For a band that has spent the past twenty-five years redefining and evolving post-hardcore, Silverstein's latest album, Antibloom , due out on February 21, 2025, via UNFD, serves as a testament to their endurance and artistic growth. As part one of a two-part album ( Pink Moon  set to arrive in the latter half of 2025), Antibloom  is a bold and dynamic collection of eight tracks that showcase the band's deep-rooted influences while pushing their sound into new and unexpected territories. Recorded in the deserts of Joshua Tree and produced by the renowned Sam Guaiana (Neck Deep, Holding Absence, Bayside), this record encapsulates the raw energy, emotion, and innovation that have kept Silverstein at the forefront of the scene for over two and a half decades. From the moment Antibloom  kicks off, it's clear that Silverstein is pulling no punches. The album balances their signature blend of melodic post-hardcore, pop-punk, and metalcore while weaving in fresh sonic textures when and where they can. “Mercy Mercy” sets the tone for the album with one of Silverstein’s heaviest offerings to date, but nowhere as heavy as their 2022 single, "Die Alone," which featured Comeback Kid's Andrew Neufeld. “Mercy Mercy” is anchored by a devastating breakdown, reminding listeners why the band continues to be a powerhouse in the heavy music scene. On the flip side, “Don’t Let Me Get Too Low” is a track that seamlessly fuses pop-punk energy with hardcore grit. Vocalist Shane Told describes it as a song that “does so much in under three minutes,” and it’s easy to see why—the track moves at breakneck speed, blending aggressive instrumentation with a catchy hook. One of the standout moments on the album, “Confession”, is a melodic and emotionally charged song with an anthemic chorus. Told describes it as “one of the strongest singles we’ve ever released” due to its powerful message of owning up to one’s mistakes and carefully crafted layers of instrumentation. Silverstein has never shied away from heavy lyrical themes, but Antibloom  sees them diving even deeper. “Skin & Bones” stands out as one of the most emotionally intense tracks on the entire album. The song is a tribute to Shane Told’s ex-girlfriend, who was tragically murdered. Told reflects, “Every day we’re stuck in our own heads worrying about trivial things and never thinking about just how fragile we are. Life can be gone in an instant.” The raw emotion in his voice, combined with the haunting instrumentals, makes for one of the most poignant moments in Silverstein’s always-growing discography. The band also experiments with progressive and sludgier elements on “Stress”, blending their hardcore and metalcore influences with intricate guitar work and unconventional sounds really not used by them often. This track, in particular, showcases the band's ability to evolve while staying true to their roots. Meanwhile, “Cherry Coke” serves as the album’s powerful closer, both lyrically and sonically profound. It’s a track that lingers long after the final note, leaving listeners eagerly anticipating the next chapter with Pink Moon . With Antibloom , Silverstein achieves something truly special—a collection of songs that feel both nostalgic and forward-thinking. The album serves as a celebration of their twenty-five-year journey while offering fans a fresh and compelling listening experience. Whether it’s the crushing breakdowns, infectious hooks, or deeply personal lyricism, Antibloom  is a reminder of why Silverstein remains one of the most respected names in post-hardcore. As the band embarks on their 25 Years of Noise Tour , spanning across North America, the UK, and Europe, fans can expect to hear these songs come to life in an electrifying fashion. And with Pink Moon  on the horizon, Silverstein’s legacy is far from over—if anything has shown, they’re just getting started. Check out more from Silverstein: Website: https://silversteinmusic.com/ Facebook: https://www.facebook.com/silversteinmusic Twitter: https://twitter.com/silverstein Instagram: https://www.instagram.com/silverstein/ TikTok: https://www.tiktok.com/@silversteinmusic

Canadian Wrestling Elite (CWE) delivered another night of unforgettable action with their Rage In The Cage  event at the Holy Eucharist Parish Centre on February 15, 2025. Fans packed the venue to witness high-stakes battles, jaw-dropping moments, and the crowning of new champions. Match 1: Jackson Conway & CAM!!ikaze vs. Bobby Sharpe & ATM: The opening bout set the tone for the night, as the duo of Jackson Conway and CAM!!ikaze took on the hard-hitting Bobby Sharpe and ATM. The fast-paced contest saw Conway and CAM!!ikaze work seamlessly together, pulling off impressive aerial maneuvers. Their teamwork proved too much for Sharpe and ATM, leading to a well-earned victory for Conway and CAM!!ikaze. Match 2: Hardcore Title Match - Bobby Royce vs. Mike Mission (c): The CWE Hardcore Championship match between Bobby Royce and defending champion Mike Mission was a brutal encounter that featured chairs, cooking sheets, garbage cans, and an abundance of barbed wire. Both men put their bodies on the line, but Royce proved his resilience by enduring the punishment and seizing the opportunity to dethrone Mission. The victory crowned a new Hardcore Champion and left the crowd in awe of the sheer carnage they had just witnessed. Match 3: Six-Man Tag - O'Doyle, Kevin Cannon & Shaun Martens vs. Adrien Burton, Cody Mac & Rusty Blackwell: This six-man tag match was filled with action and personal stakes, especially for Rusty Blackwell, who had never won a match in Winnipeg. His team, alongside Burton and Mac, battled fiercely against the villainous trio of O'Doyle, Cannon, and Martens. The match culminated in a feel-good moment as Burton, Mac, and Blackwell took the victory. The post-match celebration made for one of the night’s most memorable moments as Blackwell celebrated with the crowd with his first win in Winnipeg. Match 4: Special Attraction - Dragneel vs. Renee Dupree: A special attraction match saw CWE mainstay Dragneel face former WWE superstar Renee Dupree. The veteran Dupree used his experience and strength advantage to control the short match, but Dragneel showed incredible heart. However, Dupree’s power proved too much, and he picked up the victory over Dragneel, adding another win to his storied career. Match 5: 4-Way Tag Match - Craft Beer Company (c) vs. Red Hot Summer vs. Collins Family vs. Ronnie Attitude & Johnny Malibu: Originally slated as a defence for the CWE Tag Team Champions, Craft Beer Company, the match took a dramatic turn when one-half of the champions was unable to compete. With the odds stacked against them, a new team emerged victorious—Ronnie Attitude and Johnny Malibu. Meanwhile, the emotional farewell of Red Hot Summer, who were forced to disband after losing, gave the match an extra layer of drama. Fans bid farewell to the duo after the conclusion of the match, and the duo shared a heartfelt moment in the ring after their loss. Match 6: CWE Title Match - Mentallo (c) vs. Chad Daniels: The CWE Championship was on the line as Mentallo defended against the determined challenger Chad Daniels. Both men put on a wrestling clinic, with high-impact moves and near-falls keeping the audience on the edge of their seats. In a shocking upset, Daniels managed to dethrone Mentallo, cementing himself as the new CWE Champion and sending the crowd into a frenzy. Main Event: Steel Cage Match - Danny Duggan vs. James Roth: The night’s grand finale featured a high-stakes steel cage match between Danny Duggan and James Roth. The brutality escalated with each passing minute, as both men used the steel structure to their advantage at every moment they could. The climax of the match saw Roth ascend to the top of the cage and deliver a breathtaking splash, securing the victory in spectacular fashion. Fans erupted in applause as Roth stood victorious, closing out an incredible night of wrestling action in Winnipeg. Final Thoughts: Rage In The Cage  delivered an unforgettable night filled with title changes, emotional moments, and a breathtaking main event. CWE once again proved why they are one of Canada’s premier independent wrestling promotions, giving fans an action-packed experience they won’t soon forget. Photos by Samuel Stevens Photography.

LISTEN TO “PLATEAU” & “SAME PAGE” HERE FOLLOW SPLITHOFF ON THE OPEN ROAD IN WARM, WESTERN-INSPIRED MUSIC VIDEO FOR “PLATEAU” – WATCH HERE Today, John Splithoff, singer-songwriter, multi-instrumentalist, and enigmatic musical collaborator released a new set of soulful singles, “Plateau” and “Same Page,” from his forthcoming album Far From Here  (out March 21 via Virgin). Listen to the new songs HERE and pre-save Splithoff’s sophomore album HERE . Masterfully blending his virtuosic piano skills with a layered Western texture and longing lyrics, Splithoff created a uniquely timeless track with “Plateau,” and has released an accompanying music video with a warm, vintage aesthetic set on the open road. These stunning songs follow the release of the romantic R&B-leaning song “ Tangled ” and the more atmospheric, funk-pop song “ Magenta (Days Go By) ,” the perfect introduction to Splithoff’s eclectic yet cohesive new sound. His highly-anticipated record Far From Here  draws on classic soul, pop, jazz, and R&B, showcasing one of the most soothing and soulful voices of his generation, with arrangements often focused on his voice and just piano/guitar, a sound he wanted to recreate after performing the tracks solo on tour. Mostly self-produced by John, his voice and musical approach recalls the icons of music from Michael McDonald to Sade, as well as its more celebrated innovators like Benny Sings and Mk.Gee. In support of the new record, Splithoff will tour the US, with dates including New York’s Racket, Los Angeles’s Troubadour, Nashville’s Exit/In, Washington D.C’s Union Stage, Chicago’s Outset, and more. Tickets on sale now, for more info visit: https://www.johnsplithoff.com/tour . Listen to “Tangled” HERE Watch “Tangled” music video HERE Listen To “Magenta” HERE Watch “Magenta” music video HERE John was raised in a music-filled home in the suburbs of Chicago and developed a deep appreciation at an early age for the timeless sounds of Stevie Wonder, Pink Floyd, Earth, Wind & Fire, Fleetwood Mac, these cornerstone influences shaping his unique musical identity. He had piano lessons and received his first guitar at 13, teaching himself to play through obsessively exploring the music of the '60s, '70s, and '80s. The catalyst of his music career began in high school when he was passed over for a spot on the baseball team, and auditioned for a vocal group on a whim. From there he started writing songs, performing in bands, leading eventually to a degree in Jazz Performance from the renowned Frost School of Music at the University of Miami. He moved to New York City after crafting a 5-track EP in Chicago, which is not so subtly entitled The Move . Playing his first gigs around the city he wrote and recorded a first crop of singles while teaching private lessons, performing at weddings, and singing commercial jingles. This led to the eventual release of his breakout single, “Sing to You”, which changed his life. The track amassed over 150 million streams, landed on key Spotify playlists, and led to John hearing his music played in public for the first time. He witnessed his music climb to the top of AC Radio, alongside landing international headliner spots and festivals. Despite all his industry success, John has remained an enigma and prevalent behind the scenes collaborator, preferring at times to support the musical efforts of offers, in sacrifice of his own. He has performed with some of the great artists of our time, from Sting, George Benson, Ben Folds, and jazz trumpeter Chris Botti on the David Foster-produced single “Paris . ” He had to figure out what would come next. So John made a big decision—actually, a series of big decisions. He traveled around the country, playing his own headlining shows and opening for the likes of Andy Grammer, Gabrielle Aplin, Ben Rector, MAX, and performing at Lollapalooza and Bonnaroo in 2018, navigated Covid lockdown in NYC before he eventually moved to Los Angeles a few months later in 2022. He has continued touring non-stop, bringing his soulful pop style to such high-profile shows including an opening slot for Teddy Swims in 2024. And from all of this change, exploration, confusion, and excitement came a rush of inspiration, which became the backbone of John’s new album Far From Here. Far From Here  reflects on his dramatic life changes while told through vignettes capturing poignant personal memories. On “Far From Here”  Splithoff examines his search for a new perspective with his New York to LA Move. “City Days” which features Chris Botti on trumpet, pays homage to his relationship with New York City at the various stages of his life. Tracks like “Glacier” symbolize relationships growing apart against the backdrop of Montana's natural beauty, while “Oh Betty” tells a nostalgic story about the Buick Century he drove during his college days in Miami. “Same Page” recalls a transformative camping trip in Arizona that inspired his move west, and “Kyoto Snow” transports listeners to Japan, where he saw snowfall for the first time at a temple in Kyoto. Far From Here  also draws on his shifting family and friendship relationships which he holds so dear. “A lot of these songs are associated with a time and place that hold a lot of meaning to me,” he says. “I also noticed, within all that change, how my relationships ebbed and flowed—I felt closer to people I didn't know as well, and I felt distant from people who I considered my best friends and family. So it’s been an eye-opening path.” Out of the turmoil and disruption, the uncertainty, the ups and downs of the last few years, John Splithoff emerged with a transformation in his attitude and his approach. With Far From Here , he is now perfectly poised to make his musical mark and his striking and evocative album is set to be one of the most celebrated of 2025. FAR FROM HERE  (2025) TRACKLIST: Far From Here Way Back Tangled Magenta (Days Go By) Glacier City Days (feat. Chris Botti) Oh Betty Same Page Plateau Dancing On The Cliffs Kyoto Snow Marooned (feat. Maya Delilah) Tour Dates: Mar 29 Sat - Phoenix, AZ - Musical Instrument Museum Mar 30 Sun - Santa Fe, NM - Tumbleroot Brewery and Distillery Apr 1 Tue - Dallas, TX - The Kessler Theater Apr 2 Wed - Austin, TX - The 04 Lounge Apr 4 Fri - Nashville, TN - Exit/In Apr 5 Sat - Atlanta, GA - Center Stage Apr 6 Sun - Asheville, NC - The Grey Eagle Apr 8 Tue - Washington, DC - Union Stage Apr 9 Wed - Ardmore, PA - Ardmore Music Hall Apr 11 Fri - New York, NY - Racket NYC Apr 12 Sat - Boston, MA - The Sinclair Apr 14 Mon - Toronto, ON - The Great Hall Apr 16 Wed - Ann Arbour, MI - The Ark Apr 17 Thu - Columbus, OH - A&R Music Bar Apr 18 Fri - Indianapolis, IN - Turntable Apr 19 Sat - Chicago, IL - Outset Apr 22 Tue - St. Paul, MN - Amsterdam Bar and Hall Apr 23 Wed - Omaha, NE - Slowdown Apr 25 Fri - Denver, CO - Marquis Theater Apr 26 Sat - Salt Lake City, UT - The State Room Apr 28 Mon - Seattle, WA - Neumos Apr 29 Tue - Portland, OR - Mississippi Studios May 1 Thu - Sacramento, CA - Harlow’s May 2 Fri - San Francisco, CA - The Independent May 3 Sat - West Hollywood, CA - Troubadour

BLACKPINK's Jisoo has made a striking return with her debut solo EP, Amortage , released on February 14, 2025, through both her own label Blissoo and Warner Records. This four-track collection, featuring the lead single "Earthquake," marks a significant evolution from her 2023 single album, Me , showcasing her growth as an artist and her willingness to explore new musical territories. The EP's title, Amortage , is a fusion of "amor" (Latin for "love") and "montage," encapsulating the project's central theme: a multifaceted exploration of love's emotional landscape. Jisoo delves into the various stages of relationships, presenting a narrative that is both personal and universally relatable. "Earthquake," the EP's lead single, stands out with its dynamic blend of electronic elements and Jisoo's distinctive vocal timbre. The track captures the exhilaration of new love, with a pulsating rhythm that mirrors the intensity of burgeoning emotions. Critics have lauded "Earthquake" for its "fuller, more dynamic production," which enhances Jisoo's vocal performance, making it feel "more assured and expressive." The accompanying music video for "Earthquake," directed by Christian Breslauer, complements the song's energetic vibe. It portrays Jisoo navigating a series of surreal scenarios, including a high-stakes lie detector test and a dramatic car escape, symbolizing the tumultuous journey of falling in love. The video's vivid imagery and narrative depth add layers to the song's lyrical content, offering viewers a visual feast that aligns with the EP's overarching theme. Amortage  also includes tracks like "Your Love," which further showcase Jisoo's versatility. Collaborating with producers Blissoo and The Wavys, she co-wrote all four tracks, infusing them with her personal experiences and artistic vision. This hands-on approach results in a cohesive and authentic sound that resonates with listeners. Critically, Amortage  has been well-received. NME's Crystal Bell awarded the EP four out of five stars, praising its "playful, polished pop" and noting how it highlights Jisoo's strengths while embracing "pop's timeless pleasures" such as melody and emotion. In summary, Amortage  is a compelling debut that not only reaffirms Jisoo's position as a formidable solo artist but also offers a fresh and nuanced perspective on love and relationships. With its blend of dynamic production, heartfelt lyrics, and captivating visuals, the EP is a testament to Jisoo's artistic growth and her ability to connect with a global audience. Check out more from Jisoo: Instagram | YouTube

February 14, 2025 Whittier Park - Tente Forest Photos by Samuel Stevens Photography

Stream “Anybody Else” Here Alt-Pop artist, Dela Kay, unveils her latest single, "Anybody Else," a heart-wrenching ballad that captures the bittersweet nostalgia of lost love. Written in October of last year in Nick Cozine’s East Nashville studio, the song was born out of deep reflection and raw emotion, making it one of Dela Kay’s most vulnerable releases to date. The track was co-written by Dela Kay, Nick Cozine, and Whitney Fenimore—the same trio behind her previous single, "Remedy." "As soon as the three of us got together, we knew we were going to write a ballad," shares Dela Kay. "I was still processing a painful breakup just a few months before, and with the Halloween spookiness looming in the air that day, nostalgia was all around us. We started to walk down memory lane with my past relationship, coming up with lyrics detailing my first date, then letting the current reality hit when writing the chorus." Nick Cozine first introduced the "any anybody else" hook, which instantly resonated with the team. "Whitney and I loved it and knew we wanted to keep it," Dela Kay recalls. "With both Nick and Whitney rooted in the folk/indie scene, the melodies we developed felt so organic and real to all of us. Sometimes when you're speaking directly from the heart, things flow super easily, and they definitely did that day." In an unconventional move, the final vocal in "Anybody Else" is actually Dela Kay’s original scratch vocal from the writing session. "We loved it so much, we kept all of it—it’s the same vocal you hear in the final track!" she reveals. Sonically, "Anybody Else" evokes the drama and intensity of early 2000s romance films. "It’s kind of giving ‘A Cinderella Story’ when Chad Michael Murray runs up on the bleachers in the rain to kiss Hilary Duff after the football game," Dela Kay explains. "We wanted the verses to feel bare, with acoustics leading the track alongside strings, but then have the choruses come in strong with booming drums and electric guitar swells—absolutely wrecking our hearts." At its core, "Anybody Else" explores the complexity of love and heartbreak, offering both understanding and vulnerability. "The second verse acknowledges their past and offers reassurance that I’m strong enough to handle their pain," Dela Kay says. "And as painful as it was in the moment writing this song, I have peace looking back. Even though the relationship didn’t work out, knowing my heart has the capacity to love that deeply—despite the pain—is something to be hopeful for in my future." MORE INFO: Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. “The One” follows the success of her debut EP, Falling Into Place, with singles that have amassed almost 1M streams collectively, and secured a spot on Shazam's Best New Music Apple Playlist. Dela Kay, who identifies as a songwriter first and foremost, believes that the past year of her career has been her most authentic to date. With a commitment to continue releasing singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective. At the start of Dela Kay’s career in 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10.” Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her 2018 release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine, and has been releasing this style of music ever since. Check out Dela Kay online: INSTAGRAM  |  TIKTOK  |  SPOTIFY  |  YOUTUBE  |  TWITTER  |  FACEBOOK

British pop-country powerhouse Twinnie is kicking off 2025 with a bang, unveiling her exhilarating new single, " Worst Kind of Crush ," just in time for Valentine’s Day. Now streaming on all platforms, this infectious, pop-infused track offers a bittersweet twist on love and heartbreak—perfect for anyone navigating the highs and lows of romance this season. With lyrics that capture the sting of unfulfilled love, "Worst Kind of Crush" offers a compelling contrast between heartbreak and high-energy pop-country: "The worst kind of crush is us making out at midnight on New Year’s Eve / The worst kind of rush is us giving it up and you disappearing on me." “We all know what it’s like to have a crush, but hopefully, if you’re lucky, you’ll never know what it’s like to feel crushed by love. This song is about missing the potential of what could have been—when someone does a 180 on you and their feelings completely switch. I wrote this song with Brandon Paddock a few years ago, and I’ve always loved its crossover appeal. It’s a sad story, but it has a happy groove. It was inspired by Whitney Houston ’s 'I Wanna Dance With Somebody'—a love song that’s left open-ended, hoping that love will return, all while making you want to dance to the beat.” – Twinnie In addition to her new music, Twinnie has announced her Happy Hour Tour 2025 , presented by JOY. Concerts and Holler Live . The tour will take her signature high-energy performances to fans across the UK and Ireland, featuring rising Tennessee recording artist Bonner Black as support. Fans can expect an electrifying setlist of fan favourites and new hits. Tickets can be purchased here . Happy Hour Tour 2025 Dates: May 31 – Red Rooster Festival, Suffolk June 2 – Komedia Studio, Brighton June 3 – Oslo, London June 4 – Hare & Hounds, Birmingham June 6 – The Deaf Institute, Manchester June 7 – Hyde Park Book Club, Leeds June 8 – The Crescent, York June 9 – The Cluny, Newcastle June 10 – The Voodoo Rooms, Edinburgh June 11 – Stereo, Glasgow June 13 – Oh Yeah Centre, Belfast June 15 – The Workman’s Club, Dublin Building on her 30M+ organic streams and a landmark year, Twinnie’s latest release marks the beginning of an exciting new era in her career. Stream or download "Worst Kind of Crush" now and get your tickets to the Happy Hour Tour before they sell out! ABOUT TWINNIE:  Twinnie is a British country-pop sensation known for her vibrant pop productions, powerful vocals, emotive storytelling, and country lyricism. Raised in the Romani Travelling community in England, Twinnie’s unique upbringing has shaped her eclectic style and boundary-pushing blend of pop-country that focuses on inclusivity and realism. With her groundbreaking  Grand Ole Opry debut, built on the success of her Radio 2 Album of The Week release "Hollywood Gypsy" and her inaugural American label EP "Welcome to the Club," Twinnie continues to make waves in the music industry. Her latest album "Something We Used To Say" was named one of the best albums released in November by NPR . Her single "Bad Man" charted on US Country Radio in 2023, solidifying her position at the forefront of the genre. She has also received major support from BBC Radio 1 in the UK and SiriusXM in the US, with several of her tracks landing on their playlists. In 2024, Twinnie was named one of CMT’s Next Women Of Country , and her "Lonely Long" video premiered on a billboard in Times Square. The Daily Mail debuted the official music video for her hit song “Hypothetically,” and she made history again as the first British artist to perform the US National Anthem at GEODIS Park in Nashville. Twinnie continues to tour across the US and Europe while releasing music that remains close to her heart. As a songwriter, Twinnie has penned songs for Kylie Minogue, Bryan Adams , and The Shires . She has shared the stage with Sheryl Crow, Alexandra Kay, Jack Savoretti, Lainey Wilson, Chase Rice , and many others. Twinnie has also starred in films alongside icons Glenn Close, Christian Slater , and Alan Menken , and performed as a backing singer and dancer for Robin Thicke and Pharrell Williams . Twinnie champions mental health in the music industry as co-founder of I Know A Woman . Most recently, she joined the cast of the UK’s longest-running soap opera, ' Emmerdale ,' expanding her influence as an entertainer. Check out Twinnie online: www.twinnieofficial.com  |  Facebook |  Instagram | X | TikTok | Spotify

Collaboration can often breathe new life into an artist’s work, pushing their sound into uncharted territory. Water Season , the new EP from Brazilian-American indie artist Winter and glitchy Philly duo Hooky, is a perfect example of this phenomenon. Set for release on February 14, 2025, via Julia's War Recordings, the four-track offering is an immersive blend of dreamy indie textures, electronic experimentation, and intimate songwriting. Winter (Samira Winter) and Hooky (Scott Turner and Sam Silbert) first connected online as mutual admirers of each other's work, and their creative chemistry was undeniable from the start. Winter’s previous EP, ...and she’s still listening (2024), saw her incorporating trip-hop, spoken word, and electronic influences into her already ethereal sound, while Hooky’s fourth album Mirage  (2024) was a reverb-drenched, genre-blurring take on shoegaze and electronica. The resulting Water Season  is the natural progression of these sonic explorations, creating a wistful and glitchy dreamscape that feels both intimate and otherworldly. The lead single, and the EP's opening track, “horseshoe,” is a hypnotic introduction to the EP, built on wiry guitars, shimmering synths, and a pulsing electronic beat. Winter’s airy vocals float above the instrumental like a half-remembered dream, delivering earnest lyrics with a weightless quality. The accompanying DIY music video, self-directed by the trio and filmed in Philadelphia’s John Heinz Park and the Museum of Modern Art, perfectly encapsulates the song’s nostalgic, transient energy. It’s a portrait of new friendships forming in real-time, mirroring the organic way Water Season  came together. The EP continues on with the track “in your pocket,” a lo-fi, skittering track that layers chopped-up shoegaze textures with subtle trip-hop rhythms. The EP's third track, “lost tears,” leans further into the duo’s electronic sensibilities, featuring distorted vocal samples around Samira and Scott's dueling vocals, and also features a haunting, melancholic melody that lingers long after the song ends. Water Season closes out with the song, “i like you,” is a delicate and heartfelt finale, combining Winter’s signature dream-pop aesthetics with Hooky’s glitch-infused production to create a track that feels both deeply personal and universally resonant. Water Season  is an impressive collaboration that finds both Winter and Hooky stepping out of their comfort zones while staying true to their artistic identities. It’s a collection of songs that feel ephemeral yet immersive, like capturing the last golden hour of summer before autumn’s chill sets in. Fans of dreamy indie, experimental electronica, and nostalgic soundscapes will find plenty to love in this short, approximately ten-minute-long but impactful release. Winter and Hooky’s Water Season  is a testament to the magic that happens when artists with distinct yet complementary styles come together. These four tracks are a beautiful, fleeting snapshot of a musical connection that feels both fresh and familiar, leaving listeners hoping for more collaborations in the future. Check out more from Winter: Instagram Check out more from Hooky: Instagram

Kellin Quinn has long been a defining voice in post-hardcore, but with his new solo project, Haunted Mouths , he embarks on an entirely different sonic journey and branches far from his norm. A Collection of Greetings , out February 14, 2025, via Rise Records, is a stark departure from the sounds of Sleeping With Sirens and most artists Quinn has collaborated with over the years, trading in electrifying breakdowns for dreamy, slow-burning bedroom pop, with a twist of indie rock, and infused with moody atmospheres and heartfelt lyricism. From the moment "Further Til We Disappear" opens up the album, it’s clear this is Quinn at his most intimate. The track, an indie-rock-inflected love letter to his wife, layers delicate yet funky bass lines with poignant and haunting synth work, setting the tone for an album that thrives on emotion and vulnerability. "Tunnel Vision" follows suit with synth-heavy textures, acoustic guitars, and subtle vocal processing that elevate Quinn’s already distinctive voice. As the album progresses, "Casting Over Them" introduces a pulsing bassline that brings a sense of movement to the record, while the track "Searching For A Fire" stands out as an acoustic-driven folk-inspired ballad, rich in introspection. These songs showcase Quinn’s ability to weave storytelling with sonic exploration, making each track feel both personal and expansive. The title track, "A Collection of Greetings," strips things back further, allowing his vocals to take center stage over a sparse but haunting arrangement of synths, acoustic guitar, and distant drum echoes. It’s a deeply sentimental moment that encapsulates the album’s thematic core—love, memory, and devotion to his wife and family. In the latter half of Quinn's solo record, "Becoming Nameless" surprises with a sultry saxophone solo that merges seamlessly with the dark, brooding bedroom-pop aesthetic, while the closing track "You Built This" is an emotionally charged finale reminiscent of The 1975’s slower, melancholic moments, blending haunting bass with atmospheric production to give listeners a solid conclusion. Co-produced with Aaron Marsh of the alt-rock/indie pop band Copeland, A Collection of Greetings  is the product of a seamless creative partnership, with the songs coming together in just two weeks. The result is an album that feels cohesive yet adventurous, pushing Quinn’s artistry into new, exciting territory. While some fans may expect elements of Sleeping With Sirens to creep in, Haunted Mouths  is a fresh endeavour, proving that Kellin Quinn is more than just the frontman of a beloved post-hardcore band—he’s an artist unafraid to evolve. With lush production, introspective lyrics, and an ethereal soundscape, A Collection of Greetings  is a hauntingly beautiful listen and an exciting new chapter in Quinn’s musical journey. Find out more from Kellin Quinn: https://www.instagram.com/kellinquinn https://x.com/kellinquinn https://www.youtube.com/user/kellinquinn

The debut album from Love Is Noise, To Live In A Different Way , is a sonic exercise in emotion, power, and vulnerability. To be released on February 14, 2025, via Century Media Records, the album finds the band balancing the raw energy of their DIY origins with the soaring melodies of shoegaze, the punch of post-hardcore, and subtle Brit-pop influences. Co-produced by the band alongside engineer Kel Pinchin and mixed by John Markson (Drug Church, Drain, The Story So Far), To Live In A Different Way  delivers a cathartic and deeply personal listening experience. From the opening track, “Devotion,” it’s immediately clear that Love Is Noise has crafted something special. Vocalist Cam Humphrey’s delivery transitions from passionate crooning to throat-shredding intensity, setting the emotional tone for the album. This energy carries into “Soft Glow,” the album’s lead single, where Humphrey’s vocals soar over a wall of punchy guitars and relentless drumming. The combination of melody and aggression establishes Love Is Noise as a band unafraid to embrace both beauty and chaos. The album’s title track, “To Live In A Different Way,” serves as the emotional core of the entire record. Humphrey describes it as the song that solidified the album’s identity, even bringing him to tears during the track recording process. With powerful lyrics like, “Visions of you, let me escape this barren world,” the song encapsulates the feeling of longing and the need for an emotional release in such turbulent times. While the band’s post-hardcore roots are evident throughout the record, they also show an impressive range. Tracks like “Sunshine” lean into evocative melodies, enhanced by the addition of a live cello that adds depth and warmth to the song. Whereas, “Evelyn” strips things down for a few moments with acoustic strumming, proving the band’s ability to explore softer moments without losing their emotional weight or driving too far away from their sonic backbone. Meanwhile, the track “Jawbreaker” unleashes a metallic fury, demonstrating that Love Is Noise hasn’t lost touch with their heavier influences and roots one single bit. Lyrically, To Live In A Different Way  is deeply introspective. Humphrey, a Bolton native, uses the album as a platform to explore themes of love, loss, and self-discovery. His ability to weave personal storytelling into the band’s dynamic soundscape makes for an album that is as thought-provoking as it is sonically immersive. The album’s closer, which clocks in over six minutes titled, “Ascending,” serves as a fitting conclusion, leaving listeners with a sense of catharsis and resolution to the band's debut effort. For a debut album, To Live In A Different Way  is remarkably cohesive and ambitious. Love Is Noise has managed to create a body of work that feels both deeply personal and universally relatable. It’s an album that demands to be felt as much as it is heard, a testament to the band’s ethos of making every moment matter. With this debut release, Love Is Noise cements itself as one of the most compelling new voices in the alternative scene, proving that their journey is only just beginning. Check out more from Love Is Noise: Website | Facebook | Instagram

Singer-songwriter Liv Hanna closed out 2024 with the starry single, "star signs." The Dream Pop/Indie Pop song was met with much acclaim. The budding songstress makes her 2025 debut and kicks off the month of love with a lovely new single, "GOODNIGHT." "GOODNIGHT" is a hyperpop song with Drum and Bass flair. It marks Liv Hanna's first dabble into the genre. She masterfully blends Electronic and Pop sounds while showcasing her impeccable vocals.   AWAL's Liv Hanna is no stranger to touching on the topic of love/relationships. "GOODNIGHT" continues with that theme. The up-tempo song dives into self-love and self-worth. "The relationship/'love' is just enough for me to keep coming back, but I finally have the strength and self-respect to let go, and walk away," Liv Hanna states.  The vibrant track was penned by Liv Hanna and produced by renowned producer Jake Sonderman. The 21-year-old sensation is en route to take the year by storm. She already has another song slated for release at the end of the month, "Forever, Whenever." It features rising music artist Midas. Liv Hanna is only getting better with every release, and "GOODNIGHT" is a testament to her evolution.  About Liv Hanna: New York native, Los Angeles-based Liv Hanna is a 21-year-old singer-songwriter, vocalist, recording artist, influencer, and model. The songbird carries a toolkit laden with emotional angst, fermented in Pop, Alt-Pop, Dark Pop, and Pop Rock sensibilities. Known for her expansive vocal range and clever, resonating songwriting, Liv Hanna has garnered attention from countless media outlets, such as the Metropolitan Magazine, Rolling Stone IN, RTÉ, EARMILK, Sheen Magazine, BroadwayWorld, and BuzzFeed. She was a guest host on PortalOne and has performed at numerous venues, such as Breaking Sound, Pianos NYC, and Rockwood Music Hall. Liv Hanna's latest single, "GOODNIGHT," demonstrates her versatility and gives fans a never-before-heard sound from her.  Check out more from Liv Hanna: Website:  https://www.livhanna.com Instagram:  https://www.instagram.com/livhannaaa TikTok:  https://www.tiktok.com/@livhannasongss Facebook:  https://www.facebook.com/Liv-Hanna/ Twitter:  https://twitter.com/livhannaaa YouTube:  https://www.youtube.com/@LivHannaSongs

Nashville-based alternative punk rock outfit Winona Fighter is here to shake up the scene with their highly anticipated debut album, My Apologies To The Chef . Set to be released via Rise Records on February 14, 2025, the album delivers a raw, unapologetic blend of classic punk ethos and modern alternative energy with a little twist of pop punk. With fourteen explosive tracks, frontwoman Coco Kinnon and her bandmates, guitarist Dan Fuson and drummer and producer Austin Luther, craft an album that is equal parts cathartic, satirical, and socially aware. From the outset, My Apologies To The Chef  pulls no punches. The album kicks off with "JUMPERCABLES," a fast-paced adrenaline rush that sets the tone for what's to come. "You Look Like A Drunk Phoebe Bridgers" follows with biting wit, offering the kind of tongue-in-cheek lyricism that has become a signature of Winona Fighter’s songwriting. Lead single "ATTENTION" stands as the album’s most politically charged anthem, tackling issues ranging from substance abuse crises to healthcare inequities and homelessness. Kinnon’s vocals rage against societal indifference, making it one of the most compelling tracks on the record. Meanwhile, "HAMMS IN A GLASS" captures the band's spontaneous spirit with chaotic energy, reinforced by a one-take music video that mirrors the band's DIY ethos. The album isn’t all fire and fury, though. Tracks like "Swear To God That I'm (FINE)" take a more introspective turn, addressing the emotional rollercoaster of pursuing a music career. Kinnon’s candid lyrics expose the pressures of success, self-worth, and gratitude, making for one of the album’s most heartfelt moments. "R U FAMOUS" offers a more sardonic take on the music industry, calling out opportunists who latch onto rising artists for clout. Sonically, the album straddles the line between punk’s raw aggression and alternative rock’s melodic sensibilities. Tracks like "TALK" and "Swimmer’s Ear" lean into anthemic choruses, while "I Think You Should Leave" channels the reckless abandon of early 2000s garage punk. The production, handled primarily by the band themselves, ensures that each track retains a sense of authenticity—there’s no over-polished sheen here, just unfiltered passion. With My Apologies To The Chef , Winona Fighter cements themselves as one of the most exciting new voices in punk. Their ability to blend humour, anger, and vulnerability into a cohesive body of work speaks to their undeniable talent and dedication. Whether you’re a longtime punk fan or just looking for an album that’s unafraid to challenge the status quo, this record is a must-listen. It’s an invitation to scream, mosh, and, most importantly, give a damn. Check out more from Winona Fighter: https://winonafighter.com/ https://www.facebook.com/winonafighter https://www.instagram.com/winonafighter https://twitter.com/winonafighter https://www.youtube.com/channel/UCmJw0iV9J05v4MCSeW1ju4A

Toronto-born and Los Angeles-based pop artist Cameron Sage From delivers a shimmering, sun-soaked anthem with her latest single, "She’s Not Me." Produced by Nashville-based Josh Frigo—renowned for his work with Niall Horan and Fletcher—the track blends colourful synths, lush guitars, and an undeniably catchy chorus, making it an instant standout in the world of contemporary pop. Thematically, "She’s Not Me" explores the ache of unrequited love, painting the narrative of a love triangle with diary-like honesty. Cameron’s magnetic vocals glide over the song’s upbeat, breezy production, creating a striking contrast between the melancholic lyrical content and the warm, summery instrumental. As she sings about a one-sided emotional struggle, the track embodies the bittersweet reality of watching someone you love choose another. Cameron shares, "I really wanted the feel of 'She’s Not Me' to contrast the instrumental with the lyrics. If you dive into the lyrics, it’s quite depressing, but it’s masked by a warm, upbeat instrumental. It’s kind of like how the lyrics say, ‘You have no clue how I feel, and I'd like to keep it that way.’ The friendship feels like a game of pretending in this situation." Since stepping onto the scene, Cameron Sage From has made waves with her emotionally raw storytelling and genre-blending production choices. With nearly a million streams in under a year and praise from publications like tmrw Magazine  and Melodic , she’s quickly proving herself as an artist to watch. "She’s Not Me"  is a testament to Cameron’s ability to craft infectious, heartfelt pop that resonates deeply with listeners. As she continues to evolve, fans can look forward to more daring sonic explorations and emotionally charged storytelling that solidify her place in the industry. This is just the beginning for Cameron Sage From, and She’s Not Me  is the perfect soundtrack to her rising star. Find out more from Camerson Sage From: https://www.instagram.com/cameronsagefrom https://www.tiktok.com/@blondeclone

Winnipeg welcomed Canadian hip-hop and alternative artist SonReal back to the city with open arms on February 8, 2025, as he brought his All Things Aside Tour  to the city's Park Theatre. With an intimate yet electric atmosphere, the night proved to be an emotional and high-energy ride for fans eager to experience SonReal’s signature blend of heartfelt storytelling and anthemic bangers. Opening the show was East Coast singer-songwriter sunsetto, who set the perfect tone for the night with his dreamy alt-R&B and pop vibes. sunsetto. Photos by Samuel Stevens Photography Kicking off the night, sunsetto captivated the crowd with a selection of songs such as "DON'T LEAVE ME BEHIND," "PLANS," and "BIG MACHINE," from his recently released debut album THE MOON, THE SUN AND THE BIG MACHINE . His smooth vocals and atmospheric beats enveloped the venue, creating a hypnotic experience. A standout moment came when he performed a cover of "Sunflower" by Post Malone and Swae Lee, which had the audience singing along to every word. His ability to weave emotional depth into catchy melodies made for a strong introduction to the evening, leaving concertgoers primed for the main event. From the moment SonReal took the stage with the "All Things Aside Intro," the crowd erupted in cheers, and the momentum never wavered. His infectious energy radiated through the following hits "Everywhere I Go" and "Take 5," setting the stage for a dynamic performance. SonReal’s versatility as an artist shone through as he effortlessly transitioned from high-energy tracks like "Parachute" and "No Warm Up" to deeply personal acoustic songs such as "1000 Highways" and "My Friend." A major highlight of the night was the medley mash-up of "For The Town," "Repo Man," and "Go Play," a nostalgic journey through some of his fan-favourite tracks that had longtime listeners in a frenzy. SonReal. Photos by Samuel Stevens Photography The Winnipeg audience was treated to two unreleased songs—"Night Cap" and "Dumb," the latter featuring Indigenous hip-hop duo Snotty Nose Rez Kids. The crowd responded with utter excitement, signalling that these tracks could become future anthems in SonReal’s catalogue in the near future. The set reached emotional peaks with "Fearless" and "Healing," songs that resonated deeply with the audience. By the time he launched into "Can I Get A Witness," the entire venue was on their feet, singing at the top of their lungs. After an overwhelming demand for an encore, SonReal returned to the stage to deliver a medley of "Dive Bar" and "Preach," ensuring the night ended on a euphoric high. The blend of introspective lyricism and crowd-pleasing choruses left fans wanting more, proving once again why SonReal remains one of Canada's most captivating live performers. SonReal’s return to Winnipeg was nothing short of triumphant. From introspective ballads to infectious anthems, his set was a masterclass in connecting with an audience through raw emotion and boundless energy. Paired with sunsetto’s atmospheric opening set, the night was a reminder of why live music holds such a special place in our hearts. If the All Things Aside Tour  is any indication of what’s to come, SonReal’s journey is far from over—it’s only getting started.

Lacuna Coil’s tenth studio album, Sleepless Empire , which will be out on February 14, 2025, via Century Media Records, is more than just another entry in their storied discography—it’s a cinematic, atmospheric journey that cements the band’s legacy as one of the most dynamic forces in modern metal. Blending orchestral grandeur with their signature blend of gothic and alternative metal, the album showcases a band at the peak of their creative prowess. With heavy-hitting collaborations, haunting melodies, and introspective lyricism, Sleepless Empire  is an essential listen for both longtime fans and newcomers alike. From the opening moments of "The Siege," it’s clear that Sleepless Empire  is a monumental step forward for Lacuna Coil. Founding member and primary songwriter Marco "Maki" Coti Zelati has crafted a deeply immersive soundscape, heavily inspired by film scores and horror soundtracks. Throughout the album, orchestral elements reminiscent of the composer Hans Zimmer and the progressive rock band Goblin merge seamlessly with Lacuna Coil’s established heavy guitar work and dual vocal interplay between Cristina Scabbia and Andrea Ferro. The album’s thematic core reflects a world in constant motion—always connected, yet increasingly isolated. “Our sound is dark because it reflects the society we’re living in—it’s a portrait of our times,” Ferro explains. This sense of restless urgency pulses through every track, painting a vivid picture of modern existence in a sleepless digital age. The album’s singles, "Oxygen" and "I Wish You Were Dead," deliver the perfect balance of melancholic beauty and crushing intensity. "Oxygen," in particular, stands out as a raw anthem of resilience, exploring the suffocating pressures of contemporary life. Meanwhile, the title track, "Sleepless Empire," serves as an emotional and sonic centrepiece, encapsulating the album’s overarching themes of technological alienation and personal redemption. Lacuna Coil has always been adept at choosing the right collaborators, and Sleepless Empire  features two of their most exciting guest appearances to date. "Hosting The Shadow "  sees Lamb of God’s Randy Blythe lending his signature growls to one of the album’s heaviest and most sinister moments. The contrast between his guttural roars and Scabbia’s soaring melodies makes for an electrifying listen. Blythe himself expressed his enthusiasm for the track, calling it "a long-awaited dream collaboration." Equally compelling is the track "In The Mean Time," which features New Years Day’s frontwoman, Ash Costello. The track’s title serves a dual purpose, referencing both the chaotic times we currently are living in and the transitional state the band has found itself in. Costello’s fiery vocal delivery adds a fresh dynamic, perfectly complementing Scabbia and Ferro’s established chemistry. Beyond its sonic achievements, Sleepless Empire  also makes a statement about the creative challenges of the modern world. The band worked closely with Neapolitan illustrator Roberto Toderico for the album’s artwork, emphasizing the value of handmade artistry in an era dominated by artificial intelligence. Scabbia has been vocal about her concerns regarding AI-generated content, and Sleepless Empire  stands as a testament to the human touch in music and art. In a nod to their dedication to immersive storytelling, Lacuna Coil has even included an Oracle divination game within the album’s physical packaging—further encouraging fans to engage with the record beyond just the music. With Sleepless Empire , Lacuna Coil has crafted an album that is both timely and timeless. It’s a masterclass in balancing evolution with authenticity, embracing modern influences without compromising their identity. The result is an album that feels deeply personal yet universally resonant, capturing the anxieties and hopes of a world that never stops turning. For longtime fans, Sleepless Empire  offers everything they love about Lacuna Coil—darkly poetic lyricism, lush symphonic layers, and heavy, groove-laden riffs—while also introducing fresh elements that push their sound forward. For new listeners, it’s an accessible yet powerful entry point into the band’s world. Lacuna Coil proves once again that they are masters of reinvention, offering an album that not only reflects our times but dares to challenge them too. Sleepless Empire  is a triumph of artistry, emotion, and sonic innovation—an album that refuses to let you rest, in the best possible way. Check out more from Lacuna Coil: Website | Facebook | Twitter | Instagram | TikTok

On February 7, 2025, the West End Cultural Centre in Winnipeg was abuzz with anticipation as fans gathered for Jade Turner's Breathe album release show. The evening promised a rich tapestry of country, roots, and Americana music, featuring opening fellow local acts Burnstick and Ali Fontaine. Ali Fontaine. Photos by Samuel Stevens Photography The night commenced with singer-songwriter Ali Fontaine taking the stage, delivering a soulful set that resonated deeply with attendees. Her emotive vocals and poignant lyrics further enriched the night's musical journey, building anticipation for the main act. Following Ali Fontaine, Burnstick, the JUNO-nominated husband-and-wife folk duo known for their evocative storytelling and harmonious vocals, took the stage for a short set. Their performance, characterized by the unique sounds of the century-old Weissenborn guitar, captivated the audience and set a heartfelt tone for the evening. Burnstick. Photos by Samuel Stevens Photography As the lights dimmed, Jade Turner emerged to enthusiastic applause. A member of the Misipawistik Cree Nation, Turner has been celebrated for her authentic storytelling and dynamic vocal range. The concert marked her first headlining performance, and she embraced the moment with palpable excitement. Turner's setlist featured tracks from Breathe , her third studio album, which delves into personal narratives of motherhood, self-discovery, and resilience. Songs like "You're Only Nice When I'm Leaving" showcased her ability to convey raw emotion, while "Deadweight," a collaboration with Crystal Shawanda, confronted themes of bullying with defiant energy. The title track, "Breathe," co-written with Rhianna Rae Saj and Sebastian Gaskin, was a standout moment. The song's blend of R&B and Americana elements mirrored the complexities of anxiety, culminating in a powerful and cathartic performance. However, it was during the performance of "Slow Dance" that stole the spotlight. Unfortunately, Ryan Langlois who duets on the song was unable to make the show, but in his absence, fellow country artist Don Amero took to the stage to sing the duet with Turner. Jade Turner. Photos by Samuel Stevens Photography Throughout the evening, Turner's stage presence was both commanding and inviting. She shared personal anecdotes between songs, creating an intimate atmosphere that resonated with the audience. Her outfit changes and thoughtfully designed stage props added a visual flair to the performance, reflecting her dedication to providing a memorable experience. The concert also featured a few pop-up vendors in the lobby, including Mashkiki Garden Creations, Anishinaabe Girl Designs, and Sunshine House, fostering a sense of community and celebration of Indigenous artistry. In her Breathe album release show, Jade Turner not only showcased her musical evolution but also created a space for shared stories and collective reflection. The evening was a testament to her artistry and the power of music to connect and heal.

LEARN MORE HERE A MOVEMENT TO SUPPORT ARTISTS' MENTAL HEALTH ACROSS THE MUSIC INDUSTRY. Today, 501(c)(3) non-profit Backline officially launches the We Got You! Campaign , a fund to support artists' mental health in an effort to create a safer, more sustainable music industry with donations from Chappell Roan , Noah Kahan and Charli XCX . Since 2019, Backline has worked to connect musicians, touring professionals, venue staff, crew and their families with critical mental health resources and care as they navigate the unique pressures of the ever-changing industry. Last week at the GRAMMYs, Best New Artist winner Chappell Roan used her acceptance speech to call on record labels to cover healthcare costs for their artists. In response, a former A&R executive dismissed her argument, questioned her understanding and suggested she put her own money toward the cause–and she did. Roan has partnered with Backline to commit $25,000 to supporting artists' mental health, inspiring Noah Kahan, a longtime mental health advocate and supporter of Backline, to do the same. Soon after, Charli XCX joined the effort. The fund since received an enormous outpouring of support from fans and the industry alike. With immense gratitude, Backline Community Manager Terra Lopez says, "The We Got You campaign is a powerful step in prioritizing mental health and well-being of those who make the music we all love. Thank you to Chappell Roan, Charli xcx, and Noah Kahan for your advocacy and action to create a more supportive industry - together, we are showing artists they are seen, heard, and cared for."  Backline has helped thousands of industry professionals access mental health and wellness care, offering a range of services that address the emotional, psychological and physical challenges inherent to the industry. Through 1:1 Case Management, music industry professionals and family members can receive personalized care plans that include referrals to vetted licensed mental health professionals who understand the music industry, as well as support accessing financial aid and substance use treatment. Backline has created 1,800+ custom care plans for industry individuals spanning thousands of bands, festivals and venues. The ripple effect of this impact extends far beyond the individuals served – by supporting one professional, Backline helps entire teams, tours, families, and productions run more smoothly, creating a chain reaction that strengthens the well-being of the industry as a whole. Backline is just getting started. Continue the conversation and action towards improving mental health across the music industry by keeping up with Backline here and join the We Got You! movement here . ABOUT BACKLINE: Backline is a national 501(c)(3) organization that connects music industry professionals and their families with mental health and wellness resources. The organization provides a wide range of services to promote mental health, offering Case Management, wellness programs, and educational resources tailored to the music industry’s unique challenges. Find out more about Backline: Website / Instagram / Facebook / Twitter

Singer, songwriter, and producer, Daniel Arison, has released his highly anticipated single, "Selfish," today. This deeply personal track marks a pivotal moment in his creative journey, as it was the first song written for his upcoming album and became the thematic foundation for the entire project. Daniel recalled the pivotal moment that inspired the song during a recent studio session with his producer, Larzz. "I walked into the session and knew exactly what I wanted to write," Daniel explained. "I told Larzz the story behind the title: one day, I had a huge blowout with one of my friends. He came to me and yelled at me for an hour and a half, accusing me of being self-involved—never calling, never asking how he was, never making the effort. In the moment, I felt really defensive and denied everything he said. But a few days later, I sat with myself and thought, ‘Maybe you’re right. Maybe I am selfish.’” This moment of self-awareness became a turning point not only in Daniel's personal life but also in his creative process. He channelled the complex emotions of defensiveness, sadness, and eventual acceptance into the song. "It was a weird moment of realization and acceptance of who I was in that moment—a human being capable of making mistakes," Daniel shared. "The friendship wasn’t the same after that, but writing 'Selfish' felt like a huge relief. It was like saying out loud what I had been afraid to admit, and that honesty became the core of the album’s direction." "Selfish" invites listeners to reflect on their own imperfections while finding solace in the humanity of those flaws. With its intimate lyrics and evocative production, the song sets the stage for a body of work that delves into vulnerability, transformation, and emotional complexity. Now available on all major streaming platforms, "Selfish" gives fans an intimate glimpse into the soul of Daniel Arison as he gears up for his album release. Stream “Selfish” Here Official Music Video Here MORE INFO: Daniel’s journey into music began early, with a natural inclination towards learning multiple instruments and experimenting with songwriting. His childhood was steeped in an environment that fostered creativity and self-expression. Daniel's artistic talents also extended into acting, which he pursued all throughout his younger years, further showcasing his versatility. In his music, Daniel Arison masterfully weaves intricate stories that explore themes of love, identity, and personal growth, drawing from his own diverse life experiences. His songs are a testament to his deep introspection and emotional honesty, qualities that have endeared him to fans around the world. The upcoming album promises to continue this narrative, offering a collection of songs that are both deeply personal and universally relatable. Fans can look forward to the release of additional singles and visualizers, building anticipation for the full album later this year. Find out more from Daniel Arison: INSTAGRAM  | YOUTUBE  | SPOTIFY  | TIKTOK  | TWITTER  | FACEBOOK

Today, Nashville-based, indie rock rising act FERGUSON announced the release of his new single, "Never In My Life." Produced & engineered by William Brown and released via The Orchard - listen HERE . Merging timeless classic pop, folk, and indie rock, "Never In My Life" synth’s sparkle and guitar’s jangle, filling the airways with the promise of new love. The latest from a singular singer-songwriter, who has been working on an album project, is now destined to be released later this year. In a time where joy is an ever-welcome (if not elusive) companion, “Never In My Life” offers the listener an opportunity to reflect on all things beautiful. “‘ Never In My Life’ is an ode to freshly sparked romance,” stated FERGUSON, adding “to the feeling of locking eyes from across a crowded room and knowing that, amidst the chaos, you and this person are on the same wavelength.” FERGUSON also released a video to accompany the single. Premiered exclusively by FLOOD MAGAZINE , it was directed by Casey Pierce and it features dancers: Amanda Reichert, Kristen Carrara and McKay House. Watch HERE FERGUSON’s “pushing even further into experimental pop territory and lovelorn lyricism with his new track,” stated FLOOD. “Vibrant synths, sharp guitar, and ooh-ing backing vocals all help to accent a song which effectively translates the butterflies that come with a newly unfolding courtship to music” FERGUSON will perform at New York City’s Mercury Lounge on February 11 and at Nashville’s The End on February 13. Tickets are on sale now - please visit https://fergusonsongs.com/ for more info. Brown and FERGUSON recorded the track in an attic amidst the sweltering heat of a Tennessee summer. Initially, two songs combined into one - slowly but surely it began to take shape. Between the homemade baffles and the vaulted wood ceiling, the attic provided the exact sound they were looking for. Using studio techniques inspired by the 70s, pioneered by McCartney’s experimental solo albums, they captured the analog studio synth sound, updating it for our modern age. FERGUSON (formerly Ian Ferguson) is a self-proclaimed high school dropout from a one-stoplight town outside of Nashville, he embarked on a solo career after he formed and dissolved his high school band Kingston Springs, when they were on the verge of success, with shows at Austin City Limits Music Festival, Lollapalooza, Bonnaroo lineup, and a major label deal on the table. Headstrong with a solo vision, FERGUSON’s self-released debut album State Of Gold , a breakthrough indie hit, with BILLBOARD comparing him to the “The Beatles and Brian Wilson” and SOUND OPINIONS praised his “Wonderful rootsy psychedelia meets country, that transports you to another world of the best psychedelic rock.” FERGUSON has worked hard at work on a follow-up album which will be released in 2025, and if “Never In My Life” is a measure, it’s been worth the wait. Check out more from FERGUSON: Instagram: Fergusonsound Facebook: Fergusonsound Twitter: Fergusonsongs TikTok: Fergusonmusic Website: https://fergusonsongs.com/

For nearly a decade, singer-songwriter Jason Singer—better known as Michigander—has built a reputation on heartfelt lyricism, anthemic indie rock, and a growing catalogue of EPs that have resonated with fans across the country, and the across the globe. With the release of his long-awaited self-titled debut album, Michigander cements himself as one of the most earnest and affecting voices in modern indie rock. Described by Singer as the "movie version" of his story after years of releasing "television episodes" in the form of a series of EPs from 2018 to 2023, Michigander  is a collection of twelve fully realized tracks that showcase his signature mix of vulnerability, optimism, and sonic grandeur. The album brims with influences ranging from Manchester Orchestra’s swelling emotional climaxes to the blue-collar storytelling of Bruce Springsteen, all tied together by Singer’s knack for sticky hooks and cathartic choruses. The opening track, "Broadcast," immediately sets the tone with its shimmering guitars and soaring melodies, signalling Michigander’s evolution into an artist fully in command of his sound. Songs like "Emotional" and "Giving Up" further highlight his ability to craft indie pop rock anthems perfect for singing along in the car, balancing introspective lyricism with a sense of hope that never feels forced upon its listener. There’s a warmth to tracks like "Peace of Mind" and "I’ll Be Okay," where Singer leans into power pop influences akin to Winnetka Bowling League and Hippo Campus, blending earnestness with undeniably catchy songwriting. Meanwhile, tracks like "Breaker Box" and "Splitting Image" see Michigander flex his dynamic range, seamlessly shifting from hushed vulnerability to stadium-sized crescendos. Perhaps the standout moment on the album is the track, "Letterman," a song that encapsulates everything that makes Michigander’s music so magnetic—lyrical storytelling that feels deeply personal yet universally relatable, underscored by instrumentation that swells and soars with emotional weight. By the time the album closes out with the final track, "Hair," there’s no doubt that Singer has delivered a debut that is not just a statement but a promise of even greater things to come. Michigander  is an album that feels both like a homecoming and a bold step forward, solidifying Jason Singer’s place in the indie rock landscape. With its sweeping choruses, nostalgic warmth, and hopeful undercurrent, Michigander  is the perfect soundtrack for late-night drives, shared singalongs, and the inescapable search for meaning in everyday moments. Check out more from Michigander: Website | Facebook | Instagram | Twitter | YouTube