“ USING YOU” A COUNTRY WESTERN INSPIRED DRUG-LACED LOVE SONG LISTEN HERE | WATCH MUSIC VIDEO HERE “ GREEN” SONG ABOUT CLIMATE CHANGE WITH A POP-LADEN EARWORM HOOK LISTEN HERE Jack Van Cleaf released two singles from his forthcoming sophomore album, JVC. “Using You” – accompanied by a music video co-directed by Noah Tidmore and Jack Van Cleaf and premiered by Consequence Origins yesterday – is a country-western inspired love song that is cleverly laced with drug metaphors, while “Green” is a climate-conscious pop-hooked song with a bite. Both singles exemplify the sharp lyricism and range of Jack Van Cleaf, whose sophomore album JVC is set for release May 9 via Dualtone Records. Planting its flag halfway between the worlds of indie rock and Gen Z folk, the album asks big questions about identity, home, and adulthood. The album is the culmination of a journey that began during his teenage years. " This album is all about the vertigo of growing up, It's about re-defining and re-understanding yourself. " Says Jack Van Cleaf, “ I found ‘Using You’ while digging through old voice memos about a year after I had initially wrote it. When I came back to it I thought, ‘hey, this is kind of fun,’ and I think it’s maintained that spirit through the recording process, bringing a little sonic levity to the album. Thematically, it’s obviously a little heavier, using drug abuse as an extended metaphor for an addiction to love and attention, but hopefully it maintains that playful spirit even in those darker moments. My friends in Field Guide helped me realize it was a country song when we played it live for the first time at their showcase at The Basement in Nashville. I carried that approach into the studio with me when my friends and I went to Sonic Ranch to record it, and we came out of there with a song for 'JVC' that people could dance to.” Jack has also announced a spring tour kicking off April 3 through May 21 with stops including New York, Nashville, Chicago, Austin, and more; plus support by special guests Ethansroom and Emma Ogier. Tickets are on sale now. For more info, visit https://www.jackvancleaf.com/#tour . Jack Van Cleaf – described by Consequence as “ a Nashville-based artist has retained the grit and authenticity that have made him a buzzy name in Music City and beyond” was still an independent artist when “Rattlesnake” became a viral hit in 2023, earning praise from songwriters like Noah Kahan (who hand-picked Jack as the opening act on his sold-out Stick Season Tour) and Zach Bryan (who began covering the song online). For Jack, it felt like a pivotal moment in a career that had been building since his teenage years. Years after penning his first song as a high school freshman in San Diego, Jack headed east to Nashville, where he studied songwriting at Belmont University and released his debut album, Fruit from the Trees , after graduation. Jack experienced unprecedented early industry debut album buzz, drawing the attention of the likes of Noah Kahan, opening for him on Jack's first ever major US tour, as well as touring with artists from Briston Maroney to Madi Diaz. When his single “Rattlesnake” landed him a spot on Spotify's 2024 Best New Artist List with the tastemaker playlist "juniper," it drew over 13 million streams, and one fan in particular, Zach Bryan, became a major champion of Jack, covering the track on his social media. This unexpected success induced an intense period of self-doubt in Jack, " I was shell-shocked," he remembers. "I'd spent my whole life being told what to do every single day, and I always dreamed about growing up to be my own boss. Then graduation came, and I got what I wanted… but I realized I had no idea how to function on a day-to-day basis. " He regrouped and retreated to his songwriting and found solace in creating music in far-flung locations like Joshua Tree and the Texas/Mexico border, where he and producer Alberto Sewald (Katy Kirby, Sierra Hull) created this remarkable body of work. Those geographic choices were deliberate, their landscapes evoking the spiritual barrenness of Jack's lyrics. "I felt like I was staring into an emotional desert when I wrote these songs, experiencing this feeling of desolation around me and looking for little signs of life," he explains. Alongside all-star collaborations with established stars like Zach Bryan and Gatlin — who features on seize-the-day anthem "Teenage Vampire" — the album also features his closest friends, Austin Burns, Ethan Fortenberry, Hunt Pennington, Adam Carpenter, Nathan Cimino, and Aaron Krak - plus Annika Bennett and Heaven Schmitt (aka Grumpy) who contribute background vocals - whom he met during his time at Belmont University and remain part of his closest creative circle. Previously, Jack’s confessional and cathartic folk songs have garnered comparisons to sparse verses of Nathaniel Rateliff and Gregory Alan Isakov and the directness of Kris Kristofferson and Leonard Cohen. On JVC , Jack takes another approach, focusing on blurring the dividing lines between acoustic singer-songwriter and electrified indie music. The result is an expansive sound, sparse one minute and grungy the next, dreamt up by an artist who's never been afraid to write songs that shine a light on his own challenges. A sharply-written record that measures the long, winding road from past to present, deftly capturing the vertigo of early adulthood, drawing on his own struggles with his post-college success and disorientation that followed. Songs like "Green" is a climate-conscious song whose indie rock pop hooks heighten the song's activist bite and moody acoustic rocker "Shouldn't Have Gone to L.A." find Jack in transit, caught between locations without a clear anchor. His songs draw on deeply personal experiences, including a constant evolving approach to religion and the emotional gravity of young adulthood to its full. Jack recently released a new version of the single "Rattlesnake," a reimagination of his own viral hit featuring a new duet with friend and fan Zach Bryan. It also featured every musician who had appeared on the song’s first recording, a group composed of Jack’s best friends from college. Setting up shop at Electric Lady Studios, they recorded the heart of the new production live, leaning into instinct and inspiration as Zach and Jack traded off lines in the spur of the moment while co-producer Eddie Spear captured their camaraderie. On the track, Jack stated, " Zach started sharing the song on social media, then eventually sent me a DM that said, 'If you ever want to record a version of this with me, I’m in!'" Jack remembers, adding  "Zach really inspired me in the studio. I was moved by his dedication to the moment and capturing something alive, rather than painstakingly pursuing perfection with endless takes. ” Zach Bryan stated on Instagram, “ To become the best of friends with people through music in the city. Think that may be the point of all this. Jack & me re-recorded one of the best written songs of all time (jack is a genius) and hope u guys listen to it. ” With JVC , Jack Van Cleaf turns personal experience into something universal: a soundtrack to the years we all spend in existential free-fall, and while he finds gravity in the chaos, he has also made an album set to establish him as one of the biggest breakout singer-songwriters of his generation. JVC TRACKLIST: Off to the Races Piñata Still Rattlesnake (feat. Zach Bryan) Using You Go Home, Danny Shouldn’t Have Gone to L.A. Thinkin’ About It Green Teenage Vampire (feat. Gatlin) Smoker Hikikomori Couch Potato Life TOUR DATES - GET TICKETS  HERE Thur. April 3 - New York, NY @ Club 101 - SOLD OUT * Thur. May 8 - Nashville, TN @ The Blue Room - SOLD OUT ^ Sun. May 11 - Chicago, IL @ Schubas Tavern Mon. May 12 - St. Louis, MO @ Blueberry Hill Duck Room Tue. May 13 - Des Moines, IA @ xBK Wed. May 14 - Kansas City, MO @ Knuckleheads Fri. May 16 - Denver, CO @ Globe Hall Mon. May 19 - Oklahoma City, OK @ Resonant Head Tue. May 20 - Dallas, TX @ Club Dada Wed. May 21 - Austin, TX @ 3TEN ACL Live Sat. Oct 4 - Ocean City, MD @ Country Calling Festival * with Ethansroom ^ with Emma Ogier Follow Jack on his socials: Instagram: https://www.instagram.com/jackvancleaf/ Facebook: https://www.facebook.com/jackvancleaf4/ YouTube: https://www.youtube.com/@jackvancleaf TikTok: https://www.tiktok.com/@jackvancleaf?lang=en Bandcamp: https://jackvancleaf.bandcamp.com/ Twitter: https://x.com/CleafJack

NEW SINGLE “FIRE SIGN” OUT NOW LISTEN | WATCH VIDEO Today, S.G. Goodman announces her third studio album, Planting by the Signs, due out June 20 via her very own Slough Water Records / Thirty Tigers. Her first album in three years, it is a reminder of the Kentucky born and raised singer-songwriter’s razor-sharp lyricism, singular voice and seamless blend of indie rock and subtle rural influences. Pre-order Planting by the Signs here . Out today is “Fire Sign,” the first offering from the new album, a self-reflective rocker with old time phrases and an unforgettable hook. Listen now  and watch the music video here . S.G. says about “Fire Sign,” “ After touring relentlessly for 2 years, ‘living like the sun don’t shine / on the same dog’s ass everyday,’ as the song puts it, I came off the road questioning my purpose and choices. People are quick to tell you that you are not working hard enough, but slow in telling you that you are working hard enough. That seems to be up to you, as well as your ‘why?’. Despite this burnout and other personal setbacks, I found the fire to keep pushing and to make what I believe is my best record yet.   ‘Who’ll put the fire out?’ The only person who can put my fire out is myself.” While on the road, promoting her debut Old Time Feeling and 2022’s Teeth Marks , she zig-zagged across the nation with a touring schedule that would make even the most seasoned road dog wince. Amidst the non-stop performances, she endured the loss of her own dog, Howard, as well as the death of her friend and mentor, Mike, who died tragically in an accident in her hometown of Murray, KY. She parted ways with long term collaborator Matt Rowan due to the strenuous nature of the road, but after the death of Mike, they reconciled. Life dealt blows, but she didn’t stop. Until she did. When she returned home to Kentucky to write the next album, she hit a wall because she hadn’t paused for years. So she took stock–a few shrooms for inspiration– got back to nature, and looked back to the ancient Appalachian wisdom of planting by the signs, i.e. the idea that cutting your hair, or laying down shingles, are best timed to lunar and planetary cycles. S.G. says, “As an 'old story keeper,' I’ve centered myself around the idea that passing down stories and sayings connects us through generations. This notion was a driving force in the creation of this album as a whole, as I was compelled to share the concept of planting by the signs with my nieces and nephews.” The result is eleven tracks of her best material yet. Inspired by love, loss, reconciliation, and the aforementioned ancient practice, highlighted by the critically-acclaimed and award-winning artist’s singular voice and her penchant for juxtaposing vulnerable folk music with punchy rock ‘n roll, replete with chiming guitars, ethereal atmospherics, and her DIY ethos. Goodman provides a timely reminder that the only way forward is together, and that we must always take into account humanity’s dependence on and responsibility to the natural world. In the fall of 2024, Goodman decamped to the Nutt House in Sheffield, AL, alongside co-producer Drew Vandenberg (her co-producer on 2022’s Teeth Marks) , guitarist/songwriter Matt Rowan, her longtime musical collaborator with whom she parted ways and then reconciled in the span between albums. With her two collaborators and a cast of musical characters, including Goodman tracked what is by no exaggeration her best  record to date. With songs like “Fire Sign,” “Satellite,” “Snapping Turtle,” “Michael Told Me,” “Heaven” and “I’m In Love,” Planting by the Signs  finds Goodman exploring this old story and other themes in the only way she knows; with a fresh musical and lyrical perspective, vivid, incisive detail, and a heaping dose of empathy and compassion. ABOUT S.G. GOODMAN: Kentucky-born and raised indie rocker S.G. Goodman catapulted on to the scene in 2020 with her debut album Old Time Feeling  – possibly the worst time to emerge, and yet, her talent was undeniable. She immediately garnered attention from NPR, Rolling Stone, and more, and took her show on the road across the world, gaining fans and followers, even landing a fan in Tyler Childers, who covered her song “Space And Time” from her debut. “Space And Time” was also covered by Mereba and Dev Hynes/Blood Orange for the Paul Schrader film Master Gardner. In 2022, she released Teeth Marks , a critical darling that leveled her up, gaining praise from the New York Times, landing her an NPR Tiny Desk, landing on Pitchfork and NPR’s Best Of lists, and earning her the Best Emerging Artist Award at the 2023 Americana Awards. She clocked over 150 performances in 2023 alone, including headlining sold-out tours and opening for the likes of Tyler Childers and Jason Isbell from Red Rocks to the Grand Ole’ Opry. Now, after a fruitful reprieve, S.G. Goodman is back and better than ever. UPCOMING TOUR DATES: 4/3 - New Orleans, LA - Smoothie King Arena + 4/4 - Miramar Beach, FL - My Morning Jacket's One Big Holiday 4/13 - Charlottesville, VA - John Paul Jones Arena + 4/19 - Lexington, KY - Kroger Field + 5/29 - Jacksonville, FL - VyStar Veterans Memorial Arena + 5/30 - Gainesville, FL - Heartwood Soundstage 6/1 - Orange Beach, AL - The Wharf Amphitheater + 6/27 - Lexington, KY - The Burl (w/ Secular Pets) 6/28 - Lexington, KY - The Burl (w/ Nick Harley) 7/5 - Duluth, MN - Bayfront Festival Park “ 8/7 - Pittsburgh, PA - Stage AE ^ 8/8 - Columbus, OH - KEMBA Live! ^ 8/9 - Rochester Hills, MI - Meadow Brook Amphitheatre ^ 8/27–8/28: Tønder, DK - Tønder Festival 8/31: The Hague, NL - Once in a Blue Moon Festival + w/ Tyler Childers “ w/ Trampled By Turtles ^ w/ Lord Huron FOLLOW S.G. GOODMAN INSTAGRAM - FACEBOOK - TIKTOK - WEBSITE

For nearly two decades, Allegaeon has been a band in perpetual evolution. The Fort Collins-based technical death metal titans have consistently pushed boundaries, blending melody with blistering precision, and their seventh full-length, The Ossuary Lens , set for release on April 4, 2025, once again through Metal Blade Records, is no exception whatsoever. This time, however, it’s more than just another chapter—it’s a full-circle moment. With the return of original vocalist Ezra Haynes, The Ossuary Lens  marks a significant shift in Allegaeon’s trajectory. While the band’s last three albums explored a more polished vocal approach, Haynes’ reintegration brings back the unrelenting aggression that defined their earlier work. It’s a reunion that feels both nostalgic and reinvigorating, delivering an album that masterfully fuses the band’s past and present. Though not a concept album in the strictest sense, The Ossuary Lens  revolves around different perspectives on death. “Each song essentially is a different topic, however, there is always a different perspective of death tied to each subject,” explains Haynes. This thematic cohesion gives the album a haunting and cerebral quality, enhancing its brutal yet thought-provoking nature. Tracks like “Chaos Theory” dive into Allegaeon’s signature fusion of technical wizardry and lyrical depth, while Tracks like “Refraction” and “Dark Matter Dynamics” (featuring acoustic guitarist Adrian Bellue) introduce unexpected sonic textures, proving that the band still thrives on experimentation. Meanwhile, “Driftwood” showcases a rare instance of revisiting old material, with bassist Brandon Michael reworking a piece originally written for Apoptosis . From the outset, The Ossuary Lens  is a tour de force of technical proficiency. Greg Burgess and Michael Stancel’s guitar work remains unparalleled, seamlessly weaving neoclassical flourishes into razor-sharp riffing. The lead single, “The Swarm”, exemplifies this; its frantic intro conceived on a rainy night in Bristol, UK—an anecdote that highlights the band’s ability to channel real-life chaos into sonic ferocity. Jeff Saltzman’s drumming is relentless, propelling tracks like “Dies Irae” and “Imperial” with machine-like precision. Brandon Michael’s bass lines, meanwhile, offer a rich counterpoint to the intricate guitar work, solidifying the album’s rhythmic depth. Allegaeon has long excelled at balancing melody and technicality, and The Ossuary Lens  is perhaps their most refined execution of this formula. While the album is undoubtedly punishing, its melodic undercurrents add a layer of accessibility without compromising intensity. Haynes’ vocals—raw, visceral, and commanding—anchor the compositions, ensuring that each track hits with emotional weight. Once again, the band partnered with longtime producer Dave Otero at Flatline Audio, a collaboration spanning seventeen years. Otero’s understanding of Allegaeon’s sound is evident in the clarity and balance of the mix—each instrument is given space to breathe, allowing the technical intricacies to shine without overwhelming the listener. Simply put, The Ossuary Lens  is Allegaeon at their most cohesive and formidable. It’s a record that honors their past while forging ahead with newfound intensity. With Haynes back in the fold and the band firing on all cylinders, The Ossuary Lens  is not just a return—it’s a rebirth. Check out more from Allegaeon: Website | Instagram

LISTEN TO (the angry part) NOW WATCH MUSIC VIDEO  FOR “CANNIBAL” OUT TODAY  PLUS – sad & sexy tour – POSTPONED TO FALL 2025 WITH EXPANDED DATES Rising singer-songwriter Maddie Zahm released her new EP ( the angry part) , out now via AWAL. Alongside the release of this stunningly confessional EP that explores the many facets of anger comes “Cannibal,” one of the most vulnerable songs Maddie has ever written. On lead single “Cannibal,” Maddie lays bare her feelings about the success she experienced after going viral on TikTok, and feeling like everyone around her was taking a piece of her, including herself. Her vocals are in top form on this stunning song that reveals the darker side of achieving fame.  (the angry part)  is another deeply personal chapter in Maddie’s musical output – this time, exploring different facets of anger – anger with others, anger with yourself, anger at scenarios beyond your control. Her songs tap into universal truths while laying bare her own stories. Like break-ups, or spreading herself too thin after success, or even putting herself in the shoes of a friend who couldn’t see she was in a deeply unhealthy relationship. In true Maddie Zahm spirit, the feelings are feeling, the voice is giving, and the songs hit right smack in the center of the heart. Previous single “Sheets” is a dance-floor banger about anger at an ex (and a celebration of Pride Month), while “Heaven” is one of the angrier songs Maddie has ever written, allowing herself to feel fully and sing “hate you from heaven,” without guilt. “Cannibal,” explores her struggling mental health after fame, and “He Calls Me Pretty,” is a haunting dark-pop song rife with harmonies and 808 beats, about a friends’ toxic relationship with a man. The release of ( the angry part)  follows a whirlwind of burgeoning success for Maddie Zahm, whose confessional lyrics and powerhouse vocals have landed her attention from the Kelly Clarkson Show, NPR All Things Considered, Billboard, American Songwriter, Consequence, Rolling Stone, People, SPIN, YouTube’s The Spark series, and many more.  From the virality of singles “Fat Funny Friend” and “You Might Not Like Her” to her critically acclaimed debut album Now That I’ve Been Honest, to last year’s fan-favorite single   “little me” , which she debuted on the Kelly Clarkson Show , Maddie Zahm has continued amassing a devoted fan base of over 175 million streams and millions of fans on TikTok. In an interview with the Los Angeles Times about TikTok virality, they mentioned her as the rare artist who has been able to transform TikTok fame to a tight-knit community to in-person sold-out shows around the US.  Now, with the kick-off of her next chapter of music, Maddie is again inviting fans into her world, where she leads listeners into the most intimate parts of her psyche (and theirs too). Maddie is forever oscillating through the spectrum of emotions and creating a space where audiences can unite and share in the reality that existing is overwhelming.  Last year, she took the debut album on tour – selling out shows around the U.S. – and released fan favorite “little me” while on the road. Maddie’s star continues to rise in 2025, with the release of her EP and the sad & sexy tour expanding this fall.  ABOUT MADDIE ZAHM: Meet Maddie Zahm, America’s favorite new pop singer. She launched onto the scene when her fan-favorite single “Fat Funny Friend” galvanized TikTok and became an empowering anthem for people experiencing fat phobia, societal pressure, and body dysmorphia. The single came from her 2022 EP You Might Not Like Her, which shared Maddie’s story of leaving her hometown of Boise, ID where she was a worship leader at the tender age of 13, and eventually moving to Los Angeles where she came out as queer and did a lot of living to catch up fast. The EP was a beacon for many listeners, who have flocked to Maddie’s highly personal songwriting and powerhouse voice. Those fans–who sold out her North American tour in Spring 2023 and racked up Maddie’s 175 million streams, 3 billion views, and 250k videos created on TikTok set to "Fat Funny Friend"–quickly became a community. Her debut album, Now That I’ve Been Honest (2023) was critically acclaimed by the Billboard, NPR, Consequence, Rolling Stone, American Songwriter and more, and is a door into the world of Maddie Zahm’s raw, triumphant, honest, and refreshing personal story that signals the arrival of one of music’s most important new voices. Last year, she took the debut album on tour – selling out shows around the U.S. – and even released additional tracks, including fan favorite “little me.”  FALL 2025 sad & sexy tour dates: Oct 7 Tue - Phoenix, AZ - The Van Buren  Oct 10 Fri - Dallas, TX - The Kessler Oct 11 Sat - Houston, TX - The Heights Theater Oct 14 Tue - Charlotte, NC - The Underground Oct 15 Wed - Raleigh, NC - Lincoln Theatre  Oct 16 Thu - Washington, DC - Lincoln Theatre Oct 18 Sat - Philadelphia, PA - Brooklyn Bowl Philadelphia Oct 20 Mon - Boston, MA - Paradise Rock Club  Oct 21 Tue - New York, NY - Gramercy Theatre Oct 23 Thu - Toronto, ON - The Opera House Oct 24 Fri - Cleveland, OH - House of Blues Cleveland  Oct 26 Sun - Columbus, OH - The Athenaeum Theatre Oct 27 Mon - Nashville, TN - The Basement East Oct 28 Tue - Indianapolis, IN - HI-FI Annex Oct 29 Wed - Chicago, IL - Metro Nov 1 Sat - Ferndale, MI - The Loving Touch Nov 3 Mon - Minneapolis, MN - Fine Line Nov 4 Tue - Lawrence, KS - The Granada Nov 6 Thu - Denver, CO - Gothic Theatre Nov 8 Sat - Salt Lake City, UT - The Complex Nov 13 Thu - Seattle, WA - Neptune  Nov 14 Fri - Portland, OR - Hawthorne Theatre Nov 16 Sun - San Francisco, CA - Great American Music Hall  Nov 18 Tue - San Diego, CA - Music Box Nov 19 Wed - Los Angeles, CA - The Fonda Theatre Follow Maddie Zahm: Instagram TikTok YouTube Twitter   Facebook

THE TRANS AGENDA  EP   ARRIVES MAY 16 | PRE-SAVE HERE   Announce Tour Dates In Toronto, Ottawa, Montreal & More Full Routing Below Today, BIPOC/Trans-fronted Toronto punk powerhouse—Chinese Medicine—announces their sophomore EP, The Trans Agenda,  arrives May 16 via Twin Fang Records. Blending punk, 80s new wave, and a heavy pour of queercore, Chinese Medicine’s upcoming EP doubles down on their uncompromising ethos, thrashing through themes of otherness, systemic corruption, and trans identity with razor-sharp precision.   PRE-SAVE THE TRANS AGENDA HERE   Alongside the announcement comes a new music video for lead single and blistering pop-punk banger, “Acetone”. Exploring the strange and visceral ways we process trauma, “Acetone” draws deep from personal stories, blending vocals from front-woman Juno Hailey and guitarist Andrew Pearson in a way that sounds like a conversation between friends. Watch the “Acetone” music video HERE .   The announcement and single arrive today in celebration of International Transgender Day of Visibility, an annual event dedicated to celebrating transgender people and raising awareness of discrimination faced by transgender people worldwide, as well as a celebration of their contributions to society.   “It felt like the perfect time to announce this album,” shared Juno. “Beyond the obvious connection to its name and content, this is also a moment for me to share my journey in my own voice—making myself visible, so to speak. I’ve always been scared of being a visibly trans woman in public, and this album represents me reaching the top of that hill and standing tall, proud to be seen.”   Following their blistering 2021 debut EP, Die Aspora,  produced by Wade MacNeil (Alexisonfire, Dooms Children, Pig Pen) and recorded by Ian Romano, Chinese Medicine have built a reputation for their explosive and politically charged live shows. In 2023, they were ranked #3 on CBC Music's ‘9 2SLGBTQIA+ Canadian Musicians to Listen to’, leading to opening slots for international acts such as Spaced and Pink Shift. In 2024, they supported Protest The Hero on their Ontario tour alongside Bad Waitress. The BIPOC/Trans-fronted post-punk quartet consisting of front-woman Juno Hailey (vocals/guitar), Andrew Pearson (guitar/vocals), Jack-James Lemaire (bass), and Stefan Hegerat (drums), Blend influences from '80s and modern post-punk, creating a sound that feels both familiar and refreshing, and unlocking a primal fury in their listeners.  The band will also have 12” vinyl available, marking the first time their music is available on any physical format. Side A will feature The Trans Agenda , and Side B will showcase Die Aspora. These 10 thrashing tracks are pressed on Frankenstein vinyl and stitched together from a carcass pit of decayed records (aka 100% recycled). A pre-order link is available HERE . A Chinese Medicine show is more than just a performance - it’s a full-throttle experience. With an electrifying stage presence and an unshakable punk ethos, they command attention no matter where they fall on the lineup. More than anything, they are dedicated to fostering a space that is as fierce as it is inclusive, ensuring that whether on stage, online, or in the crowd, their community always has a place to scream, thrash, and belong. The Trans Agenda Tracklist: 01. Gospel 02. Total Happiness Feat. Shiv and the Carvers 03. Project Runway 04. Speaking in Silence 05. Acetone 06. The Trans Agenda Upcoming Tour Dates:   April 24 - Toronto, ON @ Houndsfest May 10 - London, ON May 15 - Ottawa, ON @ The 27 Club (Supporting Wine Lips) May 17 - Montreal, QC @ Pouzza Fest (Theatre St. Catharines) May 31 - Kingston, ON @ Spring Reverb August 15 - Elora, ON @ Riverfest Elora   More shows to be announced soon Full Routing + Tickets HERE Check out more from Chinese Medicine: Official Site  | Youtube  | Instagram  | Spotify  | Tiktok

LISTEN TO TIMELESS NEW SINGLE “LINE UP THE STARS” OUT NOW A CRISP, HARMONY-DRENCHED TRACK SWIRLING IN A MIX OF POWER-POP EXUBERANCE AND BAGGY SWAGGER BE TRANSPORTED BACK TO 1992 WITH THEIR AWESOME MUSIC VIDEO HERE We regret to inform you that you now have a life-long fandom of the most dangerous band in San Diego, Pleasure Pill -   a moody indie rock band with stadium-sized ambition, who today announced the release of their debut studio album Hang A Star . Showcasing timeless Brit pop with indie rock swagger, it’s set for release on June 27, 2025, via à La Carte Records – pre-order here .  Further your reckless purist of hedonistic abandon with their new single “Line Up The Stars,” a crisp, harmony-drenched track swirling in a mix of power-pop exuberance and baggy swagger. Pleasure Pill’s introspective lyrics depict adolescent wanderlust, a curious combo destined to launch them to the stars.  “With it’s bright and upbeat nature, ‘Line Up The Stars’ was always meant to be the lead single,” says frontman Jonah Paz.  “Meant for the dance floor at midnight, it’s our take on club meets rock’n’roll.” Pleasure Pill picks up where Brit-pop left off, but this time with better haircuts, and sound designed to entangle you from the very first note. Following in the footsteps of Britpop brother bands of the ‘90s, lead singer Jonah Paz and brother Ethan (rhythm guitar) formed the band in mid-2021 with friends they grew up with in San Diego’s underground scene. Together, they overcame their sibling rivalries and dreamed of big success and world domination, in between skating, going to DIY punk gigs, and putting on shows in their community centers. Within a few years, the band has already captured the attention of tastemakers and media, and received high praise on previous releases including the psych-infused single “ Wonder How ” and their blazing full-length live album Heaven Can Wait , which was recorded during a buzzy NYC club residency last year. All of this helped the band to quickly build a local following and turn it into national music industry buzz.  They were courted by every major record label, who initially blew hot and then cold when the pandemic hit and fewer chances were taken on bands without a viral social moment to show proof of concept. Undeterred, they decided to stay true to their indie roots and wrote songs inspired by British music from the invasion era classic pop to seminal ‘90s bands like Primal Scream and the Stone Roses. While clear sonic reference points, their songs never become pastiche but live in the current underground of contemporary indie rock and hit you like an intravenous shot of dopamine. If you dare, watch this band on upcoming tour dates supporting Sid Simons  and Benches , as well as headline dates in New York (soon to be announced.) U.S. TOUR DATES WITH SID SIMONS Apr 25 Fri - Los Angeles, CA - Permanent Records Roadhouse Apr 26 Sat - Carlsbad, CA - Gonzo! Ramen Apr 27 Sun - Pomona, CA - The Haven Apr 30 Wed - San Francisco, CA - Popscene @ Brick & Mortar WITH BENCHES May 29 Thu - Portland, OR - Polaris Hall May 31 Sat - Seattle, WA - Barboza Jun 1 Sun - Vancouver, BC - Biltmore Cabaret Jun 4 Wed - Salt Lake City, UT - Kilby Court Jun 5 Thu - Denver, CO - Lost Lake Jun 6 Fri - Colorado Springs, CO - Vultures (NO BENCHES, PLEASURE PILL ONLY) Jun 7 Sat - Albuquerque, NM - Launchpad Jun 8 Sun - Phoenix, AZ - Valley Bar Check out more from Pleasure Pill: Instagram   |   TikTok

Listen HERE | Watch HERE Proceeds Pledged To Aid California Wildfire Recovery Three of the most electrifying forces in the alternative and hip-hop scenes — Kami Kehoe , Ekoh , and Colorblind — come together for the first time on their powerful new single, " Safehouse ". A genre-bending anthem for anyone searching for refuge in chaos, this new track introduces Kami Kehoe as the latest addition to the Cupid Theory management roster, where she joins fellow " Safehouse " collaborator Colorblind . Watch the new video for " Safehouse " HERE Amidst the hellish landscape of the recent California wildfires, this tight-knit collective escaped to Las Vegas to weather the storm. What emerged from that time was " Safehouse ," a brooding, hard rock monument born from chaos and resilience. In a powerful act of solidarity, Kami Kehoe , Ekoh , and Colorblind will be donating all royalties from " Safehouse " to those impacted by the California wildfires. Looking back at the making of " Safehouse ," the voices behind the track spoke about what made this collaboration so special: "When the fires happened in LA I evacuated to Vegas and ended up meeting some incredible people. Ekoh, Travis from colorblind, Curt Martin, and now my manager, Kyle. We were all in shock from what was happening, I remember we were all just sitting there talking about how unreal everything felt, and constantly checking to see if our homes and friends were safe. But during such a tragic time we were able to make something so beautiful from it. All of us together ended up making such a powerful song that will hopefully help anyone who needs it. And even though the fires have stopped, there are still tons of people who are suffering, so we want to help as much as we can and give all of the royalties to the victims of the LA wildfires." - Kami Kehoe "When the LA wildfires hit in January, the three of us ended up in Vegas, just trying to process everything and figure out our next move. It was a pretty scary situation, but making music together gave us a way to escape for a minute and put all that fear and uncertainty into something real. That song became more than just a track—it captured what we were feeling in that moment, and hopefully, it can do the same for anyone else who ever finds themselves in a situation like that." - Ekoh "Just by the energy in the room when we started this song I could tell it was going to be special. Having to evacuate LA was an experience that none of us were expecting, and getting to cope with that anxiety by making music with my friends is something that I’m so grateful for. We hope you feel this song as much as we did. Our hearts go out to everyone who was affected by the LA fires." - Travis Moseley of Colorblind With " Safehouse " making an impact, Kami Kehoe , Ekoh , and Colorblind are setting the tone and promising a thrilling, ever-growing 2025. As their collective stream counts total to millions, this collaboration embodies the spirit of a supergroup, blending their talents in a one-time alliance. Bringing together distinct details from their respective genres, " Safehouse " serves as exactly that — a space where fans can find solace in times of uncertainty. Don't miss out on Colorblind currently touring with Capstan across the US now, as well as Kami Kehoe and Ekoh taking the stage at Warped Tour this July! You can also catch Kami Kehoe a nd Colorblind at Louder Than Life Fest this September, alongside acts such as Slayer, Avenged Sevenfold, and Deftones. ABOUT KAMI KEHOE KAMI KEHOE has never been one to sit around and wait for permission. Although she’s only 21, the Los Angeles-based singer, songwriter and drummer has been blazing her own musical path for the past 15 years, spinning a chameleonic, hard-charged rock sound into 25 million streams and more than 24 million TikTok views.  This unapologetic authenticity propelled her breakout hit “ SLEEP WHEN I’M DEAD ,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising name in the underground.  Now, that story continues with “ SAFEHOUSE ,” her brand-new single featuring Colorblind and Ekoh. Written in the aftermath of the Los Angeles fires, the track combines droning shoegaze, Deftones-style riffs and propulsive electronic undertones into a hypnotic blend of metal, alternative and hip-hop. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound, as well as another entry in her omnipresent push to Kure The World, a mantra proudly emblazoned on her bass drum and a mission statement that’s powered her songwriting since day one. “If I can change one person’s life through my music, then I’ve reached my goal,” she says proudly. “I make music for me; I release music for others.” ABOUT EKOH Ekoh, a versatile artist from Las Vegas, blends hip-hop, rock, and alternative genres to create a unique sound that defies boundaries. He gained national attention with his breakout single "Hole in Your Head," which earned rotation on Sirius XM radio. Since then, Ekoh has had five more singles featured on Octane, and his song “Good Things” has reached the top 40 on the radio charts, cementing his place in the rock world.  Known for high-energy live performances, Ekoh has built a strong connection with fans, highlighted by a memorable moment during his “Freeverse 3” set, where fans threw their Vans shoes on stage for him to sign. This led to a partnership with Vans, allowing Ekoh to design his own custom shoes.  In October 2024, Ekoh released Pressure, a rock/rap hybrid album that landed in the top 10 rock charts and received widespread critical and fan praise for its innovative sound. The release was followed by a 27-city headline tour across the U.S. and Canada, solidifying Ekoh’s position as a trailblazer in both rock and hip-hop. With a growing fanbase and a distinct musical style, Ekoh continues to carve out his own lane in the industry. ABOUT COLORBLIND  Forming in 2017, Colorblind have finally found their rhythm with brothers Travis & Tyler Moseley, Justin Page and Nicholas Asper. The band combines various aspects of rock, pop, & hip-hop to create a unique sound of their own. Their catchy and addictive vocal melodies combined with an energetic live show has made them a force to be reckoned with. The band started their touring career in early 2024, supporting acts like Attack Attack!, Caskets, Honey Revenge, Until I Wake, and recently signed their first record deal with rock & metal labels Tooth & Nail Records and Solid State Records. Colorblind are due for their debut album in late fall of 2025.

Listen HERE | Watch HERE Alt rock's breakout act to watch, Nate Vickers , returns with a gripping new single, " Parasite, " out now via Oxide Records. With " Parasite , " Vickers dives deep to explore the darker, more vulnerable side of his signature sound. Watch the new video for " Parasite ", directed by Nate , HERE . Digging into the heart of " Parasite ," Nate Vickers shares: "“Parasite” is a reflection of a period in my life where I lost sight of who I was as an artist. I found myself surrounded by influences that clouded my judgment and led me away from my instincts, leaving me in a place of deep self-doubt. For a while, I wasn’t creating from a place that felt genuine. This song marks a turning point—a moment of clarity and reclamation. Writing it was part of the process of reconnecting with myself and finding the courage to trust my own voice again." Fueled by raw emotion and unapologetic honesty, " Parasite " explores the toxic undercurrents of relationships, delivered through gut-punch lyricism paired with soaring hooks. Channeling the push and pull of toxicity and self-discovery, this track features Vickers blending gritty guitars with pain and the pursuit of healing. Inspired by iconic bands such as Linkin Park, Incubus, and Nirvana, Nate Vickers has crafted a sound that is unmistakably his own, earning him 2 million followers across social media and praise from Sirius XM's Octane. Further fueling Vickers ' rise, his previous single, " A Little Too Late ", racked up an impressive 1 million streams on Pandora and more than half a million on Spotify. Be sure to stay tuned for more Nate Vickers news coming soon. ABOUT NATE VICKERS  Introducing Nate Vickers: the enigmatic force behind the electrifying sounds captivating social media feeds worldwide. Based in Houston, this rock/pop virtuoso has mastered the art of leaving audiences spellbound, all while shrouded in an aura of mystery that leaves followers craving more. With a whisper of his name echoing through the digital landscape, Nate Vickers commands attention like a siren's call. His journey to stardom is paved with viral covers on TikTok and Instagram, where his raw talent and magnetic presence have garnered an awe-inspiring following of a staggering 1.4m followers on TikTok and 452k on Instagram. But Nate is more than just a musical maverick; he's a connoisseur of the digital realm, immersing himself in the thrilling landscapes of FPS games like Warzone, Apex Legends, and the timeless RPG gem, Runescape. From the tender age of youth, Nate's passion for gaming has been a steadfast companion, shaping his creative journey and imbuing his artistry with a dynamic edge. Yet, his interests don't end there. Nate's eclectic spirit finds solace in the realms of fashion, art, skateboarding, and drawing, where his boundless creativity grows. Each brushstroke, each riff, each daring fashion choice speaks volumes of a soul unbound by convention, a spirit dancing on the precipice of discovery. To know Nate Vickers is to embark on a journey shrouded in intrigue, where every note, every post, every shared moment unveils a new layer of his enigmatic persona. Find out more from Nate Vickers: Facebook | Instagram | TikTok | Twitter | YouTube

Today, 20-year-old artist and model Benicio Bryant has released the brand new single “Goodie Bag.”  The sexy pop bob draws the listener in almost like a queer siren call and combined with the irresistible beat makes you want to put the track on repeat over and over. Listen to “Goodie Bag” HERE When writing “Goody Bag,”   Benicio recollects, “When we wrote this song, we had the production but were struggling with the lyrics and we decided we needed just a funny line or concept to lift with the production. I had the melody, and all of a sudden I burst out, ‘come reach in my goodie bag’. We just thought that was so funny and loved it. It means, let's get it on, stop pretending - we've liked each other for a long time, let's just do something about it, let's act on it. That's exactly what it means.” The sultry, sweet song is the latest release from Benicio’s highly anticipated forthcoming debut POPSTAR EP  and follows his recent “Gameboy” release, which was featured on  Ones To Watch.  It is another gem in the masterpiece that will be the upcoming EP. The track was written because Benicio isn’t necessarily the stay-out-at-night, club kid. He wanted to write a song for all of those kids (and adults) who party the introverted way - at home! The song is for all the homebody’s out there who celebrate the school or work week with another pop culture favorite - video games. For the production, Benicio wanted to channel harsh, digital sounds to embody the digital nature of the lyrics. Benicio says of the writing process,  “I just loved the idea of making this song a vocal trap song. Like ‘ga-a-ame.’ I liked it sounding synthetic, and very fake. Like I liked it sounding like digital. Some of the sounds are scary and abrupt, I think that’s good, it’s fun! Pop isn’t supposed to be perfect, it’s supposed to be risky and a party.” Listen to “Gameboy” HERE & Watch lyric video HERE Rounding out the already released bangers that will be featured on the POPSTAR EP is the title track. “Popstar” is a future club classic that is a love letter to Benicio’s inner popstar and a song that rivals the divadom of Kim Petras and Dua Lipa. Channeling club beats adjacent to Troye Sivan’s and the disco retro vibes of Conan Gray, Benicio is unapologetic with his undeniable star power. On “Popstar,” Bryant said “‘Popstar’ is being in love with the best version of you, and future versions of you. It’s looking forward to only getting better and seeing yourself grow into more of a force, imagining the possibilities. Everybody has a pop star.” Listen to “Popstar” HERE & Watch music video HERE About Benicio Bryant: Through working with collaborators, an abundance of time to grow post-America’s Got Talent, and life experience under his belt, Benicio is ready to unleash his first body of work in his EP POPSTAR . A dedication to pop music, POPSTAR calls to fans around the world who are glued together by the bonds of icons, bangers, and glitter.   With creative, catchy melodies and earworm lyricism that mix flawlessly with the production of the tracks, this EP is bound to captivate audiences through his vibrant, bold and rich appearance and aesthetic, furthering his brand with a social presence of youthful authenticity. Obsessed with Lady Gaga, he posted early videos with his guitar to YouTube, catching the attention of The Voice Kids Germany and placing second on the show. In the wake of his success across the pond, America’s Got Talent invited him to audition, and he reached the finals where America embraced him and he garnered a strong, dedicated fanbase. Besides providing him with a young career and an early fanbase, The America’s Got Talent fame led to an automatic record deal with SYCO Records. When the label dissolved in 2020, he was handed off to another Sony label. In 2022, Bryant was dropped by his label at 19, but after a brief period of confusion and disillusionment as a young artist developing his own creative vision, he realized this was the moment for him to find his own voice and his most authentic self. As part of the process of discovering his creativity without any interruption, Bryant worked with an array of industry talents after parting ways with major labels. First with singer/songwriter, Audrey Mika who he teamed up with to release their smash “Move to Mars” in 2023. Next, with Tommy Driscoll (Kiiara), Nick Sadler (Frawley) Ale Alberti (Becky G, Bryce Vine, Jennifer Lopez), Will Leong (Emotional Oranges, Gallant) forming a group of inspirations and collaborators who would produce a series of his most authentic releases over the next year. He eventually met his executive producers Theo and the Climb (Paris Hilton, Red Velvet) and writer Matt Hall (Gayle, Alexander Stewart) who found that inner popstar in him again and have co-written and produced Benicio’s best work to date. Today, his dedicated followers have amassed 102K followers on Instagram, 65K followers on Tik Tok and over 13k followers on Spotify. His musician fans range from Kim Petras to Queen Latifah. Just this year alone, Bryant has been churning out one banger after another. “Regina” gave tributes to the Y2K classic “Mean Girls” with a smart and snarky spin of hip-hop, while summer jam “Lips” highlighted Bryant’s personal brand of electro pop. “Polite,” the latest single ahead of “Popstar,” channeled retro-disco with Bryant’s honey - smooth vocal. As an independent artist, he’s learned to express himself freely in his aesthetic, fashion, lyric and production. Now knowing himself more clearly, at 20 years old, he’s ready to show the world who he is and what he can do with POPSTAR . Find out more from Benico Bryant: Website // Spotify // TikTok // YouTube // Instagram // Facebook // Twitter

With The Program , BRKN LOVE tears up their own blueprint and rebuilds themselves from the ground up—louder, bolder, and with swagger to spare. On their third full-length studio release, set for public consumption on March 28, 2025, via Spinefarm Records, frontman Justin Benlolo and company crank the amps, loosen the restraints, and deliver a twelve-song collection that sounds like pure liberation. It’s rock ‘n’ roll in its most visceral form: honest, gritty, catchy as hell, and injected with a fresh dose of soul and playfulness. From the opening moments of “20/20 Vision”—a roaring, bass-driven banger co-written with Queens of the Stone Age bassist Michael Shuman—you know BRKN LOVE are playing for keeps. That riff alone could fill an arena, and the chorus feels both familiar and timeless, capturing the tension between nostalgia and forward motion. It’s not just a highlight of the album; it’s a mission statement. The beauty of The Program  is that it never settles into one lane. On “Diamonds,” the band infuses their core rock sound with touches of R&B and soul influences, showing off their ability to evolve without losing their identity. The groove is undeniable, and the message—that greatness lies within, if we’d only stop holding ourselves back—lands with an empowering punch. “Unholy” and “Callous” dive into darker, more vulnerable territory, with Justin laying his flaws bare for all. Whether he’s lamenting self-sabotage or bracing for an emotional breakdown, the melodies remain big and infectious, giving weight to the confessions. And then there's the track, “Cruel,” where shimmering beats and woozy vocal lines collide into one of the catchiest choruses BRKN LOVE has ever crafted. The imagery is vivid—a broken romance unfolding on Hollywood and Highland—but the emotion is universal. The album’s midsection sees the band stretch their creative muscles even further. “Pulling Leeches” is raw, dirty, and bluesy in the best way—recorded in one take at Foo Fighters’ legendary Studio 606, it buzzes with live-wire energy and gritty defiance. Tracks like “12 Wings” and “Wisdom Teeth” balance that raw power with clever lyrical touches and massive hooks that will have crowds shouting along once the band gets to tour this new material. And when you think they’ve exhausted all their tricks, BRKN LOVE delivers the tune, “Shades of You”—a spiritual sequel to the fan-favourite, “Like A Drug.” It’s pure rock ‘n’ roll euphoria, complete with shredding solos and an adrenaline rush of a double-time outro. With the album's penultimate track, "Break The Same," the band delivers one final trick, taking on a full-blown pop-rock anthem in the vein of Fall Out Boy's Save Rock and Roll era . Whereas, the closing track “Shiver” is the perfect bookend: cathartic, soaring, and full of resolve. It’s the sound of letting go, of finally standing tall, and it leaves you wanting to hit the repeat button. Producer Anton DeLost (Saint Asonia, The Warning, Highly Suspect) once again proves to be the ideal collaborator, capturing the band’s energy without polishing away the grit. Every riff is punchy, every chorus explodes, and every track feels alive. Ultimately, The Program  is BRKN LOVE’s most confident and freewheeling album yet—a record that shrugs off genre expectations and embraces pure instinct. It’s the sound of a band finding their truest voice, and inviting you to turn it up, get lost in it, and feel a little freer yourself. Watch our recent interview with Justin Benlolo, where he discusses the album in more detail HERE . Check out more from BRKN Love: Facebook  | Twitter  | Instagram

GLOBAL POP ICON HERALDS LONG-AWAITED SIXTH STUDIO COLLECTION WITH THRILLING NEW SINGLE, “YIPPEE-KI-YAY. (FT. T-PAIN)” – LISTEN 2025 LIVE SCHEDULE INCLUDES SOLD-OUT “HOUSE OF KESHA” HEADLINE SHOWS AND TOP-BILLED FESTIVAL APPEARANCES AROUND THE WORLD Multi-platinum global pop superstar Kesha is proud to announce the release of her long-awaited new album, . (PERIOD) , arriving Friday, July 4, 2025, on her own, Kesha Records (distributed via ADA Worldwide, the independent label and artist services arm of Warner Music Group). Pre-orders/pre-saves are available now HERE .  . (PERIOD) is heralded by today’s premiere of the thrilling new single, “ YIPPEE-KI-YAY. (ft. T-Pain) .” Produced by Pink Slip (Ava Max, Jason Derulo) and Nova Wav (Beyoncé, Rihanna), "YIPPEE-KI-YAY. (ft. T-Pain)" is available now at all DSPs and streaming services. Kesha’s sixth studio album, . (PERIOD) – Yes, it's just a period. – is an unapologetic, unfiltered declaration of artistic freedom and fearless authenticity from the 2x GRAMMY® Award-nominated pop icon. Conceived, co-produced and co-written by Kesha, the 11-song collection transcends pop norms to create a raw, daring, and intensely personal sonic journey, a defiant act of self-expression that refuses to adhere to expectations or play it safe. More than just a new album, .  (PERIOD)  Kesha is at her most powerful best, turning her experiences into vibrant, audacious art with a spiked heel at the neck of pop culture. Among its many exhilarating highlights, . (PERIOD) includes 2024’s blockbuster hits “ JOYRIDE ” and “ DELUSIONAL ,” both available everywhere now. Currently boasting over 103M streams at Spotify alone, “JOYRIDE” proved a true sensation since its Independence Day release, reaching #6 on Billboard ’s “Bubbling Under Hot 100 Singles” and “Hot Dance/Electronic Songs” along with the top 30 on “Pop Airplay” and chart success around the world from the UK to New Zealand. Produced by Zhone and co-written by Kesha, Zhone, and Madison Love, the track marked the triumphant first chapter of a milestone new era for Kesha, celebrating both her long overdue empowerment as an independent artist as well as a powerful sonic evolution following 2023’s critically acclaimed fifth studio album,  Gag Order . Along with its popular achievement, “JOYRIDE” has been met by high-profile critical applause from the likes of Rolling Stone , Variety , and Vulture , to name only a few. Perhaps NYLON said it best: “ Everything about ‘JOYRIDE’ is a trip…The original glitter-faced party animal of the 2010s is back with a fiery vengeance. ” “JOYRIDE” is joined by an equally acclaimed official music video streaming now on YouTube. Directed by Dimitri Basil (Kylie Minogue, Vance Joy), Cooper Roussel (Unknown Mortal Orchestra, Miami Horror), and Laura Gorun (Joywave, Kings of Leon), the high-octane visual received wide-ranging attention from major publications and top online outlets around the globe, including Billboard , Vulture , and Rolling Stone , the latter of which raved, “ “Kesha is taking her foot off the brakes and going full-speed ahead on her new video for ‘JOYRIDE.’ The video sees Kesha racing through the desert in a hot red convertible while being chased by a helicopter, gun-toting assassins, and a shirtless dude hell-bent on catching up to the pop diva.” One of Spotify’s Top 100 Artists with close to 40M monthly listeners, Kesha will celebrate the arrival of . (PERIOD) with an ambitious tour schedule that already features a number of sold-out “House of Kesha” headline shows and festival dates around the globe including a top-billed performance at London’s Mighty Hoopla pop extravaganza on June 1. Additional dates will be announced soon. For complete details, please visit keshaofficial.com/tour . KESHA  - LIVE 2025 MAY 29 – Glasgow, UK – House of Kesha @ O2 Academy 1 (SOLD OUT) 30 – Manchester, UK – House of Kesha @ Albert Hall (SOLD OUT) JUNE 1 – London, UK – Mighty Hoopla † † Festival Performance KESHA . (PERIOD) Tracklist: 1. FREEDOM. 2. JOYRIDE. 3. YIPPEE-KI-YAY. 4. DELUSIONAL. 5. RED FLAG. 6. LOVE FOREVER. 7. THE ONE. 8. BOY CRAZY. 9. GLOW. 10. TOO HARD. 11. CATHEDRAL. ABOUT KESHA: Kesha is an undeniable pop icon with 10 top 10 singles, more than 3B worldwide streams, two #1 albums, four #1 songs on top 40 radio and nearly 40M followers across social media. The 2x GRAMMY® Award-nominated superstar attracts a diverse, passionate and socially engaged global audience who believe in the messages behind her music while critics also have unanimously sung her praises. Kesha’s ventures outside of music include a top-rated TV program, an award-winning film, a book, a cruise and a cosmetics line, all of which spotlight an artist whose passion, talent and charm have earned her legions of fans. Additionally, Kesha has been a staunch advocate for the LGBTQIA+ community and animal welfare through various organizations since the start of her career. 2023’s  Gag Order , which marked Kesha’s first new album in over three years, was met by worldwide critical applause and later named “Album of the Year” by  The Arts Desk  while also placing in the upper echelons of year-end charts from  Rolling Stone ,  PopMatters ,  The Independent ,  Slant , and  The Sunday Times . 2024 was undoubtedly among the most momentous years of Kesha’s historic career, with highlights including her featured role on the remix of Charli XCX’s “Spring Breakers” (found on the acclaimed  Brat and It’s Completely Different but Also Still Brat ), starring on the cover of GLAMOUR Germany , and being honored as “Music Icon” at GLAMOUR Germany ’s 2024 Women of the Year Awards . Kesha – who kicked off the year teaching “ The Alchemy of Pop “ as Artist in Residence at the Esalen Institute in Big Sur, CA, followed by a major Ted Talk at Vancouver, BC’s TED2024 conference – further delighted fans with show-stopping festival performances at West Hollywood, CA’s OUTLOUD Music Festival At WeHo Pride, Philadelphia, PA’ Wawa Welcome America Festival in Philadelphia, PA, Chicago, IL’s Lollapalooza and Mexico City, MX’s Festival HERA HSBC, as well as such surprises as a live performance to over 5,000 ecstatic fans at Brooklyn, NY’s sold-out Planet Pride 2024 and a special guest appearance alongside Reneé Rapp at Indio, CA’s Coachella Valley Music and Arts Festival that saw the two stars performing Kesha’s 8x RIAA Platinum-certified, worldwide #1 classic hit, “ TiK ToK ,” complete with raised middle fingers and an updated lyrical shout to “ F-ck P Diddy .” “ This I think, is the hottest person on the Earth, ” Rapp said while introducing her surprise guest. “ Everybody put your f-cking hands together for Kesha. ” Her incredible 2024 was wrapped up by teaming with iHeartRadio for rapturously received holiday performances at Kiss 108’s Jingle Ball Presented By Capital One at Boston, MA’s TD Garden and Hot 99.5’s Jingle Ball Presented By Capital One at Washington, DC’s Capital One Arena.  Check out more from Kesha: KESHAOFFICIAL.COM | FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

Metal fans in Winnipeg were treated to an unforgettable sold-out night of bone-crushing breakdowns, high-energy anthems, and passionate performances as Killswitch Engage, Kublai Khan, Fit For A King, and Frozen Soul took over the Burton Cummings Theatre on March 24, 2025. The diverse lineup brought together metalcore, death metal, and hardcore influences, creating an electric atmosphere that had the crowd moshing, headbanging, and singing along from start to finish. Frozen Soul. Photos by Samuel Stevens. Kicking off the night was Texas-based death metal powerhouse Frozen Soul, whose crushing setlist set the tone for an evening of unrelenting heaviness. Opening with "Encased in Ice," the band wasted no time in bringing their signature brand of icy brutality to the stage. Tracks like "Death and Glory" and "Arsenal of War" had the audience throwing up horns and diving into the pit, while "Crypt of Ice" closed out their set with a menacing intensity. Their mix of old-school death metal and modern aggression proved to be the perfect appetizer for what was to come. Fit For A King. Photos by Samuel Stevens. Next up was metalcore stalwarts Fit For A King, delivering a dynamic and emotionally charged performance that kept the energy levels high. Opening with "The Hell We Create," the band showcased their knack for balancing melody with crushing heaviness. "Reaper" and "Breaking The Mirror" had the entire venue shaking, while "When Everything Means Nothing" turned the crowd into a choir of voices screaming the lyrics in unison. The set reached its climax with "God of Fire," which saw the pit explode with ferocity. Ryan Kirby’s vocals were impeccable, shifting seamlessly between guttural growls and soaring cleans, solidifying their place as one of modern metalcore’s elite. Kublai Khan. Photos by Samuel Stevens. Kublai Khan took the stage next, and from the first note of "Supreme Ruler," the venue erupted into chaos. Their brutal, no-frills approach to hardcore resonated deeply with the crowd, as "Boomslang" and "Darwinism" fueled relentless moshing. The band’s aggressive stage presence, led by vocalist Matt Honeycutt’s commanding delivery, made every breakdown feel like a sledgehammer to the chest, and that filthy bass tone certainly helped. By the time they reached "The Hammer," the entire room was moving, with "Self-Destruct," "Antpile," and "Antpile 2" closing out their set in a flurry of crowdsurfing and circle pits. Kublai Khan’s set was a testament to the raw power of hardcore at its most unfiltered. Finally, it was time for the legendary Killswitch Engage to take the Burton Cummings Theatre stage, and they did so in grand fashion, launching straight into "Strength of the Mind" with the precision and energy that has made them one of metalcore’s most enduring acts. Jesse Leach’s vocals soared through "Rose of Sharyn" and "Fixation on the Darkness," while Adam Dutkiewicz’s frenetic guitar work kept the crowd engaged. Killswitch Engage. Photos by Samuel Stevens. Their set was a perfect balance of old and new, with "Beyond the Flames" and "Hate by Design" representing their more recent output, while classics like "My Curse" and "The End of Heartache" sent the crowd into a frenzy. The emotional weight of "The Arms of Sorrow" was palpable, and when they closed with "My Last Serenade," the entire theatre was singing along, fists in the air. This show was nothing short of a masterclass in heavy music, with each band bringing their own unique style to the table. Whether it was the chilling death metal of Frozen Soul, the anthemic metalcore of Fit For A King, the hardcore fury of Kublai Khan, or the legendary presence of Killswitch Engage, every moment was a testament to the power of live metal. Winnipeg’s metal community showed up in force to sell out the show, proving once again that the city is more than ready for the heaviest of tours. This was a night that will be talked about for years to come.

WATCH OR LISTEN TO "RUNNING/PLANNING" Today, Irish country-pop superstar CMAT announces her new album EURO-COUNTRY , her “most important record” to date, set for release on August 29 via AWAL. It’s accompanied by the new single " Running/Planning ," which is out now. She also unveils a mammoth run of UK live dates - including a high-profile Glastonbury slot and her biggest headliners to date: London’s O2 Academy Brixton and Dublin’s 3 Arena. On “Running/Planning,” which premiered today on BBC Radio 1’s Hottest Record, CMAT says: "Running/Planning’ is about having to chase your own tail to be good enough to exist. It’s an abstracted view of societal pressure on women - specifically through a relationship lens: You start dating someone, you get engaged, you get married, you have kids, etc, etc, etc… everything has to follow this linear pattern. (That’s the reason for the repetitive chorus!). And the minute you don’t follow that path, your mam starts giving out to you. That narrow path that everyone is supposed to be on… the minute you get outside of that, it gets incredibly stressful. And I don’t know anyone who is like, ‘Yeah, love this!" Despite this being her third album, this fully-formed, acronymic star feels like she’s been part of the culture forever. EURO-COUNTRY follows 2023’s brilliant Crazymad, For Me - an album that propelled her to wider attention and garnered numerous accolades including: a BRITs Best International Artist nod; and ‘Best Album’ nominations from the Ivors ; Mercury Prize and the Choice Music Prize in her native Ireland (an award she won for her debut, If My Wife New I’d Be Dead) .  Press, radio, and television have all been integral in her rise, with numerous covers, five-star reviews, playlists, Maida Vale sessions, and TV appearances, including Jools Holland (both Later… and a memorable turn on his Hootenanny) and The Graham Norton Show . A relentless touring schedule with The Very Sexy CMAT Band has cemented her reputation as one of the best live acts around.  n’t know anyone who is like, ‘Yeah, love this!" The new album - released via AWAL Recordings - was recorded in New York and co-produced by long-time collaborator Oli Deakin and CMAT. EURO-COUNTRY tackles a number of big themes including personal reflections on economics, identity, and grief. It marks another step in the unstoppable rise of CMAT and cements her position as a generational songwriter.    What has endeared fans to her heart-sore tunes and humor is Ciara Mary-Alice Thompson’s ability to combine contradictory themes and moods: wide-eye drama with self-deprecation; the fusion of country and pop, with even more influences stretching across decades and genres. EURO-COUNTRY is no different: an aural tight-rope walk that balances big themes, specifically: the impact of economics on a small country, the attention that comes with increased fame (not all of it good), and being a woman.   Speaking about the LP, CMAT said: “ EURO-COUNTRY is, I think, the best thing I have ever made. I felt halfway through recording it was the most important record I’ve made for myself… mainly because it was making me go crazy "   “I'm always going to make the work I want to make, because there is a little gremlin in my head that tells me if it’s shit. More than success, there’s a bigger gremlin that wants me to make music that’s really good. She’s brutal and has ruined my life at times, but she is the keeper of my life, and she’s always right .” European/UK Tour Dates 2025  May 23rd - Wide Awake Festival, London, UK May 25th - Neighbourhood Festival, Warrington, UK Jun 5th - Primavera, Barcelona, ESP Jun 6th - London Stadium, London, UK Jun 12th - St James Park, Newcastle, UK Jun 14th - St James Park, Newcastle, UK Jun 15th - St James Park, Newcastle, UK Jun 27th - Glastonbury, UK Jul 12th - NOS, Lisbon, POR Jul 26th - Truck Festival, Oxfordshire, UK Jul 27th - Tramlines Festival, Sheffield, UK Aug 1st - Belladrum Tartan Heart, Belladrum, UK Aug 2nd - All Together Now, Waterford, IRE Aug 7th - Syd For Solen, Copenhagen, DEN Aug 8th - Way Out West, Gothenburg, SWE Aug 14th - Cabaret Vert, Charleville Mezieres, FR Aug 15th - Lowlands, Biddinghuizen, NL Aug 16th - Green Man Festival, Crickhowell, UK Aug 28th - Boucher Playing Fields, Belfast, UK * Oct 2nd - O2 Academy Brixton, London, UK Oct 4th - Academy, Manchester, UK Oct 5th - O2 Academy, Leeds, UK Oct 6th - NX, Newcastle, UK Oct 9th - Barrowland Ballroom, Glasgow, UK Oct 12th - Rock City, Nottingham, UK Oct 13th - Corn Exchange, Cambridge, UK Oct 15th - Dome Concert Hall, Brighton, UK Oct 16th - O2 Institute, Birmingham, UK Oct 17th - UEA, Norwich, UK Oct 19th - Octagon, Sheffield, UK Oct 20th - O2 Academy, Bristol, UK Dec 5th - 3Arena, Dublin, IRE * Supporting Sam Fender Pre-Orders of EURO-COUNTRY are available from the CMAT store on the following physical formats: limited colored double vinyl, standard double vinyl, CD, and tape: https://cmat.ffm.to/EURO-COUNTRY

Three decades into a storied career, Arch Enemy continue to prove that metal is not just alive and well — it’s immortal. With their twelfth studio album, Blood Dynasty , out March 28, 2025, via Century Media Records, the Swedish melodic death metal legends don’t just rest on their laurels; they sharpen them into weapons. This record is Arch Enemy at their most ferocious, creative, and unapologetically powerful. From the very first notes of "Dream Stealer," Arch Enemy set the tone: blistering speed, razor-sharp riffs, and that signature balance between brutality and melody that Michael Amott pioneered back in the Black Earth  days. The track erupts with intensity and reminds listeners exactly why this band remains untouchable in the genre. Amott’s guitar work dances between complexity and memorability, while Alissa White-Gluz’s vocals are a force of nature. "Illuminate the Path" is a standout—not only for its melodic hook but for White-Gluz’s clean-sung chorus, which they did on a track on the last album, is a bold move that pushes Arch Enemy’s sound forward without losing their core identity. It’s both anthemic and sinister, demonstrating the band’s ability to evolve while remaining unmistakably themselves. "March of the Miscreants" is a thundering call to arms, embodying the band’s enduring underground spirit. Amott’s lyrics and riffs here pay tribute to the underdog mentality that has defined their career—an unrelenting drive to stay authentic in a world where metal often gets overlooked by the mainstream. "A Million Suns" and "Don't Look Down" deliver mid-tempo, groove-laden punches with thick atmospheres, while "Presage" acts as a short, dark instrumental interlude driven by a haunted duel between a cello and acoustic guitar, building tension before the album’s centrepiece: "Blood Dynasty." The title track is an atmospheric slow-burn—Amott wasn’t kidding when he described it as a "dystopian soundscape." It’s menacing yet melodic, pulling listeners into a cinematic swirl of riffs and tension that explodes into grandeur. The band also throws a fun curveball with "Vivre Libre," a French hard rock ballad originally by '80s metal outfit Blaspheme. Sung entirely in French by White-Gluz—who grew up in Quebec—it’s a moment of pure passion that feels both daring and effortless—the kind of risk that lesser bands wouldn’t take on their twelfth album, but Arch Enemy embraces it with confidence. It also marks the first time the band has put a cover in the main tracklist of an album and not as a bonus track. "Paper Tiger" and "The Pendulum" bring the album’s final act to life with dizzying riffs and thundering grooves, before the album's closing track, "Liars & Thieves," sends it all home with explosive speed and an irresistible melodic hook that’s destined to become a live staple. The crowd chants practically write themselves. Produced by the renowned metal producer Jens Bogren, the album sounds colossal. The mix is tight and layered, with every detail shining through—from Daniel Erlandsson’s pummeling drums to Sharlee D’Angelo’s thunderous bass and Joey Concepcion’s fluid leads that perfectly complement Amott’s virtuosity. What’s most impressive about Blood Dynasty  is how Arch Enemy still manages to sound hungry and inventive without abandoning the foundation they laid nearly thirty years ago. They’re not chasing trends, nor are they watering down their ferocity. Instead, they double down on what makes them great while sprinkling in surprises to keep things fresh. This album isn’t about reinvention—it’s about perfecting the craft, and Blood Dynasty  feels like the crowning jewel in an already legendary discography. As they approach their thirtieth anniversary, Arch Enemy have delivered an album that stands tall alongside classics like Wages of Sin  and War Eternal —a testament to their unwavering spirit and endless drive. Blood Dynasty  is a thunderous celebration of everything Arch Enemy stands for: jaw-dropping musicianship, unstoppable energy, and an undying passion for, as they would declare as "pure fucking metal." Thirty years in, they’re still leading the charge—and showing absolutely no signs of slowing down. Check out more from Arch Enemy: Website  | Facebook  | Twitter  | Instagram  | TikTok

On March 16, 2025, Winnipeg’s Park Theatre felt more like a dark, hazy basement than a concert venue—intimate, warm, and buzzing with hometown pride as Goody Grace returned to his home province for the A Nice Place To Visit  Tour. The night celebrated not just his latest record, but his evolution as an artist, with a full-album performance followed by throwbacks that left long-time fans grinning ear to ear. GMH. Photos by Samuel Stevens Photography Before Goody took the stage, fellow Manitoba talent GMH set the perfect tone for the night. Although his setlist wasn’t fully known to most in the crowd, it didn’t matter—his sincerity shone through. Highlights included a hauntingly beautiful cover of The Tragically Hip’s “Wheat Kings,” a nod to Canadian roots that had the audience swaying in unison. “Ghost” and “Love Song” showcased GMH’s knack for emotional storytelling, while covers like Zach Bryan's “Hey Driver” and Noah Kahan's “Growing Sideways” added unexpected but welcome depth to his set. His mix of originals and carefully chosen covers proved he’s a local artist well worth following. Then came the moment everyone was waiting for: Goody Grace stepping onto the Park Theatre stage, greeted with cheers that could only come from a hometown crowd. Starting with the reflective track “Soliloquy,” he set the scene for a deeply personal performance. The live rendition of A Nice Place To Visit  felt both cinematic and vulnerable—“Quarter Life Stagnation” hit especially hard, resonating with a crowd of young adults who understand that sense of restless limbo all too well. Goody Grace. Photos by Samuel Stevens Photography Standout moments included “People Are Alike All Over,” where Goody’s signature mix of indie, folk, and alt influences blended seamlessly; and “Eveline,” performed with palpable tenderness. During “Breathe on My Own,” the room felt silent and still—a collective moment of pause before the title track, “A Nice Place to Visit,” wrapped up the album portion of the show with grandeur and gratitude. But Goody wasn’t done yet. The rest of his set leaned into nostalgia and connection. “On Repeat” and “Grape Swisher” felt like love letters to longtime fans. The medley of “Girls In The Suburbs Singing Smiths Songs” into “Too High” had the crowd singing every word. He closed the night with the perfect one-two punch: “Pretend” and “Scumbag,” with the latter ending on a surprise snippet of his most loved track, “Two Shots,” reminding everyone just how far he’s come—from SoundCloud beginnings to a sold-out hometown show celebrating his most fully realized project to date. The night was more than just a concert; it was a homecoming, a reflection, and a reminder that while Goody Grace might be touring A Nice Place To Visit,  for one night in Winnipeg, he was exactly where he belonged.

How would you describe your music to any person who may have never heard it before? Wyatt: I grew up on old country music and traditional bluegrass. I play fiddle but my focus in on the song and songwriting. Many influences rise to the top. I'm definitely a quintessential Americana music listener and artist. I fit directly beneath that umbrella. What's the significance of your musical moniker? W: I just use my name, but I call my band The Riverstones. I'm a river rat and kayaker. What are your musical influences? W: I love emotional songwriting in the vein of Patty Griffin, Lucinda Williams, and Jason Isbell. What are your musical inspirations? W: I'm inspired by live performance. I try and go to see a show at the Ryman every year and Red Rocks. Artists seem to step up their game when performing in those venues. I love to hear how the song evolves from the recording to the stage. Most of my songs live on stage long before I lay them down in a studio.  If given the chance, what musician(s) would you like to collaborate with? Rather this is to either write a song or be featured on a track. W: I would love to collaborate with Jenny Lewis, Sierra Ferrell, or Band of Horses. What's your brand new song about? W: My new single "Liar" is a straightforward confrontation to someone who was trusted and obviously, couldn't bear the weight of the trust. It's also a song I wrote for myself to keep my own honesty and integrity in check. What's something you hope people take away from the new single and the songs of your forthcoming album? W: I hope they resonate with the emotion in the lyrics. That they may find themselves and be encouraged to take better care of themselves. We all beat ourselves up about the smallest things and we live with that trauma of our own guilt and shame. I hope these songs on the new album -which will be released later this year- will take listeners on a journey and see how to find their humanity and the humanity of others in the loneliness and isolation this world often provides. Which songs on the album were the most fun to write and which were the most challenging to write? W: I work with a program called Warrior Week, which enlists songwriters to meet with veterans and discuss acclimating to civilian life and the struggles they have communicating with their families and friends who don't understand the culture the vets lived with for years. And it is a struggle once they are out of service. Finding a purpose in their life away from their rankings, brother and sisterhood, and the awful things they witnessed while deployed or in training seems so difficult for most of them. Therapeutic songwriting has transformed these wonderful people right before my eyes. I have a song I wrote while working with the program, "Wishes In a Well," that I recorded for the album. It was most challenging because of the deep emotion surrounding the context. Years lost. We all experience that.  The most fun one to write was "I Done Told Y'uns," which was inspired by my Granddaddy who raised me and his fear that me and my brother might end up like our parents -wild, drunken sinners [Laughs]. I used to work in church in my early days as a youth leader. I turned this song, basically a list of warnings from my Grandad into a swampy, gospel-style hell-fire and brimstone epic! Amy Ray of Indigo Girls, one of my favorite voices and writers makes an appearance and channels the intensity of the fear of sin. Do you have any favourite song or songs off the new album? W: Hmm... My favourite has changed as the songs evolved from stage to studio. I'm most proud of the closing song, "You Had It All." I think it's one of the best songs I've ever written. It came from a pure place and it feels that way. It's a crowd favourite too. What's the new album about? W: Lies From the Lonesome Valley is the album title. I'm releasing it on September 5, 2025. Eleven songs or stories, maybe true, maybe not. Either way, the tales come from a weary traveller winding around to the end of a long trek. These songs are his observations along the way and the proof that he experienced, felt, cried, laughed, sang, hurt, hungered, walked, ran, rested and loved. Do you have any favourite songs to perform live? Could be your own music or even a cover. Any reason why? W: The new single "Liar" is fun because it's so confrontational. And I'll look you in the eye from the stage when I sing it. If you could perform a show this very second anywhere in the world, where would it be? W: Red Rocks. Is there any particular venue(s) or city/cities that comes to mind? W: Nashville, of course! The Ryman. I love Wolf Trap in Virginia. I'd like to perform at the Hollywood Bowl. I was born in Los Angeles and my Grandma is still there. She could come see me! What do you currently have planned for the remainder of the year? W: Releasing seven singles and then the album. I have a lot of shows scattered all over but no real long tour. I promote my own concert series "Acoustic Sunsets" at the Georgia Mountain Fairgrounds in Hiawassee, GA -the town where I was raised. I'll host fifteen shows there this year in addition to four festivals.  Thanks for the time, Wyatt. Is there anything else you may want to add before you go? W: Yeah. I call them lies, but it's all true.

More than a decade after they helped define politically charged deathcore with Insurrection , Molotov Solution has returned with Void  — a five-track statement of power, purpose, and pure devastation. Self-released on March 21, 2025, it was produced by genre heavyweight Will Putney (Fit For An Autopsy, Thy Art Is Murder, Knocked Loose), Void  cements their place not only as legends of the past but as leaders of the genre’s future. From the moment opener "Devour the Children" detonates, it’s clear that Molotov Solution didn’t return to rehash old glories. This track is a declaration of war, marrying their signature mechanical riffage and blast beats with newfound urgency. The lyrical content is as unflinching as ever — bleak, confrontational, and unapologetically political — but delivered with more refined storytelling and world-building than we’ve ever seen from them. "Necessary Evil" follows, showcasing groove-laden, chugging riffs and a menacing breakdown that feels tailor-made for obliterating festival crowds. The band balances technical proficiency with sheer sonic punishment, and Putney’s mix allows every jagged edge to cut through with surgical precision. "Stranglehold" emerges as the EP’s most chaotic offering — frantic, mathy, and viciously unpredictable. Yet, beneath the whirlwind of dissonance and machine-gun double kicks lies an undeniable sense of control. This is chaos orchestrated to perfection. On "Mortis Imperium," the band expands their sound with subtle atmospheric flourishes underneath the ferocity, adding a cinematic weight to the relentless chaotic barrage of heaviness. Vocalist Nick Arthur sounds more dangerous than ever, alternating between guttural roars and higher shrieks, with lyrics that explore the rot of empire and the decay of unchecked power. The EP's closing track, "The Golden Tower," is nothing short of an apocalyptic masterpiece. The track builds from a crawling, ominous intro into a climactic maelstrom of riffs and blast beats that feel like the world is imploding. The lyrics paint a dystopian vision of corrupted power structures collapsing under their own weight — an anthem for rebellion and resilience. Ultimately, Void  is not just a comeback; it’s a coronation. Molotov Solution’s nearly decade-and-a-half-long silence only sharpened their blades. This EP doesn’t just recapture their legacy — it expands it, pushing the boundaries of deathcore while staying true to the band's core: a relentless soundtrack to societal collapse and resistance. Molotov Solution has returned as a dominant force, more focused, furious, and relevant than ever. Void  is a crushing, cinematic, and vital release that proves they’re not only back — they’re here to lead. Find out more from Molotov Solution: Website | Instagram | TikTok | Facebook | YouTube

More about the podcast: The Music Storm Podcast is an interview podcast about getting to know people within the music industry. From musicians, photographers, venue hosts, and even lighting and sound techs, you name it, they may appear. This podcast will be very diverse and asking people what they think the music industry will become, where it’s heading to, and so much more. You can find the podcast wherever you listen to podcasts HERE .

Stream “Dead Weight” Here Music Video Here Rising pop sensation, Maya Kuriel, has kicked off 2025 with a powerful new single, "Dead Weight," an eerie and emotionally charged track that explores the suffocating weight of toxicity. Through raw lyrics and experimental production, Maya plunges listeners into a disorienting descent—much like Alice falling down the rabbit hole—where the lines between reality and nightmare blur. "Dead Weight" paints a visceral picture of drowning while "clawing, screaming" into the depths where the light can’t reach. The song encapsulates the battle of confronting what drags us down and ultimately finding the strength to break free. The music video for "Dead Weight" brings the song’s theme to life with surreal, fluid movements that evoke the feeling of being dragged down. Featuring hypnotic and unsettling visuals, Maya Kuriel is seen struggling and drowning in water, symbolizing the emotional weight that threatens to consume her. MORE INFO ABOUT MAYA: Born and raised in Seattle and now based in Los Angeles, Maya Kuriel is a first-generation Korean American artist redefining the landscape of pop music. She’s a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that’s long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats. Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she’s the storm brewing on the edge of pop’s horizon—one that refuses to be ignored. Find out more from Maya Kuriel: YOUTUBE | INSTAGRAM | TIKTOK | TWITTER

Bloodywood have always been more than just a band — they’re a movement. After making waves with their self-released debut Rakshak  in 2022 and taking Indian metal to international stages, the New Delhi-based rap metal/nu metal powerhouse returns with Nu Delhi , their third and most focused album to date. which is set for release on March 21, 2025, via Fearless Records. On Nu Delhi , Bloodywood once again blends the unrelenting energy of nu-metal with Indian folk influences, but this time they push harder, hit deeper, and sound more fearless than ever. The album opens with “Halla Bol,” a war cry that perfectly encapsulates what Bloodywood have become: global messengers armed with ferocity and purpose. The track is massive, with Karan Katiyar’s pounding riffs and Jayant Bhadula’s signature growls, while Raoul Kerr spits sharp political and personal truths that feel both local and universal. “Hutt” follows, delivering a searing anthem of self-validation. It’s loud, proud, and custom-built for arenas — Kerr’s fiery bars pair perfectly with Jayant’s Hindi chorus, empowering listeners to rise above negativity and outside noise. The heartbeat of the record arrives with “Dhadak,” a more introspective cut that leans into melody without sacrificing weight. Infectious melodies return on the track, juxtaposed beautifully against crushing guitar work and Vishesh Singh’s commanding drums. One of Nu Delhi ’s most exciting moments comes with “Bekhauf (Fearless),” featuring none other than Japanese pop-metal icons BABYMETAL. The collaboration feels surprisingly natural — a perfect cultural fusion where Jayant’s powerful Hindi vocals soar alongside BABYMETAL’s playful yet fierce contributions. It’s an anthem for the world stage, with the chorus, "ना किसी का ज़ोर,  कदम बढ़ेंगे ठोस,  हर जंग फतेह कर दूंगा मैं बेखौफ," translating to: "No force can restrain me; Every stride is firm and sure. I conquer every battle, Fearlessly." “Kismat” brings Bloodywood back to their socially conscious storytelling, alongside their Indian folk metal side, reminding listeners that our lives are shaped not just by luck but by resilience and courage. It’s equal parts motivational and confrontational — just what the band has always excelled at. The biggest curveball arrives with “Daggebaaz” — a brutal nu-metal stomper that feels darker and more aggressive than anything the band has done before. Here, they lean into danger and chaos, channelling the fury of a generation fed up with political and societal deceit. “Tadka,” meanwhile, is a total joy. It’s a celebratory, playful track paying tribute to the band’s love for Indian food. Raoul Kerr’s lines — “Because our food was made to win hearts like a wager… vicious and delicious” — are both fun and memorable, while Jayant’s vocals feel warm and inviting. It’s a reminder that Bloodywood’s spirit is as much about joy and culture as it is about protest and resilience. Finally, the album closes with its title track, “Nu Delhi,” a love letter to the band's hometown. Equal parts homage and manifesto, it cleverly ties together the band’s identity with the evolution of their sound. Katiyar’s production here is stellar, layering folk instrumentation with crushing grooves, and a rap-driven core in a way that feels cinematic. You can practically see the bustling streets, and feel the chaos and beauty of the city they call home. What makes Nu Delhi  stand out is not just its fusion of styles, but its fearless authenticity. Each track is a statement — about culture, about resistance, about joy, and about self-belief. The band’s growth is palpable; they sound sharper, more confident, and more comfortable in their global role as metal ambassadors from India. If Rakshak  was the rallying cry and Nu Delhi  is the victory march, Bloodywood have officially cemented themselves as not just an internet sensation, but a world-class force. Find out more from Bloodywood: Website | Instagram | Twitter | Facebook