closing out the mini album is “WILD,” a track that ties everything together with fearless energy—and introduces country-pop elements into the fold. With driving beats and an anthemic structure, the song captures the untamed spirit hinted at throughout the release. It feels cinematic, like the closing scene of a coming-of-age film—confident, chaotic, and full of momentum. The group sound fully in sync here, feeding off one another’s energy and leaving a lasting impression long after the final note fades.
At just four tracks—totalling just over twelve minutes long—WE GO UP may be brief, but it’s remarkably focused. Each song serves a purpose, highlighting different facets of BABYMONSTER’s evolving artistry without overstaying its welcome. The mini album reinforces their strengths—stage-ready charisma, versatile vocals, and a bold sonic identity—while also hinting at deeper layers yet to be explored.
Ultimately, WE GO UP feels like a turning point. BABYMONSTER aren’t just rising—they’re solidifying their place in K-pop, and fast, carving out space with confidence and clarity. If this mini album is any indication of what’s next, their trajectory is only headed higher.
Check out more from BABYMONSTER:
Twitter: https://x.com/YGBABYMONSTER
Comments