Today, rising Alt-Pop artist Dela Kay released her first single of the year, “Remedy” – an electrifying track that captures the bittersweet emotions of navigating love after a relationship ends. With high energy, playful melodies, and an undercurrent of yearning, the single showcases a fresh sonic direction for the artist while staying true to her distinctive alt-pop roots. Written by Dela Kay, alongside Nick Cozine and Whitney Fenimore, and produced by Cozine and Stefano Pigliapoco, "Remedy" took shape in the creative hub of East Nashville. Dela Kay recalls starting the session with melody ideas sparked on her way to the studio: “I came up with the word ‘Remedy’ as the key phrase and started building from there. I loved the indie feel we were creating with those Lord Huron-inspired guitar loops, and we blended it with the alt-pop sound my fans know and love. It’s a mix of playfulness and hope, and I can’t wait to share this new side of me with everyone.” The track paints a vivid narrative of love's complexities, exploring the vulnerability and courage it takes to consider giving a relationship another shot. With its indie-pop sensibilities and dynamic production, “Remedy” bridges the gap between introspection and optimism, inviting listeners to dance through the pain. “Remedy” is now available on all major streaming platforms. Fans can look forward to more music from Dela Kay in 2025 as she continues to evolve her sound and expand her artistry. MORE INFO: Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. “The One” follows the success of her debut EP, Falling Into Place, with singles that have amassed over 771K streams and secured a spot on Shazam's Best New Music Apple Playlist. Dela Kay, who identifies as a songwriter first and foremost, believes that this phase of her career is her most authentic to date. With a commitment to releasing a series of singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective. In 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10,” as Dela Kay in 2016. Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her 2018 release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. The release of “Think About You” shortly followed, which ended up becoming Dela’s highest-streamed song to date with almost 800k streams and counting. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine. Listen to “Remedy” HERE Check out Dela Kay online: INSTAGRAM  |  TIKTOK  |  SPOTIFY  |  YOUTUBE  |  TWITTER  |  FACEBOOK

Watch Now Here   New Album Antibloom To Arrive Feb 21 via UNFD Pink Moon to Follow Later This Year Acclaimed Canadian rock band Silverstein have today shared their brand new single “ Don’t Let Me Get Too Low ”. Fans can stream the track now here , as well as check out the new music video here .   Shares frontman Shane Told : “’ Don’t Let Me Get Too Low blends our classic sound with our pop-punk and also our hardcore influences. It’s a song that is hard to describe because it does so much in under 3 minutes. The video was a lot of fun to film, we were in the middle of the desert outside Las Vegas and I was digging my own grave with a big smile on my face. Luckily no cops showed up to ask us what we were doing, that might have been hard to explain. ”   “ Sometimes the only person that can save you from yourself is… yourself? That’s what the lyrics say, anyway. If you watch the video, it’s actually the opposite. Either way, though, we had a great time making this song, ” adds guitarist Paul Marc Rousseau . “ Some of it came to us quickly, but a few parts kicked our ass for a while. I lowkey kind of love when the whole room is just grinding out like 10 seconds of music for 2 hours, though. It feels like the most important thing in the world, but also so absurd at the same time. That’s the thing with writing something this short: you have to make sure every second serves a purpose, and I think we accomplished that here. Zero wasted seconds. 100% banger. ”   “Don’t Let Me Get Too Low” is taken from the band’s forthcoming album Antibloom , the first part of their prolific double album Antibloom / Pink Moon . The records were written in the deserts of Joshua Tree and represent the band’s most eclectic and prolific body of work to date. Antibloom will see its release on February 21st, 2025 via UNFD , with Pink Moon to follow later in the year. Pre-orders for Antibloom are available now at https://lnk.to/antibloom . This year, fans around the world are invited to join the band in celebrating their “silver” anniversary with the 25 Years Of Noise Tour . Kicking off tomorrow in North America, the first leg will feature support from Thursday, Arm’s Length , and Split Chain . Following the month-long run, Silverstein will bring the tour to the UK / EU alongside Thursday, The Callous Daoboys , and Bloom . These shows will offer a discography-spanning performance and fans will be able to vote for their favorite songs from each record to help decide the setlist.   Tickets, including VIP packages, for all upcoming shows are on sale now at http://silversteinmusic.com/vip . About Silverstein: Silverstein enters its 25th year with two full-length albums set for 2025. The band that NME calls “ legendary ,” and Loudwire placed among the Most Prolific Rock & Metal Artists of the 21st Century, continues to innovate and inspire on forward-thinking records and at crowd-embracing live shows.   Discovering the Waterfront (2005) remains a touchstone classic. A Beautiful Place to Drown (2020) earned a Rock Album of the Year nomination at the Juno Awards. Antibloom (arriving in February) and Pink Moon (arriving later in 2025) are stunning reminders of why the group is a vital subcultural force and why Alternative Press readers voted frontman Shane Told among the Five Best Post-Hardcore Vocalists.   Silverstein songs like “ My Heroine ,” “ Smile in Your Sleep ,” “ The Afterglow ,” and “ Infinite ” are postmodern anthems for a devoted following earned with passionate performances and authentic artistry. As recently as 2024, The Needle Drop called them “emo hardcore legends.” While their 500M+ streams reflect that, Silverstein grew up in a scene where the music and message come first.   Audiences sing and scream along in packed theaters, at festivals, and on tours around the world with groups like Simple Plan, Rise Against, Good Charlotte, Pierce The Veil, Beartooth, and Underoath.   Sam Guaiana (Neck Deep, Holding Absence, Bayside) produced and mixed Antibloom and Pink Moon at Fireside Sound in Joshua Tree, California. The band arrived with 25 demos and chose their 16 favourites. Drummer Paul Koehler suggested splitting the music into two albums and turning 2025 into a year-long celebration. This will allow listeners the space to absorb and connect with the songs, which embrace the band’s storied past and postmodern leanings in equal measure, making for diverse experiences.   “ We put everything we’ve learned/felt/experienced into this double album ,” the band said in a shared statement, declaring Antibloom and Pink Moon “ the absolute collection of our musical style. ” Antibloom Tracklist: 1. Mercy Mercy 2. Don’t Let Me Get Too Low 3. Confession 4. A Little Fight 5. Skin & Bones 6. I Will Destroy This 7. Stress 8. Cherry Coke Check out more from Silverstein: Website: https://silversteinmusic.com/ Facebook: https://www.facebook.com/silversteinmusic Twitter: https://twitter.com/silverstein Instagram: https://www.instagram.com/silverstein/ TikTok: https://www.tiktok.com/@silversteinmusic

Brooklyn-based singer-songwriter Camille Schmidt’s debut album, Nude # 9 , which will be released on January 10, 2025, via Six Castle Road, is a stunning achievement that cements her as one of the most captivating new voices in contemporary music. Drawing inspiration from her upbringing surrounded by artists and the raw humanity of life drawing sessions, Schmidt turns the lens inward, creating an album that feels as vulnerable and unfiltered as its title suggests. Across ten vulnerable tracks, she masterfully blends elements from synth-pop, folk, indie rock, and punk together, crafting a collection that is both musically adventurous and emotionally resonant. Building on the promise of her debut EP, Good Person (2024), Schmidt stretches her sonic boundaries on Nude # 9 . While her previous work leaned heavily on folk-rock influences, this album is a kaleidoscope of sounds. With producer Ben Zaidi and an ensemble of gifted collaborators, Schmidt marries intricate soundscapes with her signature wit and self-reflection. Tracks like “XOXO” showcase her willingness to experiment, layering processed vocals over shimmering synths and drum machines to create a sound that feels both intimate and futuristic. Schmidt’s lyrics are where Nude # 9  truly shines. She has a knack for transforming personal anecdotes into universal truths, weaving absurdity and poignancy together with ease. On the lead single, “Stanley,” she delivers one of her sharpest narratives, blending surreal imagery with raw emotion: “I walked the plank, I mean I went to the bank / I had a hot matcha and a heart attack.” Meanwhile, “Cult in Denver” juxtaposes her expansive vocal range with meditative instrumentation, capturing the intensity of devotion—whether to a person, an idea, or a fleeting moment of connection. Some song highlights: "Fish Pills" is a riotous punk-fueled romp that bursts with energy and humour, balancing its infectious chaos with razor-sharp wit. "Proton Electron Photon" is a hypnotic journey through spacey synths and philosophical musings, highlighting Schmidt’s ability to turn science metaphors into compelling storytelling. "Back Porch" slows things down with aching simplicity, reminiscent of '70s Laurel Canyon folk, with a little pop flair, as Schmidt reflects on family ties and the passage of time. Throughout her debut album, Schmidt delves into the themes of self-discovery, love, loss, and identity. Her immense candid reflections on relationships—whether they are romantic, familial, or platonic—make the album feel deeply personal on an otherworldly level. She captures both the beauty and the messiness of human connection with a twist of humour and heart. As she puts it in her own words, “What if I just reflect the truth of what I’ve seen? What if I just say what happened?” With this commitment to unvarnished truth makes Nude # 9  an intensely relatable and cathartic listening experience from start to finish. Nude # 9  is a bold and beautiful debut that announces Camille Schmidt as a force to be reckoned with. It’s an album that invites listeners to laugh, cry, and reflect alongside her, offering a window into her world while holding up a mirror to our own. With its fearless exploration of experimental sounds and raw unadulterated human emotion, Nude # 9  is more than just a collection of ten songs—it’s a declaration of self, as unflinching as it is unforgettable. Check out more from Camille : Instagram

You just released your new single "Anything," what can you tell us about the song? And the next single "500 Questions"? Josh: “Anything” is musically one of the most straightforward songs on the record, but I think conceptually for me it resonates really deeply. I think it’s extremely hard to put yourself out there in the world today. I talk to people about this all the time, and so many people feel stuck and insecure right now. This song talks about that and I've had a lot of folks reach out about this one specifically saying they feel similarly. “500 Questions” kind of puts the magnifying glass on the same feeling. You’re stuck. Why? And what do you do next? How do you feel knowing that your debut album is releasing soon? Josh: I feel great. Debut is a big word for it but it’s probably correct… I’ve released a couple of projects through the years. One over 10 years ago and one shortly after that I took down. So yes, in a lot of ways, this does feel like a debut LP, or at least it’s the most unified I've ever felt with my own voice. How did you come up with the title for the album? Josh: It’s a record about being alone. That’s the simplest take on that. Funny enough the actual track is one of the songs I collaborated on. I wrote it with my friend Trent. That song in particular is about someone that ends up alone, reflecting back on the people that were there for them and that they could have been better to. I think it’s important to try those ideas/characters on and let them inform how we can live today. What was the songwriting process like for Party Of One ? Were there any experiences or inspirations that helped you with the writing process? Josh: It’s mainly autobiographical. I have spent so much time isolating the last few years. I have friends that love me, but I've found a lot of growth in solitude and I think it can be pretty fertile ground. There are highs and lows to it. Generally, this record covers that range of emotions and that’s what the songs are about. Most of the songs were written at home, as they decided to along. If you could set fans up with the perfect environment to listen to Party Of One, what would it be? Josh: Maybe the back house/studio that I live in. Where it was made! What was the creative process like for creating artwork for the album and singles? Josh: All of the artwork was shot by Emory Brown. She’s a really great visual artist and photographer here in Nashville. We went to the lake one morning and she shot all of the visuals in about an hour. We toyed around with doing a few other locations but it seemed like we had everything we needed from her first rolls of film. Describe Party Of One using three words? Josh: Hopefully. Happily. Stuck. What song are you most proud of on 'Party Of One'? Josh: I love and like them all in different ways You were recently on tour supporting Medium Build, what has that experience been like? Josh: It was the highlight of my year. I love that crew like family, and I was so thankful for the opportunity to play with them and meet/play for the wonderful folks that love their music. Are there any songs you enjoyed performing the most on tour? Josh: “Anything” seemed to really connect with people most nights. Listen to “Anything” HERE Listen to “500 Questions” HERE Follow Josh on his socials: Instagram  | YouTube  | Spotify

Ex Deo’s latest offering, Year of the Four Emperors , out January 10, 2025, is nothing short of a triumph in the realm of symphonic death metal. This EP marks the band’s first release under Reigning Phoenix Music, and it plunges listeners into the blood-soaked chaos of AD 69, a year defined by the rise and fall of four Roman emperors. Ex Deo has always been known for blending the ferocity of death metal with historical grandeur, and this release further solidifies their reputation as masterful storytellers. The EP opens with “Galba,” a thunderous anthem that sets the tone for the entire record. The track wastes no time, with symphonic arrangements that evoke the imposing halls of Roman power, juxtaposed against Maurizio Iacono’s guttural roar recounting Galba’s rise and rapid downfall. The orchestral layers, crafted by Clemens Wijers (Carach Angren), are meticulously woven with the band’s punishing, yet groovy guitar riffs and blast beats, creating a soundscape as grand and volatile as the Roman Empire itself. The EP's second track is “Otho,” which brings a melodic death metal edge reminiscent of Amon Amarth. The song captures the desperation and cunning of Emperor Otho’s short-lived reign, with hauntingly melodic guitar leads and a chorus that feels like a battle cry echoing through the ages. The interplay between aggression and melody in this track is particularly striking, highlighting the human ambition and hubris that often lead to tragedy. “Vitellius,” the EP's massive-sounding third track, delves into the corruption and gluttony that marked this emperor’s tenure of Rome. The track leans heavily on immense groove-laden guitar riffs and an ominous tone, perfectly mirroring the decay of Vitellius’s reign. The lyrics are biting and visceral, painting a vivid picture of betrayal and eventual defeat. The EP concludes with the song, “Vespasian,” a triumphant closing track that celebrates the rise of the Flavian dynasty. The orchestration is at its most expansive here, underscoring the themes of renewal and stability following the chaos. This track feels like a grand finale, offering a sense of closure while leaving listeners in awe of Ex Deo’s ability to continue weaving Roman history into metal music. The production, handled by the band's guitarist Jean-François Dagenais, is flawless, with each instrument given space to shine while contributing to the EP’s colossal sound. Iacono’s commanding vocal delivery anchors the EP's narrative, while the guitar works of Dagenais and Barbe delivers a mix of crushing heaviness and intricate melody. James Payne’s drumming is relentless, driving the EP forward with precision and intensity. The orchestral arrangements deserve a special mention, as they elevate the EP from a metal record to a cinematic experience. Wijers’ compositions seamlessly integrate with the band’s sound, creating moments of both grandeur and dread. Year of the Four Emperors  is a testament to Ex Deo’s unmatched ability to blend historical narrative with symphonic death metal. The EP captures the chaos, ambition, and brutality of one of Rome’s most infamous periods, delivering an experience that is as intellectually engaging as it is sonically devastating. With this release, Ex Deo proves they remain at the forefront of their genre, crafting music that is both monumental in scope and unrelenting in its execution. Fans of symphonic and death metal alike will find Year of the Four Emperors  to be a masterpiece worthy of repeated listens. It's a must-listen for anyone who revels in the marriage of history and metal, and it sets a high bar for the genre in 2025. Check out more from Ex Deo : Website | Instagram | Facebook

Ghost Arcadia's latest EP, What We Become , marks a bold step forward for the alternative rock/post-hardcore outfit, showcasing their evolution and musical prowess. Released independently on December 6, 2024, the EP dives deep into themes of self-discovery, belief, and perception, offering a raw and cathartic journey through its short four-track length. Opening with the track, "Cyclone," Ghost Arcadia sets the tone with a commentary on the rat race of daily life. The track's dynamic shifts from atmospheric electronic elements to crushing riffs and tight drum grooves, while the band's vocalist Reuben Beau Davie also raps on the track, which all reflects the band's ability to craft a whirlwind of sound that mirrors the chaos and monotony of modern existence. "Stray" follows, inspired by defiance and the celebration of individuality, as well as the video game of the same name. Musically, it's one of their heaviest releases to date, even with some screaming vocals sprinkled throughout, drawing influence from bands like Architects and Enter Shikari while also paying homage to the video game music of the '90s. The accompanying music video, a collaboration with artist George McCubbin, adds a surreal visual layer, echoing themes of breaking free from societal norms. "Under" continues the EP's exploration with a nod to Ghost Arcadia's heavier inclinations. It's a reflection on personal battles and overcoming adversity, resonating with themes of addiction and self-doubt. The track's intensity and honesty serve as a powerful reminder of resilience and the strength found within one's darkest moments. The EP culminates with its title track, "What We Become," a poignant five-minute reflection on transformation and identity. Beginning with delicate piano melodies and poetic lyricism akin to Sleep Token's emotive style, the song builds into a crescendo of aggression and raw emotion. Here, Ghost Arcadia fully embraces their sonic evolution, questioning what remains after shedding layers of doubt and uncertainty. Throughout What We Become , Ghost Arcadia demonstrates their growth as musicians and storytellers. Their willingness to blend genres and push creative boundaries underscores their commitment to authenticity and artistic integrity, with influences from across the musical spectrum, with elements noticeably from pop, electronic dance music, rock, and metal. The EP also shares the message of defiance against conformity, Ghost Arcadia asserts themselves as a band unafraid to challenge conventions and carve out their own path in the alternative rock landscape. For fans of alternative music seeking depth and intensity, What We Become  offers a compelling narrative and a sonic journey that resonates long after the final track fades away. Ghost Arcadia's EP is not just a collection of songs but a testament to the power of music to explore, provoke, and inspire change. Check out more from Ghost Arcadia : Instagram: https://www.instagram.com/ghostarcadiaband Threads: https://www.threads.net/@ghostarcadiaband Facebook: https://www.facebook.com/GhostArcadia/ YouTube: https://www.youtube.com/channel/UCioLWFJOORJOvwY6OPLP8CQ Photo courtesy of El Fragotsis.

November 14, 2019 Burton Cummings Theatre Texas King. Photos by Samuel Stevens Photography. Big Wreck. Photos by Samuel Stevens Photography.

October 15, 2019 The Pyramid Cabaret The Jins. Photos by Samuel Stevens Photography. Monowhales. Photos by Samuel Stevens Photography.

October 13, 2019 Bulldog Event Center Photos by Samuel Stevens Photography.

October 11, 2019 The Garrick Glassreel. Photos by Samuel Stevens Photography. Dave Monks. Photos by Samuel Stevens Photography. Said the Whale. Photos by Samuel Stevens Photography.

October 9, 2019 The Park Theatre All photos by Mikey Jablonski.

September 20, 2019 The Garrick

September 19, 2019 Bulldog Event Center

September 20, 2019 The Garrick Covet. Photos by Samuel Stevens Photography. Veil of Maya. Photos by Samuel Stevens Photography. Periphery. Photos by Samuel Stevens Photography.

September 14, 2019 Bell MTS Place

September 9, 2019 Burton Cummings Theatre RALPH. Photos by Samuel Stevens Photography. Carly Rae Jepsen. Photos by Samuel Stevens Photography.

August 30, 2019 Bulldog Event Centre Whalehammer. Photos by Samuel Stevens Photography. Attilan. Photos by Samuel Stevens Photography. Nothing Gold. Photos by Samuel Stevens Photography. Prinport. Photos by Samuel Stevens Photography. Hawking. Photos by Samuel Stevens Photography.

July 24, 2019 The Park Theatre Saul. Photos by Samuel Stevens Photography. Moon Tooth. Photos by Samuel Stevens Photography. Light the Torch. Photos by Samuel Stevens Photography.

July 14, 2019 Birds Hill Provincial Park – Main Stage Kathleen Edwards. Photos by Samuel Stevens Photography. Colter Wall. Photos by Samuel Stevens Photography. Kacey Musgraves. Photos by Samuel Stevens Photography.

July 13, 2019 Birds Hill Provincial Park – Main Stage Eileen Ivers and Luca Fogale. Photos by Samuel Stevens Photography. Devon Gilfillian and The Young'uns. Photos by Samuel Stevens Photography. The Lone Bellow, Courtney Marie Andrews, and Ziggy Alberts. Photos by Samuel Stevens Photography. The Sheepdogs. Photos by Samuel Stevens Photography.