Today, world-renowned rapper, singer, dancer, and style icon,  LISA  releases her highly anticipated new single “Born Again” featuring Doja Cat and RAYE via Lloud Co./RCA Records. The dynamic and high-energy pop track brings together three global superstars that showcases each of their talents for an anthemic and empowering banger. Alongside the single, the official video, directed by Bardia Zeinali (Sabrina Carpenter, Tate McRae, Kacey Musgraves), made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards – watch  HERE . Listen to “Born Again”  HERE . “Born Again” is LISA’s first new release of 2025 and will be featured on her highly anticipated debut solo album, Alter Ego , coming later this month, February 28. Pre-order/save the album  HERE . The album will also include “New Woman” featuring Rosalía, “Moonlit Floor,” and “Rockstar,” which debuted at #1 on the Billboard Global Ex. US Chart and #4 on the Billboard Global 200 Chart. “Rockstar” has amassed an impressive 260 million views on YouTube and earned LISA the coveted MTV VMA award for Best K-Pop. On  Alter Ego , LISA emulates five characters each representing a unique personality. She first teased the characters in her album announcement in November and in recent weeks, she has begun to reveal more about the characters to much excitement from fans as they eagerly await the new album later this month. 2025 is already proving to be an exciting year for LISA. As she readies to release her new album, she will also be making her acting debut in season three of HBO’s The White Lotus which premieres on February 16. And in April, LISA will return to the desert, this time to make her solo debut at Coachella. About LISA: LISA is a rapper, singer, and dancer best known as a member of the globally renowned K-pop girl group, BLACKPINK. Beyond her success with BLACKPINK, LISA has made a name for herself as a solo artist and has broken several records globally with singles “Lalisa” and “Money” charting in the top 10 of the Billboard Global 200. “Money” holds the record as the longest-charting song by a solo female K-pop artist on the Billboard Hot 100 in the US and on the U.K. Singles Chart. LISA broke three Guinness World Records in 2023 as the most Instagram followers for a K-pop artist (currently at 104 Million followers on the platform), she is also the first solo K-pop winner at both the MTV Video Music Awards and the MTV European Music Awards. In 2024, LISA launched her own management company, LLOUD CO., in an effort to create a platform to showcase her overall vision in music and entertainment that pushes boundaries. In partnership with LLOUD Co. and RCA Records, LISA released her first solo single under the partnership, “Rockstar” which was produced by Ryan Tedder and Sam Homaee. She then joined forces with GRAMMY-winning singer-songwriter Rosalía to release her second single, “New Woman,” followed by her third single, “Moonlit Floor.” She first teased “Moonlit Floor” during her solo festival debut at the Global Citizen Festival in New York City and following the song’s official release, she had a showstopping performance at the Victoria’s Secret Runway Show.  Along with her global dominance in music and unparalleled stage presence, she is known for her unique fashion sense and trendsetting style, making her a prominent force in the global fashion industry. LISA graced the cover of ELLE Magazine’s highly coveted September issue in 2024 and Louis Vuitton announced LISA as their newest House Ambassador and she continues to be the face of Bulgari.  Outside of music, LISA is set to star in the upcoming season of the hit HBO Original series,  The White Lotus,  season 3. This role will mark her major on-screen debut and is filming in her native Thailand. LISA will release her highly anticipated debut solo album, ALTER EGO , on February 28 and make her solo Coachella debut in April.  About Doja Cat: GRAMMY award-winning global superstar Doja Cat made her first upload to Soundcloud in 2013 at just 16 years old .  Having grown up in and around the LA area, she developed a knack for music by studying piano and dance as a kid and listening to the likes of Busta Rhymes, Erykah Badu, Nicki Minaj, Drake, and more. Signed to Kemosabe/RCA Records in 2014, she released her  Purrr!  EP and followed that with her debut album  Amala  in spring 2018, but it was her August 2018 release of “MOOO!” which catapulted her into the mainstream and was met with critical acclaim.  Doja Cat released her sophomore GRAMMY-nominated platinum album  Hot Pink  in November 2019 to mass critical acclaim; the album has garnered 7 billion streams worldwide. It features “Streets”, the viral sensation that soundtracked the ‘Silhouette Challenge,’ one of the biggest TikTok trends to date, and her GRAMMY-nominated #1 smash record “Say So” which has been RIAA certified 6x platinum and catapulted Doja Cat into global superstardom. With over 33 billion worldwide streams to date, Doja Cat’s creativity and showmanship as a performer have been praised time and time again, she has delivered unique and show-stopping performances on nearly all the major Award Show stages and music festivals throughout the world. Doja Cat’s GRAMMY award-winning album  Planet Her  came out in June 2021 and dominated the charts, debuting at #1 on the Billboard Top R&B Albums chart and #2 on the Billboard Top 200 and Billboard Top R&B/Hip-Hop Albums chart and generated the highest first day Spotify streams for an album by a female rapper. GRAMMY award-winning “Kiss Me More” ft. SZA, the lead single off  Planet Her  is certified 5x platinum by the RIAA and hit #1 at Top 40 and Rhythm radio with over 2.5 billion streams worldwide. That fall, Doja Cat became the first rapper to have 3 songs in the Top 10 at Top 40 radio. Her hit track “Woman” went to the top of the Billboard Rhythmic Airplay charts which ascended her to become the first woman to have four #1 hits from one album, other hits including “You Right” with The Weeknd and “Need to Know.” She went on to land at #1 on the Billboard Artist 100 chart for the first time. Amongst others, Doja Cat has won 5 AMAs, 5 Billboard Music Awards, 5 MTV VMAs, 3 BMI Awards, 2 MTV EMAs, 1 GRAMMY Award, and 1 NAACP Image Award along with garnering a total of 19 GRAMMY Award nominations. Additionally, Doja Cat has been nominated for 20 Billboard Music Awards, 18 MTV VMAs, 9 AMAs, 10 BET Awards, 8 MTV EMAs, 5 BMI Awards, and dozens more. Doja Cat was named one of TIME100’s Most Influential People of 2023, where she was featured on the April 2023 cover issue and performed at the TIME100 Gala in New York City. In September 2023, Doja Cat released her fourth studio album,  Scarlet , which has been RIAA certified platinum and features smash hits “Agora Hills” (RIAA certified 2x platinum) and “Paint The Town Red” (RIAA certified 4x platinum). After releasing  Scarlet , Doja Cat went on her first-ever North American headline tour,  The Scarlet Tour . In April 2024, Doja Cat released her latest deluxe album,  Scarlet 2 CLAUDE . In that same month, Doja Cat headlined Coachella 2024 and delivered an unforgettable performance. Currently, Doja Cat is gearing up for new music coming soon. About RAYE: Three-time GRAMMY Award-nominated superstar RAYE continues to revolutionize what an independent artist can achieve. The South London native is a prolific songwriter, performer, producer, and advocate who shattered the record for most wins in a single night at the 2024 BRIT Awards, taking home 6 awards and becoming the first woman named Songwriter of the Year. The “Escapism” singer also made GRAMMY® history this year as the first artist to receive simultaneous nods in the highly coveted Best New Artist and Songwriter of the Year, Non-Classical categories for her debut album My 21st Century Blues. She also delivered a viral GRAMMY performance debut of her Top 40 hit “Oscar Winning Tears,” earning a standing ovation and critical acclaim. A hitmaker for such global icons like Beyoncé, LISA, and Charli xcx, RAYE has dazzled audiences at Glastonbury, Coachella, and Montreux Jazz Festival, as well as on tour with the likes of Taylor Swift, SZA, and Kali Uchis, cementing her status as one of the most groundbreaking artists of her generation. Find out more from LISA: Instagram

Trailblazing Winnipeg singer-songwriter Jade Turner returns with her most personal and emotionally profound album yet, Breathe . As a masterful storyteller and dynamic vocalist, Turner showcases her ability to transform deeply personal experiences into universally resonant songs. Her third studio album, set for release on February 7, 2025, spans the genres of Americana, Roots, and Country, offering a compelling collection of eleven songs that explore themes of self-discovery, resilience, and emotional healing. Featuring collaborations with legendary Canadian artist Crystal Shawanda and rising Manitoba talent Sebastian Gaskin, Breathe  is an evocative, raw, and powerful statement from an artist coming into her own. Turner’s latest release follows the biggest year of her career, solidifying her place as one of Canada’s most celebrated singer-songwriters. In 2024, she was a semifinalist in SiriusXM’s Top of the Country  competition, gained national recognition through Breakfast Television and eTalk, and surpassed 500,000 streams across her musical catalogue. She won her fourth career Manitoba Country Music Award, took home the Vince Fontaine Indigenous Song Award at the 2024 SOCAN Awards, and earned the Kevin Walters Memorial Songwriting Award from Manitoba Music. Further cementing her impact, Turner performed at the iHeartRadio Canadian Country Music Awards  pre-show and was a featured artist in the National Music Centre and SiriusXM’s EQ Live  showcase. With continued national airplay and appearances on the Indigenous Music Countdown, Turner’s artistry has never been more widely recognized. Firmly rooted in storytelling, Breathe  serves as a diary-like exploration of Turner’s life experiences, including becoming a mother, navigating divorce, and confronting the impact of addiction on loved ones. Turner describes the album as her therapy, saying, “I don’t normally talk about my vulnerabilities, but this is my way of talking about it—by singing it.”  In moving beyond the traditional confines of country music, she delves deeper into Americana and Roots, crafting a collection that is as sonically rich as it is emotionally charged. Standout Tracks: "You’re Only Nice When I’m Leaving" – A stark and haunting Roots ballad, this track finds Turner reflecting on toxic relationship patterns with sparse instrumentation, allowing her sharp lyrical insight to shine, as well as her emotive voice. "That Wind" – Inspired by Turner’s lifelong experiences with dogsledding, this track serves as a powerful metaphor for chasing one’s dreams, its stirring instrumentation capturing the essence of resilience and freedom. "Breathe" – The album's title track, which was co-written with Manitoba singer-songwriters Rhianna Rae Saj and Sebastian Gaskin, is a meditative exploration of anxiety. Using a layered blend of R&B, Roots, and Americana, Turner builds an immersive sonic landscape designed to help listeners ground themselves and find peace. "Deadweight" – Co-written with Crystal Shawanda, this powerful, anthemic track explores the pain of bullying and the journey toward self-empowerment, marking a full-circle moment for Turner, who was inspired to pursue music after seeing Shawanda on television as a child. With Breathe , Jade Turner has crafted an album that not only solidifies her standing as one of Canada’s most gifted songwriters but also speaks to the universal struggles and triumphs of personal transformation. Her fearless honesty, combined with her ability to navigate difficult themes with both sensitivity and strength, makes Breathe  an unforgettable listen. More than just an album, it is a testament to Turner’s evolution as an artist and as a woman—bold, unfiltered, and profoundly authentic. Whether you’re seeking solace, inspiration, or simply an album that resonates with raw emotion, Breathe  is a must-listen. Check out more from Jade Turner: Website / Instagram / Facebook / X / TikTok / YouTube / Spotify

The RAM Motorsport Spectacular roared into Winnipeg’s Canada Life Centre on January 31, 2025, kicking off the first of three high-octane shows over the course of two days. With an adrenaline-fueled lineup featuring monster truck races, a monster truck skills competition, and an electrifying freestyle segment, the event delivered nonstop action to an eager crowd of motorsport fans. The night featured a powerhouse lineup of monster trucks, each bringing its own unique flair to the competition. Spitfire, known for its fiery front-end bursts of flames, thrilled the audience with its dramatic entrances. Identity Theft, with its Grave Digger-inspired design, quickly became a fan favourite despite nearly not being able to compete. Rock Star lived up to its name with high-flying jumps and wheelies, while being driven by a wife and husband duo. Whereas, the monster truck Reverse Racer provided a mind-bending illusion of driving backward. Rounding out the lineup were Roughneck and Crude, both showcasing raw power and brute force, and The Cali Kid, a brightly styled machine that brought some West Coast energy to the event. The racing segment saw intense head-to-head battles, with trucks thundering down the track in a test of speed and control. The skills competition allowed drivers to show off their precision, trying to balance their behemoth vehicles on two wheels and executing technical maneuvers that defied gravity. The freestyle portion, a fan-favourite highlight, saw the trucks unleash their full power with massive jumps, donuts, and even attempts at wheelies, leaving the crowd in awe. Photos by Samuel Stevens Photography. Adding a heartwarming touch to the night was a young up-and-comer in the monster truck world. A thirteen-year-old driver took the wheel of a mini monster truck Bunny 2.0, demonstrating incredible control and enthusiasm. His passion for the sport was evident, and the audience rallied behind him, eager to see him progress to full-scale monster truck competition in the future. The night wasn’t just about monster trucks, as the event also featured a jaw-dropping motocross freestyle segment following a short intermission. Three riders pushed the limits of physics, launching their bikes high into the air and executing gravity-defying tricks, including backflips, no-handers, and whips. Each stunt drew gasps and cheers, cementing the freestyle portion as an unforgettable part of the entire night. The RAM Motorsport Spectacular delivered exactly what it promised—an action-packed night filled with high-speed racing, mind-blowing stunts, and raw mechanical power. With the energy in Canada Life Centre at an all-time high, fans left the event buzzing with excitement. Whether it was the roar of the engines, the sight of a young driver chasing his dream, or the daring motocross feats, the night had something for every motorsport enthusiast.

PRE-ORDER IS NOW AVAILABLE FOR SUPERSTAR JISOO’S DEBUT MINI ALBUM AMORTAGE ARRIVING FEBRUARY 14 VIA BLISSOO AND WARNER RECORDS PRE-ORDER AMORTAGE HERE Today, South Korean superstar singer, actress, and international style icon JISOO releases the pre-order for her forthcoming debut mini album AMORTAGE arriving February 14, 2025, via Blissoo and Warner Records. The physical product line features nine variations with exclusive content including polaroids, postcards and more. The full product lineup is available HERE . AMORTAGE is JISOO’s most comprehensive solo work yet and marks a “rebirth” of the global superstar. AMORTAGE is a fusion of “amor” and “montage,” leaning into the emotional stages of love and the many moments of a relationship. Together, the songs create a vivid reel of this journey. Attracting over 79+ million Instagram followers and generating billions of streams, JISOO ignited her meteoric solo rise in 2023. She made history with her debut single album Me, netting a series of accolades and popping off as “the best-selling album by a female soloist in South Korea” and “the first to sell over a million copies.” With the breakout "FLOWER," she impressively emerged as the“First Female K-Pop Solo Artist to Achieve 1 Million Preorders,” tallying the “Highest First-Week Sales By A Female Soloist” and the “Highest 24 Hour Count of Any KPop Music Video in 2023.” Not to mention, the song exploded as the “Highest-Charting Hit In Canadian History By A Korean Solo Female.” Stateside, it catapulted to #2 on the Billboard Global 200 and #1 on the Global Excl. U.S. Chart. At the same time, her influence has burgeoned across fashion and culture. She has served as a global ambassador for Dior, Cartier, and Dyson in addition to being named the face of ALO Yoga in 2024. During the same year, she made waves as “the most-mentioned celebrity during New York Fashion Week.” Plus, she is set to star in the upcoming K-Drama series Newtopia airing February 7 on Prime Video. Of course, she launched her career as part of the global girl group, BLACKPINK, selling out stadiums, winning numerous awards, and captivating millions worldwide. Find out more from Jisoo: Instagram | YouTube

Nashville-based alt-pop singer-songwriter Caroline Romano returns with her latest single, “ IDK These Days, ” offering a raw and introspective preview of her upcoming EP, How The Good Girls Die , set for release on February 21st . This new track follows a string of successful releases including “Body Bag,” “Pretty Boys,” and “Born To Want More," all of which will be included on the EP. “IDK These Days” showcases Caroline’s knack for blending vulnerability with compelling storytelling. The minimalist arrangement emphasizes her poignant lyrics and heartfelt vocal delivery, presenting one of the most emotionally charged tracks on the EP. “ I wrote ‘IDK These Days’ during a period of inexplicable anger and frustration,” Caroline shares.  “It’s about the little things—like snow and traffic—that used to be trivial, suddenly becoming overwhelming. It’s that unsettling feeling when even your mom notices you’re not yourself, and you’re stuck in this state of discontent, feeling like a middle schooler again.” Caroline further reflects, “The song speaks to the fear that these emotions might linger longer than desired. It’s about the struggle of being honest when asked how you’re doing and admitting, ‘I don’t know these days.’ While these feelings are fleeting, in the moment, they feel all-consuming. This song is my way of confronting those emotions head-on, admitting them aloud, and finding solace in that admission.” Caroline Romano has established herself as a versatile artist, effortlessly transitioning between misty-eyed ballads and fiery alt-rock anthems. Since the release of her 2022 debut album, Oddities and Prodigies , and her subsequent 2023 EP, A Brief Epic , Caroline has continued to come into her own as an artist, revealing new layers of her artistry with each release. With the forthcoming release of How The Good Girls Die , Caroline pushes her creative boundaries further, promising a collection of tracks that are both introspective and boundary-breaking. Fans can expect an honest, unfiltered look into Caroline’s world when the EP drops on February 21st. "IDK These Days" is out now on all streaming platforms. Check out more from Caroline Romano: Website | Facebook | Instagram | Twitter | TikTok | YouTube

Listen to "Sheets" HERE | "Sheets" Visualizer HERE Today, “rising pop star and raw truthteller” (People) Maddie Zahm released a new single “Sheets” via AWAL– a cheeky, F-U post-breakup anthem and sonic teaser of more to come, that showcases her powerful vocals and ability to capture complex swirls of emotions and transform them into a banger. “Sheets” is the first single from a new project - more to be revealed! She also announced her Sad & Sexy Tour, kicking off March 21 in Houston and hitting major markets around the US including New York City and Los Angeles – full dates below. Tickets are on sale today! “Sheets” is a pure dose of pop with an undeniable dance-floor hook, with Maddie’s smoky, powerful vocals on display. The song is a post-break-up anthem that anyone can relate to, but it came about for Maddie in a very specific scenario hilariously described by her. After breaking up with her girlfriend, she found herself single and queer during pride. Maddie continues, “And like every dramatic, you know, young gay in Los Angeles, I got updates from my friends that my ex was kissing blondes at a party. It crossed the line for me. So I went home and I wrote “Sheets” and pretty much I just was like, ‘did she even change her sheets before she’s making out with other people?’ That’s insane. And I remember the songwriters all gasped and they were like, well, that has to be the hook.” From the virality of singles “Fat Funny Friend” and “You Might Not Like Her” to her critically acclaimed debut album Now That I’ve Been Honest, to last year’s fan favorite single   “little me” , which she debuted on the Kelly Clarkson Show , Maddie Zahm has continued amassing a devoted fan base of over 175 million streams and millions of fans on TikTok. In an interview with the Los Angeles Times about TikTok virality, they mentioned her as the rare artist who has been able to transform TikTok fame to a tight-knit community to in-person sold-out shows around the US.  Now, with the kick-off of her next chapter of music and the sad & sexy tour, Maddie is again inviting fans into her world, where she leads listeners into the most intimate parts of her psyche (and theirs too). Maddie is forever oscillating through the spectrum of emotions and creating a space where audiences can unite and share in the reality that existing is overwhelming.  Last year, she took the debut album on tour – selling out shows around the U.S. – and released fan favorite “little me” while on the road. Maddie’s star continues to rise in 2025.  ABOUT MADDIE ZAHM: Meet Maddie Zahm, America’s favorite new pop singer. She launched onto the scene when her fan-favorite single “Fat Funny Friend” galvanized TikTok and became an empowering anthem for people experiencing fatphobia, societal pressure, and body dysmorphia. The single came from her 2022 EP You Might Not Like Her, which shared Maddie’s story of leaving her hometown of Boise, ID where she was a worship leader at the tender age of 13, and eventually moving to Los Angeles where she came out as queer and did a lot of living to catch up fast. The EP was a beacon for many listeners, who have flocked to Maddie’s highly personal songwriting and powerhouse voice. Those fans–who sold out her North American tour in Spring 2023 and racked up Maddie’s 175 million streams, 3 billion views, and 250k videos created on TikTok set to "Fat Funny Friend"–quickly became a community. Her debut album, Now That I’ve Been Honest (2023) was critically acclaimed by the Billboard, NPR, Consequence, Rolling Stone, American Songwriter and more, and is a door into the world of Maddie Zahm’s raw, triumphant, honest, and refreshing personal story that signals the arrival of one of music’s most important new voices. Last year, she took the debut album on tour – selling out shows around the U.S. – and even released additional tracks including fan favorite “little me.”  US Headline Tour 2025 - “The Sad & Sexy Tour”  3/21 - Houston, TX - The Heights Theater 3/22 - Dallas, TX - The Kessler 3/24 - Nashville, TN - Brooklyn Bowl Nashville 3/25 - Charlotte, NC - The Underground 3/26 - Raleigh, NC - Lincoln Theatre  3/28 - Washington, DC - 9:30 Club 3/29 - Philadelphia, PA - Brooklyn Bowl Philadelphia 3/30 - New York, NY - Irving Plaza 4/1 - Boston, MA - Paradise Rock Club  4/3 - Cleveland, OH - House of Blues Cleveland  4/4 - Columbus, OH - The Athenaeum Theatre 4/5 - Toronto, ON - The Opera House 4/7 - Detroit, MI - Saint Andrew’s Hall  4/8 - Indianapolis, IN - HI-FI Annex 4/10 - Chicago, IL - Metro 4/11 - Minneapolis, MN - First Avenue 4/12 - Lawrence, KS - The Granada 4/14 - Denver, CO - Gothic 4/16 - Salt Lake City, UT - The Complex 4/18 - Seattle, WA - Neptune  4/19 - Portland, OR - Hawthorne Theatre 4/21 - San Francisco, CA - Great American Music Hall  4/23 - Phoenix, AZ - The Van Buren  4/24 - San Diego, CA - Music Box 4/26 - Los Angeles, CA - The Fonda Theatre

Canadian pop group Glassreel are ringing in the new year with an upbeat new track. "Myself Instead" describes a relationship that has lasted beyond its prime. The song is situated at the exact point where the first-person narrator finally realizes that it’s not working out, and that they are only ignoring their true self by staying. By putting the needs of another ahead of their own over and over again, and by pretending to still be invested in the relationship, the narrator is “erasing myself instead”.  The upbeat, synth-driven musical backdrop features a snaky lead guitar intertwined with Kelly Beaton’s elegant lead vocal, as well as a slide guitar interlude with psychedelic 80s overtones.  This is a demo version currently being released, to give Glassreel’s listeners a taste of what their upcoming second full-length album, What Will Become Of Us ? (set for a fall 2025 release), will sound like. “Myself Instead” was recorded and mixed by Shane Barron. A meeting of breathy arrangements and atmospheric guitars, Winnipeg indie rock group Glassreel is a collaboration between Kelly Beaton and Trevor Graumann. Joined by the rhythm section of Ken Phillips and Sebastian Cox, the band’s music has been compared to artists such as Belle and Sebastian and Mazzy Star.  Glassreel’s full-length debut Lustre (September 30, 2022) gained coverage from Bandcamp, SiriusXM, and CBC, as well as airplay on college radio throughout North America (the song "Free Time" remained on CBC's national playlist two years after being released as a single). Glassreel has previously shared the stage with artists such as Wintersleep, Said the Whale, Fast Romantics and Dave Monks (Tokyo Police Club), toured Canada and the US, and showcased at festivals such as NXNE 2024.  "Myself Instead" is available now on all major streaming services. Check out more from Glassreel: Facebook | Twitter | Instagram | Bandcamp | Youtube

WATCH THE CINEMATIC VISUAL HERE FIRST STUDIO ALBUM RUBY ARRIVES MARCH 7 PRE-ORDER/PRE-SAVE HERE Today, JENNIE has released her brand-new single “Love Hangover” featuring Dominic Fike out via ODDATELIER/Columbia Records. Listen HERE . Lifted from her forthcoming album Ruby , due March 7, “Love Hangover” explores an undeniable attraction to someone who’s both toxic and intoxicating. With raw, confessional lyrics and a sound that balances vulnerability and intensity, the song captures the struggle of breaking free from a connection that won’t let go. “Love Hangover” arrives alongside an official video directed by Bradley & Pablo (Harry Styles, Lil Nas X), which was shot in Mexico City. The cinematic visual finds Jennie in a series of dates with the same guy, played by Charles Melton ¸ each encounter ending in the same tragic fate, perfectly capturing the cycle of temptation and heartbreak that defines the song’s narrative. Watch HERE. Featuring “Love Hangover”, “ ZEN ”, as well as the previously released single “ Mantra ”, Ruby, takes listeners on a sonic experience that explores a variety of genres and showcases JENNIE truly stepping into her own as a global force. The eagerly anticipated album also features collaborations with Childish Gambino, Doechii, Dominic Fike, Dua Lipa and Kali Uchis . Ruby is available for pre-order/pre-save HERE . To celebrate the release of Ruby, JENNIE will be performing a few intimate shows. The Ruby Experience kicks off in LA on March 6 at the Peacock Theater, before making its way to the iconic Radio City Music Hall in New York City on March 10, and Seoul’s Inspire Arena on March 15.  JENNIE will also be making her solo Coachella debut where she will have prominent sets on Sunday of both weekends. The Ruby Experience Dates: Thursday, March 6  – Los Angeles, CA – Peacock Theater Friday, March 7 – Los Angeles, CA – Peacock Theater  Monday, March 10 – New York, NY – Radio City Music Hall Saturday, March 15 – Seoul, South Korea – Inspire Arena ABOUT JENNIE: Since bursting onto the scene in 2016, JENNIE has impacted culture and made history via her music, acting, fashion, and entrepreneurship. The world initially met her in 2016 as one-fourth of powerhouse BLACKPINK , breaking countless records, such as becoming “the only Korean band to headline Coachella , ” “the highest-charting female Korean act on the US Billboard Hot 100 and Billboard 200” and their ‘Born Pink World Tour’ being the highest-grossing concert tour by a female group and Asian act in history. Renowned for her inimitable style and elite fashion sense, she has graced the covers of countless publications ( Vogue , Rolling Stone , Elle , and more) and collaborated with everyone from Chanel to Adidas to Beats to Gentle Monster . She is a frequent attendee of the Met Gala and Paris Fashion Week, and she works with multiple brands. At the helm of her very own record label and entertainment company ODDATELIER , JENNIE has commenced her next creative chapter Find out more from JENNIE: Instagram | TikTok | YouTube | X

Rainbow City Park’s debut EP, Fruitless , is a captivating fusion of shoegaze and alt-pop that showcases the band’s dynamic sound and emotional depth. Released on February 4, 2025, this five-track collection solidifies the group’s place as an exciting force in the indie rock landscape, blending lush instrumentals, poignant lyrics, and an overarching theme of grappling with unresolved emotions. The EP kicks off with its title track, "Fruitless," a masterful introduction that layers swirling guitars with driving percussion. The track echoes the ethereal, wall-of-sound aesthetics of DIIV and My Bloody Valentine, immersing the listener in a sonic haze. Frontwoman Danielle Judith’s emotive vocals navigate themes of inadequacy and perseverance, building to an electrifying three-guitar crescendo before collapsing into a haunting final chorus. It’s an audacious start that establishes the EP’s introspective tone. "Chalk" is the EP's standout pop-rock offering, seamlessly blending catchy melodies with alt-rock intensity. Judith’s vocal delivery, reminiscent of Taylor Swift’s lyrical storytelling and Paramore’s high-energy anthems, takes center stage. The track’s lyrics recount the rise and fall of a relationship, capturing both vulnerability and empowerment. Lines like “23 months of flattery, with moments that could fill galleries” resonate deeply, while the defiant bridge (“at least you taught me something that is worth it, he who hesitates gets deserted”) leaves a lasting impression. The EP explores varied textures with tracks like "Provincial" and "Foresight," offering moments of introspection and dynamic shifts that keep the listener engaged. However, it’s the EP's closing track, "Water Under The Bridge," that truly cements Fruitless  as a cohesive and impactful body of work. The track introduces acoustic guitars, muted piano, and ambient studio nuances, providing a raw, intimate soundscape. Judith’s haunting question—“When do I get to call this water under the bridge?”—encapsulates the lingering uncertainties of the EP, inviting listeners to ponder their own unresolved stories. Fruitless  was recorded at the Panoramic House during a week-long residency with producer Mike Davis, whose previous work with Pool Kids and Lo Moon informs the EP’s lush yet disciplined sound. The mastering, handled by Ed Brooks (Pearl Jam, Death Cab for Cutie), ensures every element shines, from the shimmering guitars to the delicate piano notes. Davis’ collaboration with the band brings out their signature moments, resulting in a debut that feels polished yet deeply personal. Formed in 2022, Rainbow City Park has quickly carved a niche in the indie scene, and Fruitless  is a testament to their artistic vision. Known for their engaging live performances and storytelling, the band draws on a wide array of influences—from shoegaze to pop and folk—to craft music that resonates emotionally. With Fruitless , Rainbow City Park not only establishes themselves as a band to watch but also sets a high bar for what’s to come. This EP invites listeners into a richly textured world where beauty and melancholy coexist, making it a standout debut for 2025. Check out more from Rainbow City Park: Website | Facebook | Instagram | YouTube

Today, Nashville-based singer-songwriter and filmmaker Josh Gilligan releases his delicate debut album Party of One  via Chicago and Nashville-based indie label Easy Does It Records. Embracing an optimistic perspective shift, Gilligan created an album that discusses dark themes like isolation and internal conflict with a gentle humor and a warm generosity that takes no chord or phrase for granted. Listen to Party of One   here   Party of One  collects the wisdom Gilligan gleaned from a long period of deep sadness, self-doubt, and confusion. There are songs about separation, internal conflicts, and creative disappointments, all of which added up to a pervasive melancholy in his late 20s and early 30s. He’d spent nearly a decade gigging around Nashville, balancing other jobs adjacent to the music industry with his own musical pursuits. “I wasn’t expecting to feel so hollowed out after my twenties,”   says Gilligan , “and I was wondering if I still wanted to make music. But I felt like I owed it to myself to give it another try, even though in the back of my mind I’m thinking, What can I add to the conversation? Why would anyone want to listen to what I have to say? ‘Anything’ came out of that, and it’s been a good message to live with. A lot of people think that if they’re not doing something super ambitious and highly visible, that means they’re doing something wrong or they’re not being brave enough. But it takes so much bravery to do anything at all.” Perfectly embodying the buoyant spirit of Party of One , a somber, yet hopeful collection of songs, is the song “Ceiling.” With ethereal, soft rock chords and disarming lyrics, it’s about  “feeling the pull out of a phase of life and moving into a new one,” says Gilligan .  “No hard feelings, it’s just about taking the next step away from something when you no longer need it and it doesn’t need you .” Emoting a melancholic curiosity, the song “500 Questions,” layers meditative lyrics over ‘70s-inspired, psych-rock instrumentation, while the album’s opener, “Anything,” emphasizes the artist’s vocal delivery as  “feather-light, resting easily atop a bed of warm guitars and effortless grooves” (Under The Radar). Another standout track is the introspective “Tightrope,” which shimmers with shuffling rhythms and gentle harmonies buoyed by Gilligan’s sharp songwriting.  Gilligan drew from the ‘70s pop and soft rock of his childhood, creating a sound that resonates with personal references: the graceful melodicism of Paul Simon, the restless experimentation of Todd Rundgren, the emotional directness of James Taylor. “My mom was raising five kids—I was the middle child—and she would take us on long drives to make us sleepy. And she would play Wings, America, Christopher Cross. Instead of rejecting her music, I embraced all of it. That’s the stuff I’m thinking about when I make music. It completely formed my sensibilities. My mom inadvertently crafted the palette of Party of One.” Party of One  marks a new step in Gilligan’s musical journey, following the success of his 2021 EP, Go Around .  For those who might not be familiar with his sound or presence in the Nashville indie scene, Gilligan has worked in various capacities with artists like Halfnoise,  Madi Diaz, Elke, and Medium Build, whom he recently opened for on tour last fall. His diverse experiences on stage have infused his music with a rich blend of influences, setting the stage for his most personal project to date.
 Gilligan spent years recording, mixing, and even sequencing another  record, but something didn’t sit right. It took bravery to set it aside and start again from scratch. In 2022 he spent a month in California, savoring the change of scenery and working with a different set of musicians. In one memorable afternoon, he and Jacob Jeffries (who plays keyboards for Vulfpeck) wrote a song called “Tight Rope,” out now. It’s a gentle ballad with chiming guitars, shimmering keyboards, and lyrics about how falling off the tightrope gets you back down to earth. It was a breakthrough. “Honestly it felt less like doing a co-write and more like finding a long-lost member of my musical family. I remember thinking, This is how I want the album to sound. I built everything else around that song. It came out like a sneeze, but the others came together with more time and care.”  When he's not making music, Gilligan enjoys spending his time outdoors, fishing or working on vintage music equipment. His passion for music and creativity is matched by his appreciation for the simple pleasures in life, and he strives to create songs that resonate on a genuine level with his audience. Follow Josh on his socials: Instagram  | YouTube  | Spotify

I had a chat with pop singer-songwriter Caroline Romano ahead of the release of her new single “IDK These Days,” set for release on Friday, January 31, 2025, and her upcoming EP, How The Good Girls Die , which releases on February 21st. Your new single “IDK These Days” is filled with such raw emotion and heartfelt lyrics. Were there any experiences or inspirations that helped you achieve that? Caroline: Thank you! I wrote “IDK These Days” last winter. I was in a season of my life where I was struggling emotionally and mentally, but I couldn’t find a specific reason as to why. I remember calling my mom and her asking me how I was doing and the only answer I could come back with was, “IDK these days.” I think it’s become a habit of mine to often mask how I’m really feeling when dealing with those kinds of emotions. I often want to put on the front that I’m doing well even when it feels like the walls are falling down around me. Writing “IDK These Days” was definitely an admittance to myself that it’s okay to not have it all together, and to feel inexplicably lost or sad or angry sometimes. But it’s also a reminder for me, even a year later, that those feelings won’t last forever. It doesn’t have to be scary, and it doesn’t mean that’s who you are. I’m very grateful for this song, and the people who helped me work through everything it’s about. How did you decide on the single artwork for “IDK These Days” Caroline: The artwork for “IDK These Days” is a photo I took on my phone on tour last year. I remember feeling a bit overwhelmed and in my head about things. We passed by this stretch of mountains on the drive down to California, and it really was just this “it’s all going to be okay” feeling that came over me. I thought it was fitting for this song, and I also just thought it looked cool. Can you describe “IDK These Days” in three words? Caroline: Introspective, direct, truthful. How long was the process in creating “IDK These Days” from start to finish? Caroline: “IDK These Days” was written in an afternoon with my friends Cali Rodi and John the Dropout. We’d had a session scheduled in the middle of a big snowstorm in Nashville, and I had a poem written about the conversation with my mom from a few nights before. I asked if they were down to write a song based on that -it felt fitting with the weather- and we finished it in a few hours. There was never really a demo version of this song, as the guitar and vocal we recorded that day are the exact same on the final. I felt like there’d be no replicating the emotion that came with the first time singing that song, so we left it pretty much as is. How did you come up with the title for your new EP How The Good Girls Die ? Caroline: How The Good Girls Die was actually the last song written for the EP. I had the concept for this sort of cautionary tale about growing up and realizing you’re not the same person everyone around you once knew you to be. After writing that song, I looked back and realized there was this connecting storyline through several other songs I’d written earlier in the year. It felt like a linear story of how this girl ended up where she does in the title track. What was the songwriting process like for How The Good Girls Die ? Caroline: The songwriting process for this EP was very different for each song on the project, which I really enjoyed. The first half of the EP was written at the end of 2023 into early 2024 in both LA and Nashville, just as songs I really wanted to write but didn’t know where they’d end up. The last three songs on the EP were written with my good friend and collaborator John the Dropout here in Nashville. We made a plan at the beginning of last year to get together on Mondays and write whatever we wanted, with no one goal in mind. “IDK These Days,” “They Say,” and “How the Good Girls Die” were the results of that. When did you know when the EP was done? Caroline: I knew the EP was done once I wrote the title track. I realized in that moment that for one, there was an EP, and two, that it was completed with that song. It’s never how I’ve gone about starting or completing a project before, but I’m very glad it worked out the way it did. How would you describe your new EP How The Good Girls Die ? Caroline: I’d describe this EP as both messy yet intentional. To me, it’s like a shattered disco ball, lovely yet disastrous, all at the same time. It’s six songs of opposing emotions and contradicting feelings. I think it’s all of the emotions I’ve had as a twenty-something girl walking home after a night out. It’s a little heartbroken and a little ready to take on the world. Is there a song on the EP that you’re most excited for fans to hear? Caroline: I’m excited for fans to hear “They Say” as it’s very different, both sonically and lyrically than any song I’ve released before. I think it’s the most surprising one on the project, so I’m really eager to see how listeners react to it. If you could set fans up with the perfect environment to listen to How The Good Girls Die , what would it be? Caroline: I think the perfect listening experience for How The Good Girls Die is on a walk or a drive through your favorite part of town as the sun is starting to set. Or really anywhere you feel the most like yourself. I always like moving and seeing lights and people around me when I’m listening to new music, and I think this project feels like that in many ways. It’s busy and shiny, yet reflective and dark all at the same time. Check out more from Caroline Romano: Website  | Facebook  | Instagram  | Twitter  | TikTok  | YouTube

“ BIG TINGS ” marks the determined return of Polaris Music Prize nominee JayWood , joined by Merrill Garbus and Nate Brenner of the Oakland, California , art-pop duo Tune-Yards . Together, they’ve crafted a meticulously produced, exponentially layered song of empowerment that fluidly navigates the blurred lines between genres such as Alternative Hip-Hop, Indie, and Neo-Soul—territory where JayWood feels entirely at home. The song was premiered this morning by FLOOD Magazine , who write that it sees JayWood "... shedding any sense of modesty, fusing together elements of hip-hop, soul, and vibrant art-pop on a recording that takes aim at any artist unable to follow-up after making a bold statement. " Stream " BIG TINGS " Now! Encouraging resilience in the song’s lyricism, JayWood explains: “ This song switches perspective—sometimes I’m talking to myself, and sometimes I’m reaching out to the listener. Keep going, keep trying, don’t stop .” The single serves as a fitting preview of what’s to come later this year from JayWood: “ I got big tings coming down the pipe, so what .” He continues, “ The amount of times I've seen or heard someone say “ayo y’all better look out big things coming” with no follow through is crazy. I kinda wrote this song to say the same thing, but god forbid If I don’t mean it. “ BIG TINGS" was one of those songs that kinda made me nervous to write. I dunno when it became corny to talk about the idea of your hopes and dreams, but honestly fuck it. This track is such an alien only made weirder with the help of Tune-Yards they really helped make this beat into a proper song. But yeah, big tings comin' for me and I hope there’s some big tings comin' for you too!” As for Tune-Yards’ contribution to the song, Garbus says “ The file was named "BIG TINGS" so I sang, "big things coming, coming our way" and it felt right and good.  Big things coming for JayWood! with his clear artistic vision, broad imagination, hunger for musical adventure...we were honored to be along for the ride. ” JayWood – the nom de plume of Jeremy Haywood-Smith – most recently released 2023’s Grow On EP , on Captured Tracks . The EP includes two bonus tracks from the previous year’s Slingshot sessions, an "OG" version of the album single “ Thank You ,” and a cover of Tyler, the Creator 's “ SWEET ,” and the release’s lead single, “ Dirk Gently (Know Yourself) .” Check out more from JayWood: Facebook | Twitter | Instagram | TikTok | YouTube

L.S. Dunes has returned with their highly anticipated sophomore album, Violet , out January 31, 2025, via Fantasy Records, and it’s nothing short of a revelation. Where Past Lives  was an exploration of chaos and catharsis, Violet  emerges as a profound reflection on growth, connection, and the transformative power of music. Guided by the masterful production of Will Yip (Balance and Composure, Movements, Circa Survive), the band delves into uncharted territories, crafting an album that feels both expansive and deeply intimate. From the outset, frontman Anthony Green made it clear that this album would be a departure from the darker themes of their debut album. Songs like “Forgiveness” and “Paper Tigers” embody a newfound sense of hope, celebrating resilience and the beauty of human connection. Green’s vocals soar with an emotional clarity that cuts through every track, delivering lyrics that feel like anthems for redemption and empowerment. “ I wanted to make a record that says there is magic in the world, ” Green has said—and he succeeds. The album’s title itself is a nod to the serendipitous and inexplicable moments that define the creative process. This underlying sense of magic threads through the album, offering listeners both introspection and inspiration. Standout Tracks: “Fatal Deluxe”: A stunning opening salvo, this track bridges the frenetic energy of Past Lives  with the melodic sophistication of Violet . Frank Iero’s intricate guitar work meshes seamlessly with the rhythm section, creating a sonic landscape that feels urgent and timeless. “Violet”: The title track is the album’s centrepiece. With its haunting yet empowering lyrics about justice and closure, it showcases the band’s ability to balance vulnerability with raw power. Payne’s basslines and Rule’s precise drumming anchor the track, allowing Green’s voice to truly shine. “Paper Tigers”: A testament to the band’s refusal to be confined by genre, this sludgy, riff-heavy ballad is both innovative and deeply emotional. Tucker Rule’s drumming adds texture and depth, making it a highlight of the album. “Forgiveness”: A delicate yet anthemic album closer, this track encapsulates the album’s overarching message of love and acceptance. Green’s vocal delivery is heart-wrenching, reminding listeners of the healing potential of music. One of the most striking aspects of Violet  is the band’s willingness to experiment. Tracks like “Machines” pulse with a confident restraint, while “You Deserve To Be Haunted” leans into theatrical darkness with dynamic crescendos. The interplay between Iero’s guitar and Stever’s melodies creates a rich tapestry of sound, and Yip’s production brings out the nuances of every single arrangement. With Violet , L.S. Dunes proves that they are more than a “supergroup”—they are a band with a distinct voice and vision. This album transcends the sum of its parts, offering something uniquely their own. It’s a bold statement of resilience and reinvention, showcasing the band’s ability to evolve while staying true to their roots. Violet  is not just an album—it’s an experience. From the raw vulnerability of its lyrics to the meticulous craftsmanship of its music, it’s a record that demands to be felt as much as it’s heard. Whether you’re a longtime fan or a newcomer, this is an album that will leave you believing in the magic of music all over again. Check out more from L.S. Dunes: https://lsdunes.com https://www.facebook.com/lsdunes https://x.com/lsdunes https://www.instagram.com/lsdunes https://www.youtube.com/@lsdunesofficial https://www.tiktok.com/@l.s.dunes

JACK VAN CLEAF TO RELEASE SOPHOMORE ALBUM, JVC , ON MAY 9, VIA DUALTONE RECORDS - A DEEPLY PERSONAL ALBUM SHOWCASING A MASTERFUL BLEND OF INDIE ROCK AND GEN Z FOLK RELEASES NEW SINGLE - ZACH BRYAN DUET “RATTLESNAKE” OUT NOW - LISTEN HERE RELEASE SHOW PERFORMANCE ON MAY 8 AT THE BLUE ROOM IN NASHVILLE TN, WITH SUPPORT FROM EMMA OGIER. Jack Van Cleaf announced the release of his new sophomore album, JVC , released May 9 via Dualtone Records. Planting its flag halfway between the worlds of indie rock and Gen Z folk, it asks big questions about identity, home, and adulthood. For Jack, it's the culmination of a journey that began during his teenage years. " This album is all about the vertigo of growing up, It's about re-defining and re-understanding yourself. " Pre-order HERE . Today he released a new single "Rattlesnake," a reimagination of his own viral hit featuring a new duet with friend and fan Zach Bryan. It also featured every musician who had appeared on the song’s first recording, a group composed of Jack’s best friends from college. Setting up shop at Electric Lady Studios, they recorded the heart of the new production live, leaning into instinct and inspiration as Zach and Jack traded off lines in the spur of the moment while co-producer Eddie Spear captured their camaraderie. Listen to the single HERE . Watch the music video directed by Ivey Redding HERE . On the track, Jack stated, " Zach started sharing the song on social media, then eventually sent me a DM that said, 'If you ever want to record a version of this with me, I’m in!'" Jack remembers, adding "Zach really inspired me in the studio. I was moved by his dedication to the moment and capturing something alive, rather than painstakingly pursuing perfection with endless takes. ” Zach Bryan stated on Instagram, “ To become the best of friends with people through music in the city. Think that may be the point of all this. Jack & me re-recorded one of the best-written songs of all time (Jack is a genius) and hope u guys listen to it. ” Jack also announced an album release show on May 8 at The Blue Room in Nashville, TN, with support from Emma Ogier. Tickets are on sale now. For more information and tickets HERE . Years after penning his first song as a high school freshman in San Diego, Jack headed east to Nashville, where he studied songwriting at Belmont University and released his debut album, Fruit from the Trees , after graduation. Jack experienced unprecedented early industry debut album buzz, drawing the attention of the likes of Noah Kahan, opening for him on Jack's first-ever major US tour, as well as touring with artists from Briston Maroney to Madi Diaz. When his single “Rattlesnake” landed him a spot on Spotify's 2024 Best New Artist List with tastemaker playlist "Juniper," it drew over 13 million streams, and one fan in particular, Zach Bryan, became a major champion of Jack, covering the track on his social media. This unexpected success induced an intense period of self-doubt in Jack, " I was shell-shocked," he remembers. "I'd spent my whole life being told what to do every single day, and I always dreamed about growing up to be my own boss. Then graduation came, and I got what I wanted… but I realized I had no idea how to function on a day-to-day basis. " He regrouped and retreated to his songwriting, and found solace in creating music in far-flung locations like Joshua Tree and the Texas/Mexico border, where he and producer Alberto Sewald (Katy Kirby, Sierra Hull) created this remarkable body of work. Those geographic choices were deliberate, their landscapes evoking the spiritual barrenness of Jack's lyrics. "I felt like I was staring into an emotional desert when I wrote these songs, experiencing this feeling of desolation around me and looking for little signs of life," he explains. Alongside all-star collaborations with established stars like Zach Bryan and Gatlin — who features on seize-the-day anthem "Teenage Vampire" — the album also features his closest friends, Austin Burns, Ethan Fortenberry, Hunt Pennington, Adam Carpenter, Nathan Cimino, and Aaron Krak - plus Annika Bennett and Heaven Schmitt (aka Grumpy) who contribute background vocals - whom he met during his time at Belmont University and remain part of his closest creative circle. Previous Jack’s confessional and cathartic folk songs have garnered comparison to sparse verses of Nathaniel Rateliff and Gregory Alan Isakov and the directness of Kris Kristofferson and Leonard Cohen. On JVC , Jack takes another approach, focusing on blurring the dividing lines between acoustic singer-songwriter and electrified indie music. The result is an expansive sound, sparse one minute and grungy the next, dreamt up by an artist who's never been afraid to write songs that shine a light on his own challenges. A sharply-written record that measures the long, winding road from past to present, deftly capturing the vertigo of early adulthood, drawing on his own struggles with his post-college success and disorientation that followed. Songs like "Green" is a climate-conscious song whose indie rock pop hooks heighten the song's activist bite and moody acoustic rocker "Shouldn't Have Gone to L.A." find Jack in transit, caught between locations without a clear anchor. His songs draw on deeply personal experiences including a constantly evolving approach to religion and the emotional gravity of young adulthood to its full. With JVC , Jack Van Cleaf turns personal experience into something universal: a soundtrack to the years we all spend in existential free-fall, and while he finds gravity in the chaos, he has also made an album set to establish him as one of the biggest breakout singer-songwriters of his generation. JVC TRACKLIST: Off to the Races Piñata Still Rattlesnake (feat. Zach Bryan) Using You Go Home, Danny Shouldn’t Have Gone to L.A. Thinkin’ About It Green Teenage Vampire (feat. Gatlin) Smoker Hikikomori Couch Potato Life Follow Jack on his socials: Instagram: https://www.instagram.com/jackvancleaf/ Facebook: https://www.facebook.com/jackvancleaf4/ YouTube: https://www.youtube.com/@jackvancleaf TikTok: https://www.tiktok.com/@jackvancleaf?lang=en Bandcamp: https://jackvancleaf.bandcamp.com/ X: https://x.com/CleafJack

Legendary thrash guitarist Kerry King set Winnipeg, Manitoba, Canada ablaze on January 25, 2025, with a date on his inaugural headline solo tour, delivering a high-octane performance at the Burton Cummings Theatre that left no doubt about his post-Slayer prowess. The frigid January night celebrated metal, with Alien Weaponry and Municipal Waste providing blistering support sets before Kerry King and his band took center stage. Kicking off the evening was New Zealand’s Alien Weaponry, whose Maori-inspired thrash and groove metal captivated the Winnipeg audience. Their set began with the powerful “Raupatu,” instantly drawing fans into their unique fusion of cultural storytelling and heavy metal riffs. Highlights of their set included the bone-shaking “Rū Ana Te Whenua” and the fan-favo u rite “Kai Tangata,” which had the crowd moshing in primal unison. The trio’s energy and authenticity set the tone for an unforgettable night. Photos by Samuel Stevens Photography. Next up, crossover thrash titans Municipal Waste transformed the Burton Cummings Theatre into a chaotic metal party rager. Marking their first time back to Winnipeg in over twelve years, the band hit the stage with relentless speed and infectious humour, they tore through a fourteen-track career-spanning setlist, which featured songs like “Sadistic Magician,” “Slime and Punishment,” “You're Cut Off,” “Grave Dive,” and massive fan-favourites like “The Art of Partying” and “The Trashin' of the Christ.” Frontman Tony Foresta commanded the crowd with charisma, and by the time they closed with the anthemic “Born To Party,” the venue was a swirling pit of headbangers revelling in the band’s anarchic fun. Photos by Samuel Stevens Photography. The anticipation in the room reached a fever pitch as the stage lights dimmed for Kerry King’s arrival. Backed by a formidable band of heavy hitters in the metal community—vocalist Mark Osegueda (Death Angel), drummer Paul Bostaph (Slayer, ex-Testament), guitarist Kyle Sanders (ex-Hellyeah, ex-Bloodsimple), and guitarist Phil Demmel (ex-Machine Head, ex-Vio-lence)—King unleashed a ferocious set that balanced a majority of his new solo material with Slayer classics, proving he’s as vital to the genre as ever. Opening the set with the menacing “Where I Reign,” King immediately showcased his signature razor-sharp riffing. New songs like “Trophies of the Tyrant” and “Residue” bristled with aggression, seamlessly fitting alongside Slayer staples played during the set like “Disciple” and “At Dawn They Sleep.” A nod to his influences came with covers of Iron Maiden’s “Purgatory” and “Killers,”—which were also dedicated to the late Paul Di'Anno—and were delivered with a thrash twist that paid homage to metal’s roots. The crowd erupted into crazed chaos for the set's third and second last songs, the Slayer classics “Raining Blood” and “Black Magic,” their iconic riffs reverberating through the historic theatre. However, it was King’s solo material that truly impressed fans during the night, with tracks like “From Hell I Rise” and “Two Fists” cementing his identity as a solo artist capable of carrying his legacy forward. The stage production matched the intensity of the performances, with fiery visuals, strobes, and a thunderous sound system amplifying every single note. King’s guitar work was front and center, his presence commanding as he prowled the stage. The intimate setting of the Burton Cummings Theatre allowed fans to fully immerse themselves in the raw power of the music, making for an electrifying connection between King, his band, and the entire audience. Kerry King’s first headline solo tour is a triumph, a testament to his enduring influence in the metal world. In Winnipeg, he delivered a masterclass in thrash, supported by two outstanding opening acts that further cemented the night as a celebration of heavy music’s past, present, and future. For fans of thrash metal, this tour is an unmissable experience—proof that Kerry King’s reign in metal is far from over. Photos by Samuel Stevens Photography.

Philadelphia’s ASkySoBlack makes a stunning debut into the full-length album arena with Touch Heaven , set for release on January 31, 2025, via New Morality Zine. Known for their ability to meld nostalgic 90s alternative with the fiery aggression of early 2000s emo, the band—comprised of vocalist and guitarist Jordan Shteif, drummer Alec Martin, bassist Norman Staley, and guitarist Liam Coombe—delivers an 11-track exploration of heartbreak, guilt, and the intricacies of emotional turmoil. Touch Heaven  is a masterclass in balancing melody with chaos. The band’s evolution is palpable; the album feels more introspective and mature than their previous EPs, What Is Yet to Come?  (2021) and Autumn in the Water (2022). Lyrically, Shteif opens a window into his soul, chronicling the disintegration of a decade-long relationship with brutal honesty. Tracks like “I Wish I Was Not” and the album closer “Sore For You” resonate deeply, their haunting lyrics carried by a sound that alternates between lush atmospherics and abrasive crescendos. The production, handled by Adam Chichoki (gatherers, Soul Blind) at Timber Studios, brings out every nuance of the band’s layered instrumentation. The dense, cascading guitars of “Boy Like a Bruise” echo the best of bands such as Deftones and Hum, while the thunderous drumming on “Did It All Wrong” channels Glassjaw's unrelenting energy. Yet, even in their heaviest moments, ASkySoBlack maintains a melodic sensibility that feels uniquely their own. Standout Tracks: “Portrait In Private” – A standout in both songwriting and arrangement, this track slowly builds from subdued melancholy to a cathartic, soaring climax. It perfectly encapsulates the album's theme of vulnerability turned defiance. “Carousel House” – This song embodies the band's "anti-shoegaze" ethos, blending shimmering guitar lines with jagged vocal delivery. Its bittersweet tone is both comforting and unsettling. “Every Heart Needs Some Mileage” – A much slower, contemplative piece that highlights Shteif’s vocal fragility, paired with subtle instrumentation that feels like a warm embrace. While Touch Heaven  retains the DNA of ASkySoBlack’s earlier works, it trades some of their raw edge for greater refinement and emotional depth. The record’s themes—loss, longing, and the failure to change—are universally relatable, but their delivery feels personal and intimate. Shteif’s voice carries a weight that feels lived-in, turning every lyric into a confessional. Despite its heavy subject matter, the album also offers moments of hope. Tracks like “Hold Me Holy” hint at redemption, with lyrics that suggest an acceptance of imperfection and the possibility of moving forward. ASkySoBlack’s Touch Heaven  is more than just a debut—it’s a statement. The band proves they are not afraid to bare their vulnerabilities, nor do they shy away from experimenting with their sound. By balancing aggressive post-hardcore tendencies with expansive, melancholic textures, they’ve crafted a record that feels timeless yet immediate. This album firmly places ASkySoBlack in the upper echelon of modern alternative music, setting the stage for what promises to be a long and impactful career. Whether you’re a fan of Smashing Pumpkins’ grandeur, Deftones’ atmosphere, or Glassjaw’s intensity, Touch Heaven  is an essential listen. Check out more from ASkySoBlack : x.com/askysoblack https://www.instagram.com/askysoblack/ https://www.facebook.com/askysoblack

Nashville-based, Oregon-raised singer-songwriter Max McNown returns with Night Diving , his stunning sophomore album co-released via Fugitive Recordings, The Orchard, and Columbia Records on January 24, 2025. A remarkable fusion of folk, country, and pop, Night Diving  affirms McNown’s position as one of Nashville’s most promising new voices, building upon the success of his critically acclaimed debut album, Wandering  (2024). Produced by Jamie Kenney (Colbie Caillat, Laci Kaye Booth), the album explores bold new sonic landscapes while maintaining McNown’s signature ability to soothe the mind and uplift the soul. The album’s title track, "Night Diving," serves as a haunting meditation on cycles of addiction. Co-written with Kenney and singer-songwriter Erin McCarley, the song encapsulates the struggle of confronting personal demons. “We stepped into the writing room and Erin asked, ‘What’s something in your life that you keep fighting and can’t seem to overcome?’” McNown recalls. The result is an ethereal, immersive experience layered with moody guitar tones and evocative rhythms, solidifying it as one of the album’s emotional high points. Beyond the mesmerizing title track, Night Diving  is filled with introspective storytelling and lush instrumentation. "Better Me For You (Brown Eyes)" offers a heartfelt reflection on self-improvement in the face of love, while the single, "Roses and Wolves," featuring country star Hailey Whitters, blends stunning harmonies with evocative lyricism. "Hotel Bible" provides a warm, reassuring counterpoint to themes of self-doubt, and the album's closing track, "Freezing in November (Revisited)," revisits McNown’s earlier work with a newfound emotional depth. Working with Kenney, McNown embraced a variety of experimental production techniques to create the album’s rich sonic tapestry. Elements like percussive beats constructed from train tracks and the sound of chains against the floor add unique textures to tracks like "Won’t Let Me Go." These subtle yet effective details elevate the album’s atmosphere, making it a truly immersive listen. At just 23, McNown has already carved an impressive path in the industry. Named Billboard’s Country Rookie of the Month and featured as CMT’s Next Up Now artist, his breakthrough single A Lot More Free  has garnered RIAA Gold certification, topped multiple charts, and earned him a devoted following. With over 2 million TikTok followers, McNown’s grassroots rise—from busking on piers in Southern California to topping streaming charts—stands as a testament to his authenticity and dedication. Night Diving  is a deeply introspective and sonically adventurous album that showcases McNown’s evolution as an artist. With its masterful storytelling, haunting melodies, and rich production, the album cements him as one of country-folk’s most exciting new talents. Whether you’re a longtime fan or discovering him for the first time, Night Diving  is an essential listen that proves McNown is here to stay. Check out more from Max McNown: TikTok  | Instagram  | YouTube  | Spotify  | Website

High.’s debut EP, Come Back Down,  which is set for release on January 24, 2025, via Kanine Records, is a swirling eight-track shoegaze triumph that captures the raw, unvarnished spirit of New Jersey’s DIY scene while propelling the genre into modern territory. With vocalist and guitarist Christian Castan and bassist and vocalist Bridget Bakie at the creative helm, the band delivers a heartfelt and immersive sonic experience, blending churning guitars, emotive basslines, and introspective lyricism into a cohesive whole. The opening track “In A Hole” sets the tone with a cascade of shimmering guitars and reverb-soaked vocals that feel both expansive and intimate. Castan’s delivery carries a sense of yearning that permeates the entire EP, while Bakie’s bass provides a steady yet evocative foundation. “Catcher” follows with a hazy urgency, showcasing drummer Jack Miller’s dynamic range as he guides the song through its dreamlike crescendos. The EP's third track, “George,” stands out as one of the most emotionally charged tracks, weaving Castan’s poignant lyrics with atmospheric instrumentation that’s both nostalgic and forward-looking. Meanwhile, “Flowers” offers a more delicate interlude, with soft vocal harmonies that highlight the chemistry between Castan and Bakie. Tracks like “Dead” and “Painbox” dive deeper into a somewhat softer, but darker sonic territory, recalling the influence of acts like Nothing and DIIV while still carving out High.’s distinct voice. The layers of distortion and feedback create an enveloping wall of sound, but it’s the restraint in their arrangements that makes the chaos feel purposeful. The EP's second last track, “Lifetime,” shifts gears with a brighter, almost anthemic tone, celebrating themes of friendship and resilience amid life’s uncertainties. Bakie’s bassline takes center stage here, its melodic counterpoint perfectly complementing Zavala’s textured guitar work. Whereas, the closing track, “Bomber,” is a cathartic finale, balancing moments of delicate vulnerability with explosive bursts of sound that leave a lasting impression. The album’s production, spearheaded by Matthew Molnar (Sunflower Bean, Dead Nation) and polished by Jeff Ziegler (The War On Drugs, Kurt Vile), maintains an authentic, raw edge without sacrificing clarity. Recorded in a blend of intimate studios from Greenpoint to Philly, the record feels deeply rooted in its origins while reaching for something universal. Each track is meticulously crafted, yet there’s an intentional looseness that keeps the songs grounded in their DIY ethos. Come Back Down  is an impressive debut that feels like a love letter to shoegaze’s heyday and a promise of its enduring relevance. High. captures the highs and lows of youth, friendship, and introspection with sincerity and artistry. For fans of the genre, the album is both a comfort and a revelation—proof that shoegaze is alive, well, and evolving. Check out more from High. : Instagram Twitter Bandcamp YouTube

PRE-ORDER/PRE-SAVE HERE  SET TO MAKE SOLO DEBUT AT COACHELLA Today, global superstar JENNIE has announced her first studio album Ruby will be released on March 7th via ODDATELIER/Columbia Records. Ruby is available for pre-order/pre-save HERE and features the sassy single “Mantra”. The handcrafted 15-song sonic experience explores a variety of genres and showcases JENNIE truly stepping into her own as a global force. The eagerly anticipated album also features collaborations with Childish Gambino, Doechii, Dominic Fike, Dua Lipa, FKJ, and Kali Uchis. Watch the trailer HERE. Ruby will be offered digitally as well as in various physical configurations including 2 photobooks, a CD digipack, and a Target-exclusive CD digipack. All physical products include a special JENNIE Only Audio version of the album. The JENNIE Only Audio version contains all vocals performed by JENNIE and does not include any featured artists. Earlier this month, JENNIE graced the cover of Billboard Magazine and shared an in-depth look at the process of creating her debut solo album. Ruby will arrive ahead of JENNIE’s solo Coachella debut where she will have prominent sets on Sunday of both weekends. Stay tuned for more to come from JENNIE. ABOUT JENNIE: Since bursting onto the scene in 2016, JENNIE has impacted culture and made history via her music, acting, fashion, and entrepreneurship. The world initially met her during 2016 as one-fourth of powerhouse BLACKPINK , breaking countless records, such as becoming “the only Korean band to headline Coachella , ” “the highest-charting female Korean act on the US Billboard Hot 100 and Billboard 200” and their ‘Born Pink World Tour’ being the highest-grossing concert tour by a female group and Asian act in history. Renowned for her inimitable style and elite fashion sense, she has graced the covers of countless publications ( Vogue , Rolling Stone , Elle , and more) and collaborated with everyone from Chanel to Adidas to Beats to Gentle Monster . She is a frequent attendee of the Met Gala and Paris Fashion Week with the multiple brands she works with. At the helm of her very own record label and entertainment company ODDATELIER , JENNIE has commenced her next creative chapter Find out more from JENNIE: Instagram | TikTok | YouTube | X

JOHN SPLITHOFF, SINGER-SONGWRITER AND ENIGMATIC MUSICAL COLLABORATOR RELEASES SOPHOMORE ALBUM,  FAR FROM HERE , VIA VIRGIN, A MASTERFUL ECLECTIC COLLECTION OF TIMELESS SOULFUL POP. DROPS NEW SINGLES “TANGLED” AND “MAGENTA (DAYS GO BY),” PREMIERED EXCLUSIVELY WITH RELIX MAGAZINE. LISTEN TO SINGLES HERE SPLITHOFF’S BREAKOUT SINGLE “SING TO YOU,” AMASSED MILLIONS OF STREAMS AND LANDED TOP SPOTIFY PLAYLISTS… HE HEARD HIS MUSIC IN STORES, RESTAURANTS, AND FLIGHTS ACROSS THE GLOBE, YET HE REMAINED IN THE SHADOWS, FOCUSING ON SUPPORTING THE WORK OF SOME OF THE GREAT ARTISTS OF OUR TIME. HE RETURNS WITH AN ALBUM REFLECTING ON HIS DRAMATIC LIFE CHANGES, TOLD THROUGH VIGNETTES CAPTURING POIGNANT PERSONAL MEMORIES. FROM THE TURMOIL OF LEAVING HIS DECADE HOME OF NYC FOR LA, NAVIGATING THE NATURAL WONDERS OF GLACIER NATIONAL PARK AND THE GREAT BASIN DESERT, TO EXPERIENCING THE STILLING CALM OF SNOWFALL IN KYOTO, JAPAN. HIS REFLECTIONS ON LOVE, HOME, AND THE EBBS AND FLOWS OF RELATIONSHIPS DEFTLY CAPTURE THE BEAUTY IN THE CHAOS OF OUR WINDING JOURNEY THROUGH LIFE. John Splithoff, singer-songwriter, multi-instrumentalist, and enigmatic musical collaborator announced he will release his much-anticipated sophomore album, Far From Here on March 21 via Virgin. Pre-save and order HERE . John will be donating 100% of the proceeds from any music purchased on Bandcamp page (including 'Tangled' & 'Magenta') to Musicares for the next month, to assist artists and musicians affected by the Los Angeles fires. John also announced he will tour the US, with dates including New York’s Racket, Los Angeles’s Troubadour, Nashville’s Exit/In, Washington D.C’s Union Stage, Chicago’s Outset, and more! Tickets on sale now, for more info visit: https://www.johnsplithoff.com/tour . Far From Here  draws on classic soul, pop, jazz, roots and R&B, showcasing one of the most soothing and soulful voices of his generation, with arrangements often focused on his voice and just piano/guitar, a sound he wanted to recreate after performing the tracks solo on tour. Mostly self produced by John, his voice and musical approach recalls the icons of music from Michael McDonald to Sade, as well as its more celebrated innovators like Benny Sings and Mk.Gee. John today released two singles, on “Tangled,” which was the first song he wrote for the album, in which he blends classic pop with soulful R&B and shares stories of the joys of romantic entanglement. The song is paired with soulful slow burner “Magenta (Days Go By)”, which showcases his atmospheric funk pop, and the perfect intro to his bold new sound, which is cohesive and eclectic. Schooled in timeless songwriter classicism his music often draws on similar values of musicality and song structure, with strong melodic hooks and extended bridges, that have been overshadowed for shorter stream and radio ready singles in modern music. Discussing the track with Relix Magazine , who exclusively premiered “Magenta (Days Go By)”, John stated, “At the heart of it, these two songs depict different aspects of love and relationships. “Tangled” simply deals with the euphoria of infatuation and getting lost in the potential mess of it all. While “Magenta,” in a more complex manner, takes memories and the passage of time within a relationship and associates them with different colors, something akin to synesthesia. Some memories are red and full of life, some memories are a melancholic blue. Mix red and blue together and you get….” Listen to “Tangled” HERE Watch “Tangled” music video HERE Listen To “Magenta” HERE Watch “Magenta” music video HERE John was raised in a music-filled home in the suburbs of Chicago and developed a deep appreciation at an early age for the timeless sounds of Stevie Wonder, Pink Floyd, Earth, Wind & Fire, Fleetwood Mac, these cornerstone influences shaping his unique musical identity. He had piano lessons and received his first guitar at 13, teaching himself to play through obsessively exploring the music of the '60s, '70s, and '80s. The catalyst of his music career began in high school when he was passed over for a spot on the baseball team, and auditioned for a vocal group on a whim. From there he started writing songs, performing in bands, leading eventually to a degree in Jazz Performance from the renowned Frost School of Music at the University of Miami. He moved to New York City after crafting a 5-track EP in Chicago, which is not so subtly entitled The Move . Playing his first gigs around the city he wrote and recorded a first crop of singles while teaching private lessons, performing at weddings, and singing commercial jingles. This led to the eventual release of his breakout single, “Sing to You”, which changed his life. The track amassed over 150 million streams, landed on key Spotify playlists, and led to John hearing his music played in public for the first time. He witnessed his music climb to the top of AC Radio, alongside landing international headliner spots and festivals. Despite all his industry success, John has remained an enigma and prevalent behind-the-scenes collaborator, preferring at times to support the musical efforts of offers, in sacrifice of his own. He has performed with some of the great artists of our time, from Sting, George Benson, Ben Folds, and jazz trumpeter Chris Botti on the David Foster-produced single “Paris . ” He had to figure out what would come next. So John made a big decision—actually, a series of big decisions. He travelled around the country, opening for Andy Grammer and performing at Lollapalooza and Bonnaroo in 2018, navigated Covid lockdown in NYC, then got engaged and married to his high school sweetheart in 2021 before he eventually moved to Los Angeles a few months later in 2022. He has continued touring non-stop, bringing his soulful pop style to such high-profile shows including an opening slot for Teddy Swims in 2024. And from all of this change, exploration, confusion, and excitement came a rush of inspiration, which became the backbone of John’s new album Far From Here. Far From Here  reflects on his dramatic life changes while told through vignettes capturing poignant personal memories. On “Far From Here”  Splithoff examines his search for a new perspective with his New York to LA Move. “City Days” which features Chris Botti on trumpet, pays homage to his relationship with New York City at the various stages of his life. Tracks like “Glacier” symbolize relationships growing apart against the backdrop of Montana's natural beauty, while “Oh Betty” tells a nostalgic story about the Buick he drove during his college days in Miami. “Same Page” recalls a transformative camping trip in Arizona that inspired his move west, and “Kyoto Snow” transports listeners to Japan, where he saw snowfall for the first time at a temple in Kyoto. Far From Here  also draws on his shifting family and friendship relationships which he holds so dear. “A lot of these songs are associated with a time and place that hold a lot of meaning to me,” he says. “I also noticed, within all that change, how my relationships ebbed and flowed—I felt closer to people I didn't know as well, and I felt distant from people who I considered my best friends and family. So it’s been an eye-opening path.” Out of the turmoil and disruption, the uncertainty, the ups and downs of the last few years, John Splithoff emerged with a transformation in his attitude and his approach. With Far From Here , he is now perfectly poised to make his musical mark and his striking and evocative album is set to be one of the most celebrated of 2025. FAR FROM HERE  (2025) TRACKLIST: Far From Here Way Back Tangled Magenta (Days Go By) Glacier City Days (feat. Chris Botti) Oh Betty Same Page Plateau Dancing On The Cliffs Kyoto Snow Marooned (feat. Maya Delilah) Tour Dates: Feb 1 Sat - St. Petersburg, FL - Outcast Brewing Company Mar 29 Sat - Phoenix, AZ - Musical Instrument Museum Mar 30 Sun - Santa Fe, NM - Tumbleroot Brewery and Distillery Apr 1 Tue - Dallas, TX - The Kessler Theater Apr 2 Wed - Austin, TX - The 04 Lounge Apr 4 Fri - Nashville, TN - Exit/In Apr 5 Sat - Atlanta, GA - Center Stage Apr 6 Sun - Asheville, NC - The Grey Eagle Apr 8 Tue - Washington, DC - Union Stage Apr 9 Wed - Ardmore, PA - Ardmore Music Hall Apr 11 Fri - New York, NY - Racket NYC Apr 12 Sat - Boston, MA - The Sinclair Apr 14 Mon - Toronto, ON - The Great Hall Apr 16 Wed - Ann Arbour, MI - The Ark Apr 17 Thu - Columbus, OH - A&R Music Bar Apr 18 Fri - Indianapolis, IN - Turntable Apr 19 Sat - Chicago, IL - Outset Apr 22 Tue - St. Paul, MN - Amsterdam Bar and Hall Apr 23 Wed - Omaha, NE - Slowdown Apr 25 Fri - Denver, CO - Marquis Theater Apr 26 Sat - Salt Lake City, UT - The State Room Apr 28 Mon - Seattle, WA - Neumos Apr 29 Tue - Portland, OR - Mississippi Studios May 1 Thu - Sacramento, CA - Harlow’s May 2 Fri - San Francisco, CA - The Independent May 3 Sat - West Hollywood, CA - Troubadour