It's Always At Night Tour: Jade LeMac and Chiara Savasta - Winnipeg, MB

On January 24, 2026, the Park Theatre in Winnipeg became a dimly lit confessional as Jade LeMac brought her It’s Always At Night Tour to town, which was her first time performing in the city, delivering an emotionally charged set that felt equal parts intimate diary entry and communal release. Joined by rising alt-pop artist Chiara Savasta as support, the night leaned fully into vulnerability, catharsis, and the quiet power of shared feelings.

Chiara Savasta. All photos by Samuel Stevens.

Toronto's Chiara Savasta kicked things off with a set that was sharp, stylish, and refreshingly self-aware. Opening with “Cross Control Patrol,” Savasta immediately set the tone with her cool, detached vocal delivery layered over punchy production. Tracks like “I Hate DJs” and “Bodies” carried an effortless confidence, blending sardonic lyricism with danceable beats that had the crowd locked in early.

Her set continued to build momentum through “Playlist” and “Necktie,” showing off her knack for crafting songs that feel both playful and cutting. A standout moment came with her cover of Metric’s “Black Sheep,” which earned a wave of recognition and cheers from the Winnipeg crowd while still feeling unmistakably Savasta in tone. Closing out with “Brand New Girl, Brand New Machine” and “Superstar Loser,” she left the stage having clearly won over new fans—proof that she’s more than ready for bigger rooms.

Jade LeMac. All photos by Samuel Stevens.

By the time Jade LeMac emerged onto the stage sharply at 9 PM, the Park Theatre was buzzing with anticipation. She opened with “Heaven’s Sake,” immediately pulling the audience into her world—one built on emotional honesty and unfiltered storytelling. Songs like “Last Day On Earth” and “Same Place” hit with a quiet intensity, LeMac’s voice carrying a rawness that made even the largest moments feel deeply personal.

Mid-set highlights included “You’re Not A God,” “Intertwined,” and “Love Bites,” each drawing the crowd further into the emotional push-and-pull that defines her music. “Meet You In Hell” and “Sweet Dreams” leaned toward a darker tone, while the pair of tracks, “Got Me Obsessed” and “There’s People Watching,” showcased her ability to balance heaviness with pop sensibility.

One of the most visually striking moments of the night arrived during “Pink Balloon,” as fans throughout the venue held up pink balloons, transforming the room into a soft, glowing sea of colour. It was a simple gesture, but one that underscored the connection between LeMac and her audience—a recurring theme throughout the entire evening.

The main set closed with “Sleep With The Lights On” and “Car Accident,” leaving the crowd emotionally spent but still hungry for more. LeMac returned for an encore that hit hard, launching into a triple header. First on the plate was “Aimed To Kill,” followed by the atmospheric “Constellations,” before she ended the night with the song “Running Home,” a fitting closer that felt both hopeful and unresolved.

By the end of the night, it was clear that the It’s Always At Night Tour isn’t just a concert—it’s an emotional experience. Jade LeMac’s Winnipeg stop proved her ability to turn personal pain into something communal and healing, while Chiara Savasta’s sharp, confident opening set made for a perfectly matched pairing. For those in attendance at the Park Theatre, it was a night that lingered long after the lights came back on.